A study of handwriting production: educational and developmental aspects (original) (raw)
Abstract
Chapter 1 Introduction Setting the framework of the study 11 Chapter 2 The production of line drawings Foreperiod duration and the analysis of motor stages in a line-drawing task 31 Chapter 3 The production of stroke sequences Movement analysis of repetitive writing behaviour of first, second and third-grade primary-school children 51 Chapter 4 The production of letter forms Perceptual-motor complexity of printed and cursive letters 77 The acquisition of skilled handwriting: Discontinuous trends in kinematic variables 93 Chapter 5 The production ofbigrams The production of connecting strokes in cursive writing: Developing co-articulation in 8 to 12 year-old children 105 Chapter 6 The production of words Variations in cursive-handwriting performance as a function of handedness, hand posture, and gender Chapter 7 Epilogue Applications of handwriting research to the organization and contents of handwriting curricula Collected references Summary Samenvatting Curriculum vitae 183 primary-school children producing simple stroke sequences, single cursive letter forms and cursive bigrams. The order of these tasks corresponds closely to the order in which children are taught the skill of cursive handwriting. The nature of our successive research questions changes correspondingly. At the start they are predominantly concerned with peripheral aspects of handwriting. Subsequently they increasingly pertain to 14 Chapter 1 empirical findings in the literature concerning the development of grasping and reaching. The series ends with a final laboratory study focussing on the written production of words by adults. The experiment was designed to investigate variations in handwriting performance as a function of the important subject variables of handedness, hand posture, and gender. Writing with the left hand is a specific matter of concern for teachers and educationalists. We argued that left-handed writing may well be studied in adult subjects because these subjects, having years of writing experience subsequent to their formal writing education, may be expected to have developed consistent, more or less efficient movement strategies. An analysis of these strategies should yield useful insights for the design of training situations for left-handed children. The thesis is concluded with a chapter which consists of an epilogue discussing the application of fundamental insights in handwriting to the field of education. The implications of a recent theoretical model of handwriting production (Van Galen, Meulenbroek & Hylkema 1986; Van Galen, Smyth, Meulenbroek & Hylkema, in press) for the organization and the content of a handwriting curriculum are discussed. Subsequently, an attempt is made to exploit the empirical findings of the present series of experiments, as well as the research technique with which their data were collected and analyzed, in the applied settings of formal writing education and the treatment of writing problems. Having described the global organization of the thesis we are now able to indicate how the present experiments differ from the educationally oriented studies of handwriting mentioned previously. In the present experiments we make use of sophisticated computer techniques to record and analyze both the spatial and kinematic aspects of handwriting movements with great precision, whereas the earlier studies were generally aimed at the handwriting products to evaluate performance. In order to evaluate these finished products, researchers mainly relied on subjective judgement in which techniques such as error classification, observation by means of transparent overlays, and the employment of assessment scales play a central role. In contrast to these studies, the present thesis may be characterized as a study of handwriting movement instead of a study of handwriting products. Furthermore, we claim that the systematic analysis of the kinematics of handwriting movements enables us to make inferences about the underlying psychomotoric processes and their development. In our view, these processes determine to a relatively high degree the actual handwriting performance (Van Galen 1980; Van Galen & Teulings 1983; Van Galen et al. 1986; Van 16 Chapter 1 tactile) is used for the evaluation of motor performance. This evaluation of task performance on the basis of information from various senses is supposed to be necessary for the build-up of internal representations which contain essential information regarding task performance. It is assumed that these representations initiate and shape future actions. The information-processing approach uses constructs such as feedback, schemata, motor programmes and open and closed-loop motor-control mechanisms, not only to explain skilled behaviour, but also to describe changes in skilled behaviour as a result of learning and development (
Figures (40)
central aspects of the skill. The control of simple hand and finger movements is investigated first. This is followed by a search for the factors determining the perceptual and motoric complexity of letter forms. Finally, the requirement of coordinating the production of two joined letters is examined. In studying the handwriting movements of school children, special attention is given to developmental aspects. Age-related changes in movement-control strategies are inferred from the recorded handwriting movements. These changes are verified in three of the four experiments conducted with primary-school children, and they are related to other
Figure 1. Graphic display of stimuli and experimental conditions. S = centre o! display and starting position of penpoint. One line starting at S and ending at one o: the four bisection points of the sides of a diamond (1) indicated the movemen direction of the first element. When a second line had to be drawn a second line wa: displayed starting at (1) and ending at one of the two comer-points (2) along the bisected side of the diamond indicating the movement direction of the seconc element. Required movement size was indicated by the size of the displayed stimulu: lines (1 or 2 cm; equal lengths of lines in the 2-element task situation). Movement: along the direction indicated by the dots consisted of wrist movements, along the direction indicated by the stripes consisted of finger movements.
variations in movement distance of the first as well as of the second element The mean movement distance of the first element was 1.305 cm in the small and 1.686 cm in the large size condition (F(1,13)=388.52; p<.01). Mea movement distance of the second element was 1.319 cm in the small, ans 1.583 cm in the large size condition (F(1,13)=86.99; p<.01). Movemen distance varied little as a result of size instructions because (1) lines of 1 an 2 cm were presented on a screen 135 cm in front of the subject and (2) n spatial tolerance limits for the subjects’ performance were used. Size effect on movement distance were equal accross experimental conditions except fo a significant reduction in movement distance of the first element (0.074 cm when this element was performed in the context of a second elemen (F(1,13)=16.98; p<.01). ——— eo Table 1 summarizes the main effects and interactions of the CRT data. Number of elements had a significant (F(1,13)=112.2; p<.01) effect on CRT : on the average the 1l-element task situation was 37 ms faster than the 2-elements task situation. Movement size had a small, but also significant (F(1,13)=5.37; p<.05) effect on CRT: the large figures were 5 ms faster than the small figures. The effect of movement direction was also significant (F(1,13)=21.30; p<.01): lines initiated by wrist movements had 7 ms shorter CRTs than lines initiated by finger movements. The latter two main effects seem to be rather small in relation to the temporal resolution with which the ariations in movement distance of the first as well as of the second element. The mean movement distance of the first element was 1.305 cm in the small, nd 1.686 cm in the large size condition (F(1,13)=388.52; p<.01). Mean novement distance of the second element was 1.319 cm in the small, and .583 cm in the large size condition (F(1,13)=86.99; p<.01). Movement listance varied little as a result of size instructions because (1) lines of 1 and . cm were presented on a screen 135 cm in front of the subject and (2) no patial tolerance limits for the subjects’ performance were used. Size effects yn movement distance were equal accross experimental conditions except fot | significant reduction in movement distance of the first element (0.074 cm) vhen this element was performed in the context of a second element F(1,13)=16.98; p<.01).
Figure 2. Averages of the median latencies for the line drawing task as a function of: number of elements and movement size (upper-left graph), movement size and movement direction (upper-middle graph), movement direction and number of elements (upper-right graph), foreperiod duration and number of elements (lower-left graph), foreperiod duration and movement size (lower-middle graph), foreperiod duration and movement direction (lower-right graph).
Velocity aata Table 2 summarizes the main effects and interactions of the velocity data of the first and second element. The mean velocity of the first element (V1) was larger in the one-element than in the two-element task (V1: 6.767 and 6.519 cm/s respectively; F(1,13)=6.0; p<.03). Small line drawings were significantly slower than large line drawings (V1: 5.998 and 7.294 cm/s respectively; F(1,13)=159.49; p<.01; V2: 6.740 and 7.516 cm/s respectively; F(1,13)=133.39; p<.01). Wrist movements performed as first element of the line-drawing task were significantly faster than movements of thumb and fingers as first element (V1: 7.210 and 6.071 cm/s, respectively; F(1,13)=83.65; p<.01). As second element, however, wrist movements were performed significantly slower than finger movements (V2: 6.167 and 8.100 Eee ee ee ee Table 2 summarizes the main effects and interactions of the velocity data of the first and second element. The mean velocity of the first element (V1) was larger in the one-element than in the two-element task (V1: 6.767 and 6.519 cm/s respectively; F(1,13)=6.0; p<.03). Small line drawings were Significantly slower than large line drawings (V1: 5.998 and 7.294 cm/s respectively; F(1,13)=159.49; p<.01; V2: 6.740 and 7.516 cm/s respectively; F(1,13)=133.39; p<.01). Wrist movements performed as first element of the line-drawing task were significantly faster than movements of thumb and fingers as first element (V1: 7.210 and 6.071 cm/s, respectively; F(1,13)=83.65; p<.01). As second element, however, wrist movements were performed significantly slower than finger movements (V2: 6.167 and 8.100 foreperiod duration and, number of elements (lower-left graph), movemer size (lower-middle graph) and movement direction (lower-right graph). Th analysis of variance showed no significant first order interaction ¢ foreperiod duration with number of elements (F(1,13)=0.16; p>.10 Foreperiod duration and movement size significantly interacte (F(1,13)=6.56; p<.03), whereas the interaction between foreperiod duratio and movement direction appeared not to be significant (F(1,13)=1.4 p>.10). While the main effects on CRT of movement size and direction wer very small (5 and 7 ms, respectively) it appeared that the effect of movemer size was so consistent that its interaction with foreperiod duration reache significance whereas the interaction between direction and foreperio duration did not. No significant higher-order interactions were present.
Figure 3. Mean drawing velocity: of first element as a function of movement direction and number of elements (left graph), of first(middle graph) and second element (right graph) as a function of movement direction and movement size.
Figure 1. Copying patterns used in the experiment. Pattem numbers correspond to the text.
Figure 2. Example of data analysis of a copying sample (upper-left-panel) with corresponding absolute velocity pattern (lower-panel; vertical lines represent stroke- boarders) and optimal scaled amplitude frequency spectra (upper-right-panel): the upper graph represents the spectrum of the whole sample, the lower graph represents the mean spectrum of upstrokes (dotted line) and the mean spectrum of downstrokes (solid line).
Figure 3. Signal-to-noise amplitude ratios of the copying performance of six patterns used in task A and B for separate grades. Patten numbers correspond to the text.
Figure 4. Movement time (upper-left panel), movement distance (upper-right panel), mean velocity (lower left panel) and maximum velocity (lower-right panel) of upstrokes (open circles) and downstrokes (closed circles) of the copying performance of the six pattems in task A and B.
‘igure 5. Energy distributions in four equal frequency bands of the copying erformance of continuous pattems (upper panels) and discontinous pattems (lowes anels) calculated from the absolute velocity data of the whole pattem (left panels), ipstrokes (middle panels) and downstroke (right panels). circles represent anti- tockwise tuming pattems (pattem numbers | and 4), squares represent clockwise uring patterns (2 and 5) and triangles represent the patterns with mixed tuning lirections (3 and 6).
Figure 6. Movement time (left panel), movement distance (middle panel) and mean velocity (right panel) of upstrokes (circles) and downstrokes (squares) in the absence or presence of a height constraint (X-axis) and under accuracy- (open markers) and speed-instructions (closed markers).
Figure 7. Energy distributions in four equal frequency bands of the copying performance in task C under accuracy instructions (upper panels) or speed instructions (lower panels) and under the absence (circles) or presence (squares) of a height constraint calculated from the absolute velocity data of the whole pattern (left panels), upstrokes (middle panels) and downstrokes (right panels).
Figure 8. Rearrangement of pattern order for the mean velocity data (left panel) and signal-to-noise amplitude ratios (right panel) of task A and B according to increasing pattem-complexity defined by increasing number of phase transition points per pattern.
Figure 1 An example of a pnnted (row 1 and 3) and cursive alphabet (row 2 and 4) as used in a Dutch reading and wnting cumculum
Figure 3. Overview of analysis of one trial. The grapheme f (cut in four segments; open circles) and the corresponding absolute velocity pattem of the writing movements (lower graph). Response initiation time (rit), movement time (mt), distance (dist), mean velocity (vel) and dysfluency (vdis, i.e., number of velocity disturbances - closed circles- per unit of length) were calculated on the basis of the absolute velocity pattern. Maximum curvature (curmax) of the central downstroke of the grapheme f was calculated on the basis of the upper left graph (see data analysis).
igure 4. upper graph: mean response initiation time (rit) a grapheme in th ied (dotted line) and cursive condition (solid line). Middle graph: Response itiation-time difference (ritdif) per grapheme between printed and cursive lette yndition. A rearranged order of the alphabet on the x-axis has been chose cording to an increasing ritdif-criterion. Lower graph: Error percentage in printe lotted line) and cursive (solid line) letter condition as a function of the rearrange phabet.
Figure 5. Mean writing velocity (vgem - upper graph), writing dysfluency (middle graph) and maximum curvature (1/cm; lower graph) as a function of the letters of the ulphabet. The rearranged alphabet on the x-axes reflects an order of decreasing writing velocities.
Figure 1. The first four attempts in writing an unfamiliar grapheme by an adult subject. Writing movements were recorded with a sample frequency of 105 Hz and filtered with a low-pass filter of 12 Hz. Below each recorded writing sample the corresponding absolute (tangential) velocity function is depicted.
Figure 2. Two repetitive writing patterns with corresponding absolute (tangential) velocity functions performed by a 7-year old child (left-hand recordings) and an adult (right-hand recordings).
igure 3. Example of the data analysis of one record. The grapheme e (cut in thr gments; open circles) and the corresponding absolute velocity function of tl riting movements (middle graph). Movement time, distance, velocity and writiz ySfluency (i.e. number of velocity inversions - closed circles- per unit length) we culated on the basis of the absolute velocity pattem. Curvature measurements | e central segment of the grapheme e were determined from the curvature functic ower graph) which was derived by dividing the angular and absolute veloci nctions.
Figure 4. Changes in the analyzed kinematic variables of grapheme segments as a function of grades. MT = movement time (s); VEL = Mean Wniting Velocity (cm/s); DYSFLUENCY = Number of Velocity Inversions per cm; CURMAX = Maximum Curvature (1/em) and CURMIN = Minimum Curvature (1/cm).
‘igure 2. An example of the analysis of one stroke. The filtered XY trajectory of t en is depicted in panel a. The corresponding Y displacement function is depicted anel b; closed circles indicate the beginning and end of the connecting stroke. TI troke is displayed in panel c and the corresponding absolute velocity function anel d. The open circles represent the inversion points in the absolute veloc: attern. The same procedure was used for selecting and analyzing the first upstro f the corpus of the first letter.
Figure 3. An example of the procedure used to determine the between-subject spati: variance of strokes. Columns represent age groups. In the first row (a) the filtere XY trajectories of connecting strokes between a bigram (me) are depicted, in th second row (b) these strokes are rotated to a standard orientation of 45 degrees and i he third row (c) a normalization of time and size has taken place. From thes 1ormalized strokes an average stroke was calculated after which of cach stroke th listance towards this average stroke was calculated.
Figure 4. Mean movement time (MT), movement distance (DIST), number of inversion points in the absolute velocity pattem (#VINV), number of inversion points per second (#VINV/S) and per centimeter (#VINV/CM) of between-letter strokes (B-L) and within-letter strokes (W-L) per age group.
Figure 5. Semi three-dimensional plot of the average amplitude frequency spectra of the absolute velocity patterns of the written bigrams for children 8 through {2 years of age. For comparison an average spectrum of 50 bigramis written by an adult is also included.
Figure 6. Semi three-dimensional plot of the average amplitude frequency spectra of the absolute velocity patterns of between-letter strokes (solid lines) and within-letter strokes (dotted lines) for children 8 through 12 years of age and an adult.
Figure 7. Left graph: the between-subject spatial variance of between-letter (B-L) and within-letter (W-L) strokes per age group. Right graph: the within-subject spatial variability of between-letter (B-L) and within-letter (W-L) strokes in the visual (fb+) and non-visual (fb-) condition of the control experiment.
Figure 2. Mean movement time (MT), distance (D), velocity (V), maximun velocity (VMAX), penpoint pressure (P) and dysfluency (DYS) of cursive handwriting strokes as a function of writing hand and hand posture (RN: right handed, normal hand posture; LI: left-handed, inverted hand posture and LN: left handed and normal hand posture) and gender (female: white bars; male: black bars).
Figure 3. Polar distributions of realized stroke directions, relative to the writing paper (upper graphs) and relative to the digitizer (lower graphs), for the three experimental groups (RN: 7,923 strokes produced by righthanders with a nomial posture; LI: 7,716 strokes produced by lefthanders with an inverted hand posture and LN: 5,344 strokes produced by lefthanders with a normal hand posture).
Figure 4. Mean velocity (V) and maximum velocity (VMAX) of u upsirokes (white bars) and downstrokes (black bars) produced in the zigzag pattern of task 4 by RN, LI and LN subjects.
Figure 5. Left-most panel: number of words containing pen-ups indicated as a percentage of the total number of short words (task 7 and 10), medium words (task 8 and 11) and long words (task 9 and 12) for RN, LI and LN subjects. Central panel: mean writing distance of pen-lift movements during the production of short, medium long and long words by RN, LI and LN subjects. Mean writing width of /elf and maa in short, medium and long words for RN, LI and LN subjects.
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