Historical Development of Contemporary Indian Art: 1880-1947 (original) (raw)

A study of influence of traditions on Indian Modern Art

isara solutions, 2018

The research paper critically evaluates and brings out the impact of traditions on India's contemporary visual art. Indian art has come through a long passage from being traditionally oriented to imbibe several aspects of modern and western art yet to maintain its roots in the cultural heritage of India. The paper covers the impact of India's traditional artwork and its culture on Mughal art and subsequently the impact of British rule and western education system on Indian culture and its art. Today's contemporary art of India is indeed an amazing amalgamation of traditional Indian art and western art techniques and Indian artists actively exploring international avenues not only to contribute but make a mark across borders.

Published in ongoing Discussion on Online Platform Artshrooms (Artist Collective) on Indian Art During Covid -19 Pandemic-2020 Indian Modernists (Progressive Art) Contemporary Art of Post Independence India

Published in ongoing Discussion on Online Platform Artshrooms (Artist Collective), 2020

In India after post independence the Art scene was convinced of the 'Modernizing' process, some were influenced by a drive of western modern Art, with influence to European Experiments such in German, France, Italy and American modernism in Art. Some artist to try a middle way, giving the East-West oscillation a renewed swing, with giving importance to both views of western art and indigenous art phrase, in general it was difficult situation for Indian artist to take perspective. In this summary I tried to conclude overall activities taken place during late 20 th century and individualistic artistic Style developed by some of the artists during 1950 to 1980s. With some examples of the prominent Artists with specific idiom from indigenous Art form, influenced by Tribal, Folk and Traditional Art styles of India, Secondly Artist in 'search of Nationalism' in Art, 'search for Identity crisis', to create one's own stylized approach or find an identity as an artist and the third one in reaction to and influenced by European modern Art trends of mid 20 th century, with Spontaneous reaction to the expressionism of Rouault, Gauguin, Van Gogh, Paul Klee, Pablo Picasso, Modigliani, formed the inspirational bases for some of the Artistic drive. In conjunction to this specific preference to Art styles, figurative Abstraction and stylized Abstraction are visible in India.

Parul Pandya Dhar (2011), "A History of Art History: The Indian Context" in Indian Art History: Changing Perspectives, ed. Parul Pandya Dhar, New Delhi 2011, pp. 1-32

Indian Art History: Changing Perspectives, ed. Parul Pandya Dhar. New Delhi: D.K. Printworld., 2011

The shaping of the disciplinary practice of art history in the Indian context has been a fascinating process and brings to the fore a range of viewpoints, issues, debates, and methods. Changing perspectives and approaches in academic writings on the visual arts of ancient and medieval India form the focus of this collection of insightful essays. A critical introduction to the historiography of Indian art sets the stage for and contextualizes the different scholarly contributions on the circumstances, individuals, initiatives, and methods that have determined the course of Indian art history from colonial times to the present. The spectrum of key art historical concerns addressed in this volume include studies in form, style, textual interpretations, iconography, symbolism, representation, connoisseurship, artists, patrons, gendered readings, and the interrelationships of art history with archaeology, visual archives, and history.

Vision of India : A Case Study of the works of Selected Foreign Artists on India ( 1750-1850 )

2016

India is symbolized by the diversity of its art and culture from epochs. Visitors from other countries have been attracted to its culture, religious beliefs, artistic beauty and philosophy. Foreign artists have been coming to India from early period. Being impressed by different aspects of India they portrayed the country after making a mental picture through artistic observation. India is a land of mountains, hills, rocks, soils and various climates for some artists and for some, it is full of religious thoughts and beliefs, rich in social life, customs and traditions that encouraged and motivated the minds and hearts of foreign artists to paint India. Filtered through the connoisseur’s lens, India emerged as an exotic and mysterious land from the paintings of the ghats of Banaras, dancing girls in princely courts, colorful costumes, portraits of rulers and their courtiers, different native occupations and the local flora and fauna. Thus, this paper is an attempt to evaluate the wo...

Towards an Indian Idiom of Modernism in Art

Valedictory Address at Asiatic society, Kolkata, at Seminar on Understanding Modern Art in Global Perspective, 2019

Modernity in art, specially, in painting, has been perceived as a fundamental break with earlier aesthetic conceptions in the Western formulation in the 20 th century. Its expressions have been diverse, initially European, later American, with further ramifications in the world. Indian modernity in painting has also been guided by the Western art market. The market has been driven by urban, industrial, commercial patronage, cemented by an alliance of auction houses, galleries, museums, curators, Biennales and Triennales. The alliance has been strengthened by prestige mongering festivals of arts, sponsored by the nation state as a cosmetic aid to diplomacy in the West. The Indian expression of modernity in art, specially, in non objective, abstract painting, has to untie itself from Western apron strings, and find its feet in an endogenous fusion of Indian and global horizons, in shape and meaning, material and techniques.