A página em jogo: 4 poetas no XXI (original) (raw)

2023, Fernão: Revista do Núcleo de Estudos e Pesquisas da Literatura do Espírito Santo

Everyone who writes, reads or listens to a trova, sonnet or concretist experiment follows some literary organization. The rectangle of the page frames the way in which the linguistic and typographic contents play with the absent or missing voice. The rules of printed language submit poetry, which came and still resists orally, to the aesthetic and material limits of books, for example. This article discusses how Wilberth Salgueiro (O jogo, Micha e outros sonetos , 2019), Alckmar Santos (Circenses , 2008), Marcos Siscar (Manual de flutuação para amadores , 2015) and Pablo Simpson (Mitologias , 2003) work with poetic forms that seem to test the limits of the page.