Leipoldt in 1980*) (original) (raw)
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Tydskrif vir Letterkunde, 2019
Geraadpleegde bronne Cochrane, N. "'Closure' is vir die tuinvoëls bedoel". Rapport, 10 Sept. 2017, www.netwerk24.com/ Vermaak/Boeke/closure-is-vir-die-tuinvoels-bedoel-20170909#loggedin. Geraadpleeg op 12 Nov. 2018. L i t N e t. " Ky k N E T-R a p p o r t p r y s e 2 0 1 8 : Commendatio's En Foto's." LitNet, 27 Sept. 2018. www.litnet.co.za/kyknet-rapportpryse-2018-commendatios-en-fotos/. Geraadpleeg op 12 Nov. 2018. Steinmair, D. "Taljaard takel omstrede temas in sielkundige riller ". Netwerk24, 28 Jul. 2017. www.netwerk24.com/vermaak/boeke/ taljaard-takel-omstrede-temas-in-sielkundigeriller-20170728. Geraadpleeg op 12 Nov. 2018.
Tydskrif vir geesteswetenskappe, 2021
Universiteit van die Vrystaat en is tans 'n navorsingsgenoot by die Eenheid vir Taalfasilitering en Bemagtiging. Ná hy sy PhD aan die Universiteit van die Vrystaat in 2013 verwerf, ondersoek hy inligtingstegnologie, grootdata en die netwerkwetenskap met spesifieke toepassings binne die Afrikaner se leefwêreld, veral met 'n klem op die Afrikaanse literatuurstudie. As NNSgegradeerde navorser het hy reeds meer as 60 artikels en drie boeke gepubliseer. Burgert Senekal joined the University of the Free State in 2008 and is currently a research associate in the Unit for the Facilitation and Empowerment of Languages ("Eenheid vir Taalfasilitering en Bemagtiging"). After obtaining a PhD from the University of the Free State in 2013, he focused, in his research, on information technology, big data and the network community, with particular reference to applicability within the Afrikaner way of life, as this concerns especially the study of Afrikaans literature. In his capacity as a NRF-rated researcher, he has already published more than 60 articles, as well as three books.
Tydskrif vir letterkunde, 2008
Embodiments of death in the novels of Lettie Viljoen/Ingrid Winterbach References to death and mortality play an (increasingly) important role in the works of Lettie Viljoen/Ingrid Winterbach. In this article the central role of personifications of death in her novels is investigated. There are mainly two important ways in which death is embodied in her novels since 1993, i.e. as an ubiquitous, but simultaneously absent male figure, such as Jama in Karolina Ferreira (translated as The Elusive Moth, 1993, 2005), Jan de Dood in Buller se plan (Buller's plan, 1999) and Theo Verwey in Die boek van toeval en toeverlaat (The book of coincidence and refuge, 2006) and the femme fatale and angel of death, respectively represented by a seductive woman with red hair and pale skin and either an emaciated woman in black, or a black woman as in Landskap met vroue en slang (Landscape with women and snake, 1996) Buller se plan and Niggie (translated as To Hell with Cronjé, 2002, 2007). These personifications function as so-called memento moriiconographic reminders of mortality. Although death obtains a specific personal appearance through personification, it does not become more knowable or representable in the works of Viljoen/Winterbach, however. In fact, these embodiments repeatedly rather underline the ungraspable nature and unknowableness of death. In the novels since Karolina Ferreira there is, eventually, a sustained tension between the attempts to make death more knowable and representable on the one hand and, on the other, the understanding or concession that all these attempts are, ultimately, insufficient and limited.
Die fenomenologie van T.T. Cloete
Literator, 1995
The phenomenology of T.T. Cloete This article is an exploration o f the way phenomena are treated in the poetry o f T. T. Cloete. Four important aspects o f Cloete's way o f looking are discussed, viz. the collecting eye that connects everything with everything, the eye that discovers correspondences, the deological eye that reads signs o f G od' s presence, and the reflecting eye. A critique o f reflection is developed by means o f a more detailed analysis o f "Blydskap " (Joy). These fo u r ways o f seeing indicate links between Cloete's poetry and Husserl' s Phenomenology. ' Die verskillende bundels word soos volg aangedui; Angelliera met An, Jubitaposisie met J, Allotroop met Al, Idiolek met /, Driepas met D en Met die aarde praat met Ma.
Dik en dun, gesirkuleer en afgestroop - kringlope om ’n gedig van T.T. Cloete
Literator, 1989
This article explores the deconstructive technique of the reversal of oppositions by applying it to "uitgedun" (depleted, or depletion) from T.T. C loete's first collection, Angelliera. The single most im portant opposition in the poem , viz. betw een the basic and the complex or the rich (already a reversal of the usual polarity), is shown to be reversible. The absent rich and full state is necessary to confer a positive meaning on what is essential. The text, however, contradicts itself in the first stanza. T here it reaches out to a possible full and rich state in the future, which contradicts the celebration of the basic or depleted state in the rest of the poem. The basic state is celebrated as a state of presentness to the self, after a period of self-alienation to the not so basic. How ever, the different m etaphors of circulation-of blood, of m erchandise and of bodies-in the end rather suggest an absence of selfhood, a self split and alienated from itself by cheap exchange in various circulations.