Space and Subversion: An Analysis of Authenticity in London Parkour (original) (raw)

This dissertation examines the practices of Parkour in London from experiential and theoretical viewpoints through frameworks of cultural authenticity, subculture and exploration of the city. I assess how debates in Parkour relate to these areas in order to explore the concepts of genuine Parkour practice, its unique way of actively connecting with the city and its relation to wider society. By drawing on qualitative methods including interviews, go-along observation and discourse analysis, I argue that authentic Parkour practice transcends many of the debates in popular dialogues and is ultimately determined through one’s experience of the practice. Similar to other urban subcultures like skateboarding and urban exploration, Parkour does have a subversive element in its playful utilisation of spaces that are designed for other uses, but opposing dominant culture is not part of its ideology. Additionally, I assert that while commercial interests have influenced the Parkour scene, the experience of Parkour for many practitioners remains unaffected due its rhizomatic nature. Thus, the subcultural development and nature of Parkour is unique and provides fresh perspectives on narrative construction in the city.