Theatre Review of "Long Day's Journey Into Night" in New York (original) (raw)
Related papers
O'Neill's Long Day's Journey into Night: A Bleak Journey to the Author's life
The Criterion, 2014
Eugene Gladstone O’Neill’s (1888-1953) Long Day’s Journey into Night (written in 1941-42 but published in 1956) is strictly autobiographical drama. Many critics claim that this drama is the best and finest creation of O’Neill, similarly, other claim the drama to be the masterpiece of the author. The play has been published posthumously, and it represents O’Neill’s last words to the horizon of the literary world. From all 32 full-length plays of O’Neill, three plays are there, namely The Iceman Cometh (1939), A Moon for the Misbegotten (1943), Long Day's Journey into Night (1941),where O’Neill adds and mingles his personal life, family and experiences.
From the various possibilities of taking the problem of "texts and contexts" to heart, my choice fell upon the investigation of intertextuality in one of O'Neill's most painful and most influential autobiographical plays, Long Day's Journey Into Night. More precisely, I would like to examine the literary context of the characters' individual reading experiences within the text of the drama, with a special focus on the dialogues in which other texts are quoted by heart. The title of my paper reflects on the stage directions in Act One. Before the play actually begins, a long passage describes the scenery, including the contents of two separate bookcases which indicate a division in the family with respect to literary tastes: "Against the wall between the doorways is a small bookcase, with a picture of Shakespeare above it, containing novels by Balzac, Zola, Stendhal, philosophical and sociological works by Schopenhauer,
ISU Journal of English Studies (JES), 2023
The spatial dynamics of the Tyrones' summer home in Eugene O'Neill's Long Day's Journey into Night exhibit the immanent contradictions necessary to potentially emerge as a differential space. This article offers a critical spatial reading of the 1956 drama to explore the possibility of 'home' emerging as a differential space within its narrative. In doing so, the points of contention and resistance between the Tyrones are identified through qualitative research, employing critical discourse analysis and textual analysis. Moreover, their distinct conceptions of home are explored. This research also studies the different modes of conflict resolutions and reconciliations between the characters, investigating the possibility of a space that accommodates an acceptance and understanding of dissimilarities. Drawing upon French Theorist Henri Lefebvre's notion of Differential Space, this research reinterprets home as a locus of heterogeneity and diversity through the spatial lens. In light of the argument that the summer home is yet to be a differential space, and is still in the process of 'becoming', the drama's title has been justified as a continuously evolving 'Journey' rather than a reached final 'Destination'. This article helps to develop a critical insight into locating how space is socially constructed and how space management operates within the dramatic context, offering a fresh perspective on the interpretation of this timeless literary piece.
Journal of Customer Behaviour , 2023
In this narrative autoethnography I discuss a controversial theatrical brand: Rodgers and Hammerstein's The King and I
Eugene O'Neill (1888O'Neill ( -1953 in his plays Long Day's Journey into Night (1941) has thought a great deal about man in relation to his both individual and social environments and has criticized the whole structure of American society. Eugene O'Neill may not have intended his play, Long day's Journey into Night, to be a psychoanalytic work; however, examples of Freudian theory seem to be on every page. The reason for the numerous examples of Freudian concepts derives from the fact that both the play and psychoanalysis are about family, or more precisely "familial relationships". O'Neill did not accept the illusions and the ideals that were created by "The American Dream". He has criticized the social values. His attitude toward American family and its values is critical and in Long Day's Journey into Night, he has focused on the failure and the collapse of both American family and American society. The present study highlights O'Neill's exploration on human consciousness and the influence of culture in both familial and social contexts in Long Day's Journey into Night.