Theorizing Transnational Feminist Praxis (original) (raw)

Richa Nagar and Amanda Lock Swarr that is premised on a denial and dismissal of the collaborative basis of all intellectual work produced within the institution. This general tendency in the U.S. academy is made more pronounced by a celebrity culture where an internalized need to present oneself as an individual academic star often translates into a drive to abstract and generalize, frequently in opposition to those who are seen as immersed in "grounded struggles." The assumptions and fallacies of a model based on the notion of an individual knowledge producer in academia (feminist studies included) are useful starting points for an interrogation of three sets of dichotomies critical to rethinking the meanings and possibilities of feminist praxis: individually/collaboratively produced knowledges, academia/activism, and theory/method. Such interrogation can also serve as a meaningful entry point from which to consider the relationships between local and global as well as to revisit the politics of authenticity, translation, and mediation with an explicit aim of extending ongoing conversations about the meanings and possibilities of transnational feminist engagements. This volume is an initial step in what we see as our long-term collaborative journey with one another and with collaborators in other academic and nonacademic locations (e.g., Swarr and Nagar 2004; Nagar and Swarr 2004; Bullington and Swarr 2007; Sangtin Writers [and Nagar] 2006) to refl ect on the meanings and implications of these three dichotomies in relation to transnational feminist praxis. We note two phenomena that have been in mutual tension. On the one hand, growing interests in questions of globalization, neo-liberalism, and social justice have fuelled the emergence and growth of transnational feminisms in interdisciplinary feminist studies. On the other hand, ongoing debates since the 980s over questions of voice, authority, representation, and identity have often produced a gap between the efforts of feminists engaged in theorizing the complexities of knowledge production across borders and those concerned with imagining concrete ways to enact solidarities across nations, institutions, sociopolitical identifi cations, and economic categories and materialities. We reconceptualize collaboration as an intellectual and political tool to bridge this gap, with possibilities that exceed its potential as a methodological intervention. We suggest that interweaving theories and practices of knowledge production through collaborative dialogues provides a way to radically rethink existing approaches to subalternity, voice, authorship, and representation. Although such concepts as transnational feminist studies are sometimes invoked as if a subfi eld with shared meanings and assumptions exists, we suggest that the two phenomena noted here have constituted transnational feminisms as a diverse and diffuse fi eld where hierarchies and the consciousness of one's womanhood coincides with the realization that it has already been appropriated in one form or another by outsiders, women as well as men, experts in things Middle Eastern. In this sense, the feminist project is warped and rarely brings with it the potential for personal liberation that it does in this country [U.S.] or in Europe.