original ) (raw )The private musical memoirs of Dutch nobleman Alexander Michiels van Kessenich (1800-1869)
Jeroen van Gessel
Jaarboek Nederlandse Boekgeschiedenis, 2021
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Repertory of musical sources from Flemish beguinages: Introduction and repertory
Pieter Mannaerts
in Beghinae in cantu instructae. Musical patrimony from Flemish beguinages (Middle Ages-late 18th c.), 2009
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Early recordings and musical style: Changing tastes in instrumental performance 1900-1950
Robert Philip
Musicology Australia, 1996
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From scholarship to sensation. Dutch music history in the nineteenth century
Jeroen van Gessel
Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 2018
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"The Musical Instrument Collection of Michiel van Bolhuis (1764)," Journal of the American Musical Instrument Society 18 (1992), 5-21
Albert R . Rice
Journal of the American Musical Instrument Society, 1992
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The restoration of Antoine Busnoys’ four-part Flemish song “In mijnen sijn”: An experiment in sound, imitation technique, and the setting of a popular tune, Danish Musicology Online, Vol. 2 (2011), pp. 21-51
Peter Woetmann Christoffersen
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Perspectives on Early Music in Flanders. From Historically Informed Performance to Historically Informed Experience
Bart Demuyt , Pieter Mannaerts
Kunstenpunt / Flanders Arts Institute; Brussel, 2020
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The Music Lesson: An Analysis of Two Works from Dutch Seventeenth Century
Valory Hight
2018
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(Re)constructing Early Recordings:a guide for historically-informed performance
Inja Stanovic
2019
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Replacement of the Recorder by the Transverse Flute During the Baroque and Classical Periods
Victoria Boerner
2018
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Program notes, 21 & 23 April 1952: The recorder and the transverse flute in Baroque music
Emanuel Winternitz
Metropolitan Museum of Art: Concerts for Members, 1952
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THE STYLISTIC FEATURES OF THE INSTRUMENTS OF THE VIOLIN FAMILY IN 17TH CENTURY DUTCH PAINTINGS
Wim Raymaekers
THE STYLISTIC FEATURES OF THE INSTRUMENTS OF THE VIOLIN FAMILY IN SEVENTEENTH CENTURY DUTCH PAINTINGS, 1989
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Musica Antiqua-Musica Nova? Three unpublished inventories from Tongeren and Hasselt, in the context of religious music in the southern Netherlands and the Prince-bishopric of Liège (c. 1650–1790)
Eugeen Schreurs
Musicologica Brunensia
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Panoramic Constraints: A Study of Johan Svendsen's Musical Sketches and Exercises
Morten Christophersen
2016
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Review of: Frans-Willem Korsten, A Dutch Republican Baroque
Arthur Weststeijn
Early Modern Low Countries, 2018
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"The Notation Is Not the Music: Reflections on Early Music Practice and Performance" by Barthold Kuijken
william Bennett
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REVIEW: Erik Kjellberg (ed.) The Dissemination of Music in Seventeenth-Century Europe. Celebrating the Düben Collection. Proceedings from the International Conference at Uppsala University 2006. Varia Musicologica, 18; Bern: Peter Lang Verlag, 2010.
Bjarke Moe
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Communications: Conferences: “Música instrumental en España, 1750-1800: estilos, influencias, interpretación – Universitat d’Estiu de la Universitat de Lleida, La Seu d’Urgell, 21-22 July 2011”
José María Domínguez
Eighteenth-Century Music, IX/1, pp. 174-176, 2012
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Exploring an instrument's diversity : the creative implications of the recorder performer's choice of instrument
Carmen Troncoso
University of York, 2019
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‘Pour un plaisir que si peu dure’: the fleeting pleasure of music in Adriaen van Utrecht’s still life at the Rijksmuseum, in Art stories from the Netherlands and Italy, 1550-1800. Essays in honor of Gregor Weber, ed. by F. Meijer et alii, Amsterdam, Galatea Publishers, 2023, pp. 165-177
Giovanni Paolo Di Stefano
2023
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Book Reviews: "Musical Instruments: History, Technology, and Performance of Instruments of Western Music." by Murray Campbell, Clive Greated and Arnold Myers, and "From Renaissance to Baroque: Change in Instruments and Instrumental Music in the Seventeenth Century: Proceedings of the National Ear...
Rudolf Rasch
2007
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The Rijksmuseum to Acquire and Display the Han de Vries Collection of Oboes, CIMCIM Bulletin, January 2019, pp. 22-24
Giovanni Paolo Di Stefano
CIMCIM Bulletin, 2019
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Review: Eric Jas, “Piety and Polyphony in Sixteenth-Century Holland: The Choirbooks of St. Peter’s Church, Leiden.” Canadian Journal of Netherlandic Studies No. 30 (2019): pp. 35-39.
Graham Freeman
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Solo recorder music of the 1990s: analytical approaches to the repertoire and its performance
Kathryn Bennetts
2016
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Early Music Performance in the Age of Recording
Ardal Powell
Early Music America Magazine 13.3 (2007): 34–38, 2007
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Musing on The Past: Historical Recordings as Creative Resources of Piano Performance. In Cristine MacKie (ed.), New Thoughts on Piano Performance: Research at the Interface Between Science and the Art of Piano Performance (A London International Piano Symposium Publication, 2017), 65-86.
Georgia Volioti
ISBN: 978-164007055-4, 2017
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“Reconsidering Jan van Eyck: Texts, Objects and a Regional Revival”
Susan F Jones
Der Genter Altar – Reproduktionen, Deutungen, Forschungskontroversen, eds. S. Kemperdick and J. Rößler, Michael Imhof Verlag, Petersberg, 2017, pp. 129-48, 2017
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Carl Maria von Weber's Concertos for Clarinet and Orchestra: Sources, Edition, and Performance. Part I: Source History, Editorial Problems and their Consequences for the Performance of Weber's Clarinet Concertos
Frank Heidlberger
2010
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The Recordings of Joachim, Ysaÿe and Sarasate in Light of Their Reception by Nineteenth-Century British Critics/Snimke Josepha Joachima, Eugènea Ysaÿea i …
Dorottya Fabian
International Review of the Aesthetics and Sociology of …, 2006
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Zur Musik in Österreich von 1564 bis 1740, Eds. Klaus Aringer, Bernhard Rainer, Graz 2022
Raphaela Beroun
Muzyka
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The Khoisan Archives. History as a Musical Field
Emmanuelle OLIVIER
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Canonisation and Documentation of Interdisciplinary Electroacoustic Music, Exemplified by Three Cases from the Netherlands: Dick Raaijmakers, Michel Waisvisz and Huba de Graaff
Hannah Bosma
Organised Sound, 2017
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Identity, Intertextuality, and Performance in Early Modern Song Culture, edited by Dieuwke van der Poel, Louis Peter Grijp, and Wim van Anrooij
irene beekma
Journal of Jesuit Studies, 2017
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The Sounds and Sights of Performance in Early Music: Essays in Honour of Timothy J. McGee." By Maureen Epp and Brian E. Power
Jennifer Saltzstein
Performance Practice Review, 2010
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Eine heillose Geschichte!» The discourse on publishers in Dutch music journals (ca. 1839-1860
Floris Meens
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