The Actor in Action - Strategies for Body and Mind. Summary in English [Skådespelaren i handling - strategier för tanke och kropp] (original) (raw)
Related papers
A Search for the Inner Dragon : A Student's Analysis of Physical Acting Technique
2015
Exercises in intra-acting: A zone of potential
Information-an International Interdisciplinary Journal, 2020
2. Motility in Sport-Artistic Activities – A Social Phenomenon
Review of Artistic Education, 2020
Paradigm of the ‘Prearranged Experience’ in Actor Training
The interplace in Actor Training
New Paradigms in the Actor’s Training – Awareness
Theatrical Colloquia
Meditations on Acting: Essays on Theory, Practice and Performance
Theatre, Dance and Performance Training, 2019
Action becomes Art.Performance in the Context of Theatre, Play, Ritualand Life
VISIO, 2000
Acting and Movement Training as a Pedagogy of the Body
Teaching Theatre Today, 2004
Embodied Acting: Cognitive Foundations of Performance
2010
K. S. Stanislavski and the physical action
Timisoara Physical Education and Rehabilitation Journal, 2017
Physical Education - Active Support of the Stage Movement (The Training of the Bodily Expression)
Timisoara Physical Education and Rehabilitation Journal, 2017
Artistic Performance: Acting, Ballet, and Contemporary Dance
The Cambridge Handbook of Expertise and Expert Performance, 2006
Unintentional Acting - A practical seminar as an introduction to Performance Art
2003
LABAN -ARISTOTLE: MOVEMENT FOR ACTORS AND IN ACTING
Choros International Dance Journal 5, 2016
Introduction: The Performance-within, Creative Authenticity, and Practical Knowledge
nal of the Humanities: Annual Review, Common Ground Publishing, (10) 2013, 2013
2019
2002
Actors and the Art of Performance : Under Exposure
2016
My body taught me how to act: towards an epistemology of actor learning and apprenticeship
2012
Body between Dualisms: speeches and experiences on the body during theatrical formation
Revista Brasileira de Estudos da Presença, 2016
Karol Wojtyła’s Concept of the Acting Person
The Owl, 2017
Conhecimento & Diversidade
1. The Acting Student’s Choreographic Training. Several Cognitive Objectives
Review of Artistic Education, 2018
Theatre, Dance and Performance Training, 2015
Movement as Drama: Working toward a Merleau-Pontian Theory of Acting
Explanations and Implications of ‘Psychophysical’ Acting
New Theatre Quarterly, 2016
Imagining and Feigning Movement Research Performance Journal #51
Bojana Cvejić, "Imagining and Feigning", Movement Research Performance Journal, 2018
Performative Revolutions of the Actor's and the Spectator's Body
Maska ISSN: 1318-0509. Year. 26, No. 139/140 (2011), pp. 16-23., 2011
“Soma” a New Body Phenomenon : Somatic Practices in Theater Directing and Director Training
Theater Symposium “Tendencies in Contemporary Theater Directing and Theater-directing Education” by Theatre Faculty of Janáček Academy of Music and Performing Arts Brno (JAMU). , 2018