Film as a Narrative Fiction (original) (raw)
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CINEJ Cinema Journal, 2013
For over half a century Gandhi has been one of the favored characters of a number of films – Nine hours to Rama (1963) to Gandhi, My Father (2007). Gandhian ethos, life and teachings are frequently represented in varied ways in different films. The portrayal of Gandhi in different films can be grouped into two broad categories: i. revolving around his life, percept and practice as one category and ii. involving his ideas, ideals and views either explicitly or implicitly. The first category of the films include three broad films—Gandhi (1982), The Making of the Mahatma (1996) and Gandhi My Father (2007) and the other category of the films include Nine Hours to Rama (1963- English), Jinnah (1998- English), Sardar (1993), Dr. Babasaheb Ambedkar (2000), Hey Ram (2000), Lage Raho Munnabhai, (2006) etc. Grounded in the theory of inter-textuality through moving image method, the present study is a comparative analysis of examining the portrayal of Gandhi among the first category of three ...
GANDHI AND CINEMA: AN ASSOCIATION RE-EXAMINED
Kalindi College Yearly Academic Journal 2017 (ISSN: 2348-9014), 2017
This research paper attempts to focus on how Gandhi and Cinema together contributed towards the birth of a nation. Both worked individually towards uniting the country by infusing nationalist fervour. It further explores the relationship between Gandhi and Cinema to understand how did they impact each other? Cinema as a tool not only proved to be an inspirational agent but also contributed towards strengthening the cause for independence. But, somehow, Gandhi never gave the recognition it deserved as he never preferred watching cinema. Despite being averse to it, cinema always portrayed Gandhi as an idealist and a national hero whose presence in cinema could alone validate its existence and acceptance in the society. Indian cinema, thus, always stood for uniting the nation and its people by spreading the aura of Mahatma. Undoubtedly, cinema played a pivotal role in carrying his legacy and philosophy which has permeated into our very thoughts and act even today.
Indian Cinematics and Classic Literature – A Literal and Artistic Approach
Farabi Publishing House, 2022
If we compare movies, cinema, and film, in general, it will seem that those are all similar. But there are dissimilarities. The movie has a commercial implication, while the film is somehow academic or educational. Cinema has been reflected in both characteristics. It has images of academia and commercial. Therefore, cinema is one of the most inventive twigs of Fine Arts that the blooming of literature has influenced. Among Indian filmmakers, William Shakespeare is famous through his work of literature, and artistic creation, recognized through his art of play and bloomed within the global film industry. It has been criticized that the movie should not assess books, but it has been observed that literature has always found a way to the silver screen. Filmmakers like Satyajit Ray, Ritwik Ghatak, Mrinal Sen, Shyam Benegal have flawlessly translated the words on pages to conversations on screen. Indian movies like Pinjar, The Blue Umbrella, Saawariya, Shatranj Ke Khiladi, and Junoon were made on the classic novel. The paper's objective is to learn about the connection between literature and Indian cinema. The paper's outcome is to find a clear image of Indian cinema, which has been influenced by literature for a long time. The methodology has been completed through documentary analysis. The feature question is, why does Indian cinema accept the charms of literacy?
The Transition of Gandhism to ‘Gandhigiri’ in Visual Narration: A Study of Gandhi and Lage Raho
2019
In the year of sesquicentennial celebration of Gandhi’s birth anniversary the researcher through this paper proposes to study the depiction of Gandhi and his teachings as portrayed in the visual narrations. Even though Gandhi is said to have watched just two films in his lifetime, but even decades after this death in the year 1948 many filmmakers are still showing great interest in Gandhi and Gandhism to build popular visual narratives. Films have been critical in their nature and approach towards Gandhi, his life and his teachings. While some filmmakers through their works have criticized the established historical information on Gandhi, some of them attempted celebrate and romanticize Gandhism in an informative way. Richard Attenborough in his 1982 release titled ‘Gandhi’ presents the freedom fighter as national figure who agitated against the powerful British with his unparallel weapon of Ahimsa and Satyagraha to attain freedom for India. Rajkumar Hirani in his 2006 release Lage ...
Portrayal of Gandhi in Popular Hindi Cinema
International Journal of Multidisciplinary Educational Research, 2018
M. K. Gandhi constitutes an undeniable space of Indian landscape. Textual interpretation, along with information, concerning Gandhi has been abounded with numerous significant works in social sciences. These are the crucial signpost to comprehend Gandhi. Nonetheless, there is limit to these academic works in terms of accessibility to commoners. Another medium which can be easily accessed by commoners for knowing Gandhi is cinema. It is one of the most powerful and vital expressions in India. Cinema plays an important role in social formation. The influence of movies as agent of socialization, along with all forms of media, cannot be underestimated. It is obvious that films are one of the potent media for setting the desired agenda on masses. In India, the query as to comprehend film to understand society has been mostly ignored. In this backdrop, it becomes imperative to interrogate those spheres which so far have not been unveiled in terms of explaining the cinematic representation of Gandhi. Popular Hindi cinema is one such realm; there are numerous Hindi movies in which Gandhi appears either as a character or as an idea. In this regard, this paper proposes to disentangle the link between popular Hindi cinema and Gandhi.
Gandhi: the Man and the Attenborough film
Sir Richard Attenborough's film Gandhi is the first film to have been made about the father of the Indian nation. It has taken 35 years since his death for this simple tribute to have been paid. The emphasizes the decline of Gandhi's influence, for these years were marked by the heyday and decline of film, and the heyday (and the now foreseeable decline) of TV as it has been known -though cable TV, satellite TV and all the other marvels promised us by Mammon may not be entirely reprehensible.
Cinema and Literature and their Role in the Development of India
Journal of emerging technologies and innovative research, 2020
Cinema and Literature are identified with one another yet at the same time they are diverse in their own specific manners. It had just been one of the most interesting types of information which has had an extraordinary effect on human psyche. Cinema is one of the most significant creations of the nineteenth century. From a basic improvement of high differentiation photos it has transformed into a film with talk and sound and after that with the progressions in science and development film has gotten a handle on another look and presentation with refreshed sound and visual effects. Various people feel that film takes after a charm to describe stories in different courses at different conditions. Likewise, the headway and improvements in film continue making it charming and locks in. Indian films are certainly the most-seen films on earth. Not simply the billion in quantities of crowds in India, where 15 million people are said to go to the film every day, either in its more than 130...