Figure della sospensione. Una lettura della miseria simbolica (original) (raw)

In Symbolic Misery, published in 2004 and 2005 and recently translated into Italian (2021 and 2022), Bernard Stiegler defines the hyper-industrial epoch as an absence of epoch. This diagnosis, first posed in relation to the disruptive effects of audio-visual mass media and later defined in The Age of Disruption (2016), shows an even greater urgency in the second decade of the century with the rise of the digital and «algorithmic governmentality». This article aims to focus on the definition of this problem by analyzing its beginnings and assumptions in Stieglerian thought from Technics and Time to the two tomes on symbolic misery, where Stiegler emphasizes the centrality of the aesthetic dimension in what he believes to be a «War of Time», and at the same time defends the need for another temporal relationship with technology, conceived as the possibility of taking time and producing singularity in the encounter with it, as art does.

La figura del dormiente. Lettura di un’iconografia diffusa negli anni tra le due guerre

L'arte e il sogno, "Materiali di estetica", n. 11.1, 2024

La figura del dormiente Lettura di un'iconografia diffusa negli anni tra le due guerre di Deianira Amico  (Politecnico di Milano) The article investigates the meaning of an iconography widespread in Italy during the interwar years, specifically the figure of the sleeper, exploring the significance of this particular representation in the paintings of Corrente's movement. The subjects of these artists are often depicted sleeping but almost never in reclined poses; rather, they are leaning on an open book, dozing on folded arms, or sitting. The recurrence of this iconography is not accidental: it is layered with multiple artistic references ranging from Romantic models to the masters of European post-impressionism. These references are not purely aesthetic but are imbued with cultural and political meanings, constituting a subtle yet significant response to the societal vision promoted by the fascist propaganda of the time. Through iconographic and contextual analysis, the article outlines the role these representations played in offering a critical reflection on the human and social condition of the era.

Un'oscura presenza - Panoramica sulla figura del diavolo nella tradizione popolare italiana del Novecento

Un'oscura presenza - Panoramica sulla figura del diavolo nella tradizione popolare italiana del Novecento, 2023

Paper prepared for the master's program in science of religions and intercultural mediation (anthropology of religions) at the University of Turin, under the supervision of Professor Davide Ermacora. The paper intends to offer the reader an overview related to the popular belief of the devil and Satanas, dealing specifically with the tradition on Italian territory. However, it also aims to examine the plot that brought this tradition into vogue (biblical references, devotional texts et cetera) and the consequences of the same tradition in the late 20th century on the peninsula.

"Guardare un quadro..."; Manganelli descrittore di figure

Prefazione I CLELIA MARTIGNONI Nota dei curatori VI (MATTEO BASORA e MANUELE MARINONI) MAURIZIO HARARI Carducci etruscologo 1 MANUELE MARINONI D'Annunzio, Angelo Conti e la «pittura di paesaggio» 9 MATTEO BASORA Attilio Bertolucci: disinteressato turista del «navegar pitoresco» 28 ELENA GUERRIERI Pratolini e l'arte figurativa: tra critica d'arte e opera narrativa 46 FEDERICO FRANCUCCI «Guardare un quadro…». Manganelli descrittore di figure 62 FEDERICO MILONE «Una dimensione del guardare che sembrava perduta». La pittura in alcune prose giornalistiche e narrative di Antonio Porta 80 Indice dei nomi 93 62 «GUARDARE UN QUADRO…» MANGANELLI DESCRITTORE DI FIGURE

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Figure della violenza in Inferno XII

Letteratura e Scienze Atti delle sessioni parallele del XXIII Congresso dell’ADI (Associazione degli Italianisti) Pisa, 12-14 settembre 2019 a cura di Alberto Casadei, Francesca Fedi, Annalisa Nacinovich, Andrea Torre Roma, Adi editore 2021 Isbn: 978-88-907905-7-7, 2021

Le stigmate: la narrazione e le immagini

Contemplata aliis tradere. Lo specchio letterario dei frati Predicatori, a cura di Laura Albiero, Luciano Castelli, Eleanor J. Giraud, Memorie Domenicane, N. S. 51-52 (2020-2021), 299-316, 2023

Pignocchi G. 2012, L’idolo fallico di Jesi, loc. Torre (AN): aspetto figurativo e significato simbolico

Atti IIPP XLII "L’arte preistorica in Italia", Trento, Riva del Garda, Val Camonica, 9-13 ottobre 2007, “Preistoria Alpina”, vol. 46, I, pp. 247-249, 2012