Atenco Lives!: Filmmaking and Popular Struggle in MexicoLivia K. Stone (Nashville: Vanderbilt University Press, 2019) (original) (raw)
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Cuadernos de Música, Artes Visuales y Artes Escénicas , 2021
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Phone: +612 9817 5902 Mobile: +612 411 260 158 Skype: estelamv Abstract This paper will look at the recent filmic representation of contemporary Latin American identities configured by transnational violence. Films such as In the shadow of the raid; Traspatio and La zona will be analysed are clear examples of the role of film in the construction of these emergent identities. Traspatio exposes the victims of foreign investment, transnational narcotraffic and femicide in the USA/Mexican border; In the shadow of the raid explores how labour migration to the US has given rise to new forms of violence, social control and exacerbated insecurity. The film La zona exposes the new form of social control and security: the gated communities or "new castles" where the wealthy can effectively ignore poverty and all social injustices by creating an artificial bubble of their own with a parallel culturescape that operates largely outside the realm of the state's sovereignty. At the beginning of the XXI Century, the transnational world that
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