2024: "Medieval Comics Project: The Basics" (original) (raw)
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Comic Books Featuring the Middle Ages
Itineraires Litterature Textes Cultures, 2010
This article explores comic books that feature the Middle Ages as a way to show how the study of this popular media can help to further the research of the modernity of the Middle Ages. Comic books feature the Middle Ages in two different ways : on the one hand, some comic books are inspired by historical sources and characters, and on the other hand, some comic books are inspired by literary sources whose origin can be traced to the Middle Ages. Both of them have created a rich but often distorted idea of the Middle Ages.
Beowulf in the Comics: An Initial Bibliographic Guide 2.0
Produced to accompany “Co-Starring Beowulf? An Alternative Version of Beowulf in Jumbo Comics No. 50 (April 1943),” a paper presented as part of “The Comics Get Medieval 2018 (A Roundtable)” for the Medieval & Renaissance Area for the 29th Annual Conference of the Mid-Atlantic Popular & American Culture Association. Lord Baltimore Hotel, Baltimore, Maryland. 10 November 2018. Please do not reproduce without permission.
A Short History of Western Comics, Part #2: Origins and Predecessors
Lecture Series: The History of Western Comics, 2023
Sophia University, Tokyo, Japan, April 18, 2023. - Part 2 of a lecture series on the history of Western Comics. - The main part of this lecture deals with the origins and predecessors of Western Comics, from 16th century political and religious broadsheets to prominent examples from the 18th and 19th centuries, including William Hogarth and the Victorian character Ally Sloper (Britain), the picture books of Rodolphe Töpffer (Switzerland), and German artist Wilhelm Busch. We will also discuss the impact of the Western invention of the printing press in the 1400s. In the second part of the lecture, we will talk about chapter 3 from Scott McCloud’s book Understanding Comics, covering transitions between panels. Note: For copyright rea-sons, images are not embedded in the text. Instead, links to external sources are provided.
The Hundred Years War was the largest conflict of the medieval period. Lasting as it did for more than one hundred years, involving campaigns in France, the Low Countries, Scotland and Spain, and fought by warriors from various European kingdoms and territories, it has a claim to be the first general European war. As such it can be considered as a crucible of exchange for those who took part in it, and the conflict created opportunities for warriors to travel and experience different cultures at first hand. The Hundred Years War has also come to the fore in modern graphic novel depictions of the medieval past. As a key point in the development of both English and French national identity, it is a period with prominent resonance in both countries, and this, as well as a growing popular interest in medieval and medieval-like worlds, appears to have driven the production of a number of related works. These include Crécy (Warren Ellis and Raulo Cáceres, 2007), Le Trone d’Argile (Nicolas Jarry, France Richemond and Theo, 2006-2015), Hawkwood: Mercenaire de la Guerre de Cent Ans (Tommy Ohtsuka, 2016-2017) and Agincourt 1415 (Will Gill and Graeme Howard, 2015). This paper intends to consider these various texts and their depiction of medieval mobility and exchange as it relates to the period of the Hundred Years War. It will focus in particular on themes of class and national identity/characteristics, and the representation of such in these sources. In so doing, it will analyse how such elements are portrayed to a modern audience, and what they tell the reader about medieval – as well as modern – society.