Between Unjust Worlds: The English Poems of Ved Prakash Vatuk (original) (raw)
Related papers
Social &Political Energy and Resistant Aesthetics in the Hindi Poems of Om Prakash Valmiki.
Dalit Literature Haunting Tragedies Manglam Publications, Delhi, 2016
Voice acts as a central phenomenon that brings forth the connection between the self and the society. Foucault argued that discourse and Power are intimately related because those who have access to voice can wield power within a system. A writer of Dalit literature is a literary activist who through his work gives voice to his protest and in the process various hidden agendas, motives, truths, intentions, inordinate ambitions get a proper exposure and in this capacity the writer instills knowledge and fear in the audiences creating a possibility of collective awareness and timely action which help in sustenance of life. Valmiki through his poetry celebrates the tradition of resistance and joins the chorus of voices that argues that exploitation and misery are neither inevitable nor necessary. Valmiki’s poems discover energies of oppression and simultaneously energies of liberation. The poems show the social dynamics of a society that is deep-rooted in traditions, rituals, dragging its past memories in the shape of myths that are exploitative to the core. They bring forth a collision of societal custom and the individual will that being assertive demands positive change. The ‘silence’ of the ‘slain voice’ is linked to the public memory that needs to be broken. Key-Words: Social reality, Voice, Silence, Representation, Resistant Aesthetics, Consciousness-shift, Collective-Ethics, New-Humanism, Social Energy, Political Energy.
Studies in Inequality and Social Justice: Essays in Honor of Ved Prakash Vatuk
Archana Prakashan, 2009
This volume, published in honor of the Indian poet, folklorist, essayist, and linguist Ved Prakash Vatuk, showcases the work of prominent scholars who have been influenced by Vatuk’s writings on inequality and social justice in India and across the Indian diaspora. The volume brings together anthropologists, economists, literary critics, political scientists, and sociologists to interrogate systems of social hierarchy within diverse global contexts. The essays confront the silencing of politically vulnerable populations by national and international organizations, the dislocations suffered by migrating peoples, the exclusions of religion, class, caste, and gender, discriminatory employment practices, and the intensification of social inequities through new forms of global capital. Contributors include Janet Lippman Abu-Lughod, Imtiaz Ahmad, Ashok Bardhan, Susham Bedi, Gerald Berreman, James Freeman, Donna Goldstein, Kira Hall, Deana Heath, Nguyen Dinh Huu, Maharaj Kaul, Surinder Kumar, Sharat G. Lin, Chandana Mathur, Indu Prakash Pandey, Vijay Prashad, Harish Puri, Raka Ray, Jagdish Sharma, Nitasha Sharma, and Sohan Sharma.
Reviewed by Dr. S.A.R. Abidi
Indian Poetry in English is remarkably great. The conflict between tradition and modernity at various levels – social, cultural, familiar, national and cosmopolitan is well marked in the works of modern poets. It can be said about the modern Indian poetry in English that with every passing decade an increasing immediacy and heightened awareness of actual Indian experience is noticeable. Gradually with passing time the English language poetry became more Indianized in nature. It is discernible in works of modern Indian poets of English. The book under review is a collection of fourteen critical papers. It explores the works of modern Indian poets who are significant voices of our time. For more books please visit: http://www.arsartium.org/Catalogues.html OR http://waoar.org/research-publications/books/
Editor's Introduction: A Poet's Justice
In Kira Hall (ed.), Studies in Inequality and Social Justice, 2009
This introductory chapter discusses the life and work of Ved Prakash Vatuk—Indian folklorist, essayist, linguist, and author of over 30 internationally recognized volumes of political poetry.
A New Voice In Indian English Poetry by Dr. Som Ranchan
A New Voice In Indian English Poetry , 2014
The book offers an explanatory and critical reading of Rajiv Khandelwal’s poetry. There is an exhaustive section of Aesthetics, Identity, Organic Sensibility, modes and motifs. The critical insights locate the poet in culture, historical and economic contexts. The forms and idioms of Rajiv Khandelwal’s poetry constitute an aesthetic principle responding to the cultural and historical crisis of our times. They are not ornate poetic devices but functional tools that project radical ideas. His achievement lies in combining moments of Truth with poetic ambition. An aspect of the liberal ideology veiled in actual inspiration. A concise and lucid introduction, the book outlines a highly significant Indian English Poet’s world view, his concerns and his quest for meaning and significance in a world of seeming chaos, fragmentation and heterogeneity. It is an authentic companion for students and teachers of Indian English Poetry. The book is also for general readers interested in 21st century poetry and critical practice.
Dr Suresh Chandra Pandey
PCK Prem (Katoch) of Himachal Pradesh(India) is a bilingual writer. He writes in English and Hindi with equal ease and poise. So far he has authored more than fifty-six books .He is a poet, novelist ,short-story writer & a critic well known and well acclaimed in our contemporary literary scene. His poetry collections like 'Enigmas Of An Identity'(1990) and 'Those Distant Horizons' (1993) bear a peculiar attractiveness ,charm and charisma. While his novels such as 'A Night Of Storms'(1996) and 'Not Their Lives'(2003) dynamically entice his readers for a definite period of time in strong ingenious fold .His books on English Literary Criticism together offer a fresh indigenous bouquet of thematic motifs, analytical pursuits and prevalent trends/drifts.His latest work on criticism widened into two volumes I & II, fascinatingly provides a complete history of Indian English Poetry, harking back as far as to the mutiny of 1857, besides contemporary predicament and presentday angst relevant in existential context. The author has done tremendous toil in his study of poets both great and small and has bequeathed almost equal status to all irrespective of class and cadre.A careful study of these two volumes reveal altogether a fine assessment of poets, their
Echoes of Native Ethos: A Study of Indian Sensibility in the Poetry of T. Vasudev Reddy
The Poetry of T. V. Reddy: A Critical Study of Humanistic Concerns , 2018
Indiannenss is an element of Indian writings, which shows Indian thought, its setting and scenes, language and locations, myths and legends, philosophy and society, which makes Indian an Indian. K. R. Srinivasa Iyengar opines : "Indian writing in English is but one of the voices in which India speaks."(3) Further he asserts "Indians have written-and are writing-in English for communicating with one another and with the outside world, for achieving self-expression too artistically, using English, if necessary, or necessarily, in an Indian way." (4) And these writers through the process of Indianisation have molded the language to suit their communicative purpose. Indianness in literature has a native appeal on Indian readers, whereas for alien readers the feature makes it exotic by way of giving a deep feeling to encounter real India. Indian English poets now are giving importance to various subjects of day-today life dealing with the socioeconomic political problems of the society.