Uittogboek – ’n ryk boek vir jou laaste reis (original) (raw)

Misplaaste weldade en griewe van die “Liquorice Allsorts-gesinnetjie”: ’n Regsletterkundige verkenning van Zelda Bezuidenhout se Die waarde van stil bure

2022

Misplaced benefaction and grievances of the "Liquorice Allsorts family": A law and literature investigation of Zelda Bezuidenhout's Die waarde van stil bure The law and literature field of study, which is still being developed in South Africa, is an interdisciplinary field of study that offers readers of fiction an opportunity to reflect critically on the role and function of law in a broader context, including the possibility to evaluate, within a defined scope, complex social and legal issues such as lawlessness, discrimination and injustice. This field of study furthermore creates the ideal lens for a critical review of social, legal and cultural practices influenced by the law.

Dik en dun, gesirkuleer en afgestroop - kringlope om ’n gedig van T.T. Cloete

Literator, 1989

This article explores the deconstructive technique of the reversal of oppositions by applying it to "uitgedun" (depleted, or depletion) from T.T. C loete's first collection, Angelliera. The single most im portant opposition in the poem , viz. betw een the basic and the complex or the rich (already a reversal of the usual polarity), is shown to be reversible. The absent rich and full state is necessary to confer a positive meaning on what is essential. The text, however, contradicts itself in the first stanza. T here it reaches out to a possible full and rich state in the future, which contradicts the celebration of the basic or depleted state in the rest of the poem. The basic state is celebrated as a state of presentness to the self, after a period of self-alienation to the not so basic. How ever, the different m etaphors of circulation-of blood, of m erchandise and of bodies-in the end rather suggest an absence of selfhood, a self split and alienated from itself by cheap exchange in various circulations.

Die vrou as outobiograaf: die Suid-Afrikaanse konteks

2009

This dissertation is a report on a study about autobiography as genre, focusing on the voice of the white, Afrikaans-speaking woman. The point of departure for this study was a survey of the number of autobiographies written in Afrikaans by these women. With the focus on the limited number of such autobiographies three autobiographies were studied, namely, Met die Boere in die veld (Sarah Raal), My beskeie deel (M.E.R.) and 'n Wonderlike geweld (Elsa Joubert). Within the framework of the complexity systems theory the role of the observer (author/reader) was studied to determine the possibility of demonstrating that when reading/writing an autobiography, some epistemological changes may occur, manifesting as conceptual changes in the mind of the observer. It could be demonstrated that because of women's sensitivity to interpersonal relationships they are capable of acting as unique registers of the complexity of individual existence, while remaining aware of the constant influence, effect and needs of the other.

“Jan de Dood en sy bende”: Vergestaltings van die dood in die romans van Lettie Viljoen/Ingrid Winterbach

Tydskrif vir letterkunde, 2008

Embodiments of death in the novels of Lettie Viljoen/Ingrid Winterbach References to death and mortality play an (increasingly) important role in the works of Lettie Viljoen/Ingrid Winterbach. In this article the central role of personifications of death in her novels is investigated. There are mainly two important ways in which death is embodied in her novels since 1993, i.e. as an ubiquitous, but simultaneously absent male figure, such as Jama in Karolina Ferreira (translated as The Elusive Moth, 1993, 2005), Jan de Dood in Buller se plan (Buller's plan, 1999) and Theo Verwey in Die boek van toeval en toeverlaat (The book of coincidence and refuge, 2006) and the femme fatale and angel of death, respectively represented by a seductive woman with red hair and pale skin and either an emaciated woman in black, or a black woman as in Landskap met vroue en slang (Landscape with women and snake, 1996) Buller se plan and Niggie (translated as To Hell with Cronjé, 2002, 2007). These personifications function as so-called memento moriiconographic reminders of mortality. Although death obtains a specific personal appearance through personification, it does not become more knowable or representable in the works of Viljoen/Winterbach, however. In fact, these embodiments repeatedly rather underline the ungraspable nature and unknowableness of death. In the novels since Karolina Ferreira there is, eventually, a sustained tension between the attempts to make death more knowable and representable on the one hand and, on the other, the understanding or concession that all these attempts are, ultimately, insufficient and limited.

Die Middeleeuse Yslandse saga:'n kreatiewe Afrikaanse perspektief

2004

'n taal is. Hierdie studie is nie bemoei met sulke taalkundige vraagstukke nie, so eenvoudigheidshalwe word Renfrew (1989: 68) gevolg en Vlaams word as taal genoem. 2. Wát presies Afrikaans se verhouding tot Nederlands is, is blykbaar 'n kontroversiële vraag. Van der Merwe et al. (1972: 16) skryf: Oor die ontstaan van Afrikaans bestaan daar veral drie gedagterigtings, nl. een dat Afrikaans spontaan uit 17de eeuse Nederlands ontwikkel het, en die ander dat 'n talebotsing tussen Nederlands en 'n vreemde nie-Germaanse taal plaasgevind en Nederlands tot Afrikaans laat verander het, terwyl die derde groep 'n middeweg soek. Aangesien die vraag oor die presiese verhouding tussen hierdie tale nie binne die spektrum van hierdie studie val nie, kan daar net op die volgende gelet word: 1) sonder Nederlands sou daar geen Afrikaans wees nie; en 2) die Afrikaner is fisies en kultureel oorwegend Europees.

Die noodsaak om lyding, pyn, dood en boosheid tot betekenis te bring

Verbum et Ecclesia

To make sense of suffering was always part and parcel of being human. Although the inadequacy of theodicies to provide meaningful theoretical frameworks resulted in a focus on practical responses, in this article a case has been made for the necessity to create theoretical meaning frameworks to make sense of suffering. Brain research pointed to the brain�s fundamental need for creating and maintaining meaning frameworks in the development of purposeful responses to suffering.Intradisciplinary and/or interdisciplinary implications: Brain research and the contextualisation thereof in psychology is challenging the notion that the only adequate response to suffering is a practical response. The brain�s fundamental need for meaningful frameworks is challenging systematic and practical theology to develop theoretical frameworks to guide, motivate and evaluate the adequacy of a practical response.

Wildheid, mens-dier-figure en ander grensbewoners in Willem Anker se Buys (2014) : die affektiewe uitwerking van die nomadiese subjek op die leser

2020

Thesis (MA)--Stellenbosch University, 2020.ENGLISH ABSTRACT: In this dissertation, entitled “Wildheid, mens-dier-figure en ander grensbewoners in Willem Anker se Buys (2014): Die affektiewe uitwerking van die nomadiese subjek op die leser”, the focus, on the one hand, is mainly on the nomadic nature and so-called wildness of the main character, Coenraad de Buys, as well as his fellow border dwellers – namely those in the novel who can be classified as the Other, including the Buys-dogs. On the other hand, the effect that both this nomadic character and the novel text as a whole can have on the reader is also explored. In the end, a conclusion is reached regarding the function of a novel such as Buys that relies to a greater extent on the affective response of the reader.AFRIKAANSE OPSOMMING: In hierdie tesis, getiteld “Wildheid, mens-dier-figure en ander grensbewoners in Willem Anker se Buys (2014): Die affektiewe uitwerking van die nomadiese subjek op die leser”, word daar enersyds...