DANCING INDIGENOUS WORLDS: CHOREOGRAPHIES OF RELATION (original) (raw)
Theatre & Interculturalism, and: Native American Drama: A Critical Perspective, and: American Indian Performing Arts: Critical Directions, and: The Theatre …
Ann Haugo
Theatre Journal, 2011
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INDIGENOUS DRAMATURGY IN DANCE
Tammi Gissell
Critical Path Choreographic Institute, 2022
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Review of Indigenous Dance and Dancing Indian: ContestedRepresentation in the Global Era by Matthew Krystal
Jacqueline Shea Murphy
2012
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A Meeting of Nations: Trans-Indigenous and Intercultural Interventions in Contemporary Indigenous Dance
Rachael Swain
Theatre Journal, 2015
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The Oxford Handbook of Dance and Theater. Ed. by Nadine George-Graves
Maribeth Clark
Music & Letters, 2017
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The People have Never Stopped Dancing: Native American Modern Dance Histories by Jacqueline Shea Murphy. 2007. Minneapolis and London: University of Minnesota Press. 320. pp., illustrations, notes, and index. $25.00 paper
Deirdre Mulrooney
Dance Research Journal, 2010
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Dancing for strangers. Zorba the Greek Yolngu Style. A giullarata by the Chooky Dancers of Elcho Island, in Indigenous Tourism, Performance, and Cross-Cultural Understanding in the Pacific (a cura di) Tonnaer Anke, Franca Tamsiari e Venbrux Eric, La Ricerca Folklorica 2010 61, pp. 61-72
Franca Tamisari
2010
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Editor's Note: Doing Indigenous Dance Today
Jacqueline Shea Murphy
Dance Research Journal, 2016
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TRUTH, RECONCILIATION and RESISTANCE: Ceremonial Performativity and Native Aesthetics in Native Theater
Carolyn Dunn
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Baybutt, A. Book review: Hetty Blades and Emma Meehan (eds.), Performing Process: Sharing Dance and Choreographic Practice
Alexandra Baybutt
Dance Research, 2019
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Review The Oxford Handbook of Dance and Theater
Maribeth Clark
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Choreographers and Yogis: Untwisting the Politics of Appropriation and Representation in U.S. Concert Dance
Jennifer Aubrecht
2017
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Introduction to Indigenous Performances: Upsetting the Terrains of Settler Colonialism
Mishuana Goeman
American Indian Culture and Research Journal, 2011
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Dance and Mimetic Refusal: What Can Critical Art Practice Tell Us about Studying Music in Indigenous Contexts?
DJ Hatfield
2020
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Andrée Grau
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Anthropology of Contemporary Dance Theatre. Dynamics of Artistic Practice
Wojtek Klimczyk
Unpublished phd thesis, Jagiellonian University, 2009
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Terra Incognita: Mapping New Territory in Dance and "Cultural Studies!
Jane C Desmond
Dance Research Journal, vol. 32, no. 1, 2000
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Returning home through stories: A decolonizing approach to Omushkego Cree theatre through the methodological practices of native performance culture (NPC)
Candace Brunette
2010
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Genuine but marginal: exploring and reworking social contradictions through ritual dance performance
Zoila Mendoza
Journal of Latin American Anthropology, 1999
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Remembering Folklore, Staging Contemporary Dance. Conceptual and Methodological Issues About D’après une histoire vraie (2013) by Christian Rizzo, in Music-Dance. Sound and Motion in Contemporary Discourse, ed. by Patrizia Veroli and Gianfranco Vinay, London, Routledge, 2017, pp. 175-188.
Susanne Franco
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Linda Ashley
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DANCING THE PLURIVERSE: CONTEMPORARY INDIGENOUS PERFORMANCE AS ONTOLOGICAL PRAXIS
María Regina Firmino-Castillo
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Review: Dancing From Past to Present: Nation, Culture, Identities (Madison, 2006); Dance and Society: Dancer as a Cultural Performer. Re-appraising Our Past, Moving Into the Future (Budapest, 2005)
Anthony Shay
Pomona Faculty Publications and Research, 2008
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Anthropology and Theatre
Alexandra D'Onofrio
2018
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Dance Research Review.2018.0224.pdf
Marianne Schultz
Dance Research , 2018
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Dancing the Nation, review of Julie Taylor and H.Vianna
Anya Peterson Royce
American Anthropologist, vol.103 #2, 2001
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Naerebout F.G. (1994), Whose dance? Questions of authenticity and ethnicity, of preservation and renewal. In: Raftis A. (ed), Dance beyond frontiers. Proceedings of the 8th international conference on dance research, Drama, 13-17 July 1994. Athens. 77-86.
Frederick Naerebout
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Dee(a)r Spine: Dance, Dramaturgy, and the Repatriation of Indigenous Memory
julie Burelle
Dance Research Journal, 2016
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Dance on Its Own Terms: Histories and Methodologies edited by Melanie Bales and Karen Eliot. 2013. Oxford University Press. 464 pp., 77 illustrations, notes, index. 99hardcover,99 hardcover, 99hardcover,39.95 paper
Melanie Bales
Dance Research Journal, 2013
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Represencing Performance, Dance, and Visual Art
Cristina Baldacci
Accademia University Press eBooks, 2022
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Dance as a Site of Intertwining: Re-considering the Embodied Interrelationships Between Dancer, Choreographer and Audience for the Twenty-First Century’ in D. Dinkgraffe (ed.) Consciousness, Theatre, Literature and the Arts. Newcastle: Cambridge Scholars
Jane Carr
2013
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Converging Cosmoi The possibilities inherent in an interdisciplinary contact between theatre and anthropology 1
Caroline Gatt
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LandMark: Dance as a site of intertwining
Jane Carr
Journal of Dance & Somatic Practices, 2014
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Edges of water and land: Transnational performance practices in indigenous/settler collaborations. Journal of Arts & Communities, Volume 6, Number 1.
Petra Kuppers
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Inside/Beside Dance Studies: A Conversation (with Mark Franko, Nadine George-Graves, André Lepecki, Susan Manning, Janice Ross, and Rebecca Schneider)
Michelle Clayton
Dance Research Journal 45:3 (Dec. 2013), 3-28.
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