Bohemian and English Painting in the Last Decades of the Fourteenth Century (original) (raw)
"'Specially English': Gothic Illumination c. 1190 to the Early Fourteenth Century"
Kathryn A Smith
A Companion to Medieval Art, 2nd rev. ed., ed. Conrad Rudolph (Wiley-Blackwell), 2019
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COLOUR, PAINT AND GOLD: THE MATERIALITY OF ENGLISH MANUSCRIPT ILLUMINATION IN THE TWELFTH CENTURY – Illustrations
Harry Stirrup
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‘In the custom of this country’: The Migration of Decorative Style in Thirteenth-century Reading Abbey Manuscripts
Cynthia Johnston
2016
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Gothic: Art for England 1400-1547, by Richard Marks and Paul Williamson (review)
Maidie Hilmo
The Medieval Review, 2004
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Illumination Translates: The Image of the Castle in Some Fourteenth-Century English Manuscripts
Sabina Zonno
Brepols Publishers
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Kathryn A. Smith, Art, Identity and Devotion in Fourteenth-Century England: Three Women and Their Books of Hours, London: The British Library and the University of Toronto Press, 2003. Reviewed in Speculum, 81, Jan (2006), 274-276.
Margaret Manion
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The beginnings of scholarship on early medieval book illumination (1700-1850): between classicism and ethnicity
Denoel Charlotte
Journal of Art Historiography, 2020
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"The beginnings of scholarship on early medieval book illumination (1700-1850): between classicism and ethnicity", Journal of Art Historiography 22 (June 2020).
Denoel Charlotte
Journal of Art Historiography, 2020
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Sonja Drimmer, “The Painters of Late Medieval London and Westminster,” Burlington Magazine CLIX (2017): 445-49.
Sonja Drimmer
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Re-Inventing traditions? Preliminary thoughts on the transmission of artistic patterns in late medieval manuscript illumination
Joris Corin Heyder
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Castrensis Satane servit: Castles as a Factor of Social Change in Bohemian Narrative Sources at the Turn of the Thirteenth and Fourteenth Centuries
Marcin Pauk
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Bohemian Prints of the Seventeenth Century
Simon Turner
Print Quarterly, 2013
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Review of Richard H. Rouse & Mary A. Rouse, Renaissance illuminators in Paris: Artists & artisans 1500–1715 (Brepols, 2019)
Anna Welch
Script & Print 44:2 , 2020
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The Case of Bohemian Origin Claimed for Two Small Panel Paintings
Milena Bartlová
Opuscula historiae artium – SPFFBU F 43, 1999, s. 25-35, 1999
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Scientific analysis of medieval book-illumination as a ressource for the art historian and conservator
Robert Fuchs
Gazette du livre médiéval, 1992
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Tributes to Jonathan J.G. Alexander: the Making and Meaning of Illuminated Medieval & Renaissance Manuscripts, Art & Architecture (review)
Susan L'Engle
Parergon, 2008
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Illuminators' Materials and Techniques in Fourteenth-century English Manuscripts, in Manuscripts in the Making: Art and Science, vol. 1, ed. S. Panayotova and P. Ricciardi, London and Turnhout, 2017
Stella Panayotova
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The Image in Print: Book Illustration in Late Medieval England and its Sources (review)
judith collard
Parergon, 2006
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Profane Illuminations, Secular Illusions: Manuscripts in Late Medieval Courtly Society
Brigitte Buettner
The Art Bulletin, 1992
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Review of Chromatic Beauty in the Late Medieval Chanson: An Interpretation of Manuscript Accidentals, by Thomas Brothers
Peter Urquhart
Notes, 1999
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The Image in Print: Book Illustration in Late Medieval England and Its Sources
Martha Driver
The Sixteenth century journal, 2006
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“Middle English Literature and Illustrated Manuscripts: New Approaches to the Disciplinary and the Interdisciplinary.” JEGP: Journal of English and Germanic Philology 105 (2006): 118-36.
Richard K Emmerson
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Loic, Erika. “Creativity at the End(s) of an Empire: Biblical Compilation and Illustration at the Monastery of Ripoll.” In After the Carolingians: Re-defining Manuscript Illumination in the 10th and 11th Centuries, edited by Beatrice Kitzinger and Joshua O'Driscoll, 161–82. Berlin: De Gruyter, 2019.
Erika Loic
After the Carolingians: Re-defining Manuscript Illumination in the 10th and 11th Centuries, 2019
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Studying the Arts in Late Medieval Bohemia: Production, Reception and Transmission of Knowledge
Ota Pavlicek
Ota Pavlíček, ed., Studying the Arts in Late Medieval Bohemia: Production, Reception and Transmission of Knowledge, Turnhout: Brepols, 2021
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From imperial Prague to Baltic Sea. State of research on transfer of artistic ideas between Bohemia and Eastern Pomerania in 14th and 15th centuries
Justyna Kuska
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Cultural Aesthetics: Renaissance Literature and the Practice of Social Ornament
Patricia Fumerton
The Modern Language Review, 1994
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Reception of period cultural and literary trends in the prints of Slovak authors active in Bohemia at the turn of the 16th century
Angela Skovierova
Z Badań nad Książką i Księgozbiorami Historycznymi, 2021
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Gregory T. Clark, Art in a Time of War: The Master of Morgan 453 and Manuscript Illumination in Paris during the English Occupation (1419–1435), Toronto: Pontifical Institute of Medieval Studies, 2016, xxviii, 388 pp. 253 colour illus., $ 125 cloth ISBN 9780888441973
Jamie Kemp
RACAR : Revue d'art canadienne, 2017
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The Ghent aristocratic painters in the fifteenth century©
Antoon Vanherpe
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Church Officials and Artistic Exchange between the Kingdom of Bohemia and the Teutonic Order from the Thirteenth to Fifteenth Centuries
Gregory Leighton
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Recent Studies of Literature and Painting in the English Renaissance
Clark Hulse
English Literary Renaissance, 1985
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Monika E. Müller (ed.): Introduction, in: The Use of Models in Medieval Book Painting, Newcastle upon Tyne 2014
Monika E Mueller
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Chromatic Beauty in the Late Medieval Chanson: An Interpretation of Manuscript Accidentals
Peter Urquhart
Notes, 1999
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The School of Prague or Old German Masters: Rudolfine Painting in the Literary and Visual Discourse of the 17th and 18th Centuries
Štěpán Vácha
Zeitschrift für Kunstgeschichte 77, 2014
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The Art of Anglo-Saxon England. By CatherineKarkov
Gabor Thomas
Archaeological Journal, 2012
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