The algorithmic colonisation of art. A critique from Moral philosophy (original) (raw)

Digital transformation has become a disruptive force in the field of art, with very significant impacts on the processes of both the generation of relevant information and applicable knowledge and the production, distribution and consumption of culture-related products and services. AI, one of its main pillars, is increasingly being used by artists and writers to complement, develop or even finish their work. But AI is also being developed to be applied and used in the production of artistic works and scientific and informative writings in an autonomous way, i.e. without the supervision or complementation of any expert, scientist or artist. Using a critical hermeneutic methodology typical of the human and social sciences, this study aims to critically reflect on the algorithmic colonisation of art and its current and virtual impacts.