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La musique vainc le diable, comme doit avoir dit Pythagore. Cette étude aborde le problème, pour la troisième fois déjà et à nouveau sur les traces de Stephen Jaeger, qui a défendu à ce propos aussi la thèse que bon nombre de ces principes spéculatifs tombaient dans la littérature vernaculaire. On suggère que l'harmonie cosmique est réunie à la Cour médiévale, telle que la Table Ronde d'Arthur, et que l'équilibre sous-entendu dans le concept de l'harmonie du monde se reflète. volens nolens, à la cour des rois médiévaux, princes et évèques (Jaeger, Origins of Courtliness). Une seconde analogie soutient que le concept d'harmonie cosmique correspond à la sphère sociale et humaine; comme le préconise Boethius, les humains peuvent aiguiser leur caractère en répondant convenablement à l'harmonie cosmique, conduisant ainsi à une connaissance personnelle plus profonde. Trois thèmes sont discutés: a) les buts de l'échelle de valeur de la littérature médiévale raff...
Courts were the center of political and cultural life in the Renaissance. A longstanding sociological theory sets the origins of our modern concept of civilized behavior in the Renaissance courts. Renaissance courts differentiated themselves form medieval courts by abandoning itinerancy and becoming more and more stable. Renaissance courts assumed the form of a fixed, enclosed, and elitist structure. They were also a very centralized structure that had the prince or lord at its center, while a complex entourage of courtiers employed in different tasks surrounded him. At the same time, courts were also a place of unprecedented social mobility, where men of humble origins and great ambition could strive to obtain success and fame. Courts were also important centers of patronage: princes invested in writers and artists who could bring prestige to their court and make it outshine any rival courts. In addition, Renaissance courts are also of paramount importance in terms of gender studies. The courtly environment saw examples of powerful and influential women, who challenged the still existing stereotypes of women’s weakness and inferiority to men. Finally, the court were also one of the main topics of Renaissance satiric writings, that offered a completely opposite picture to the image of splendor and magnificence that the courtly environment tried to offer for themselves, depicting them instead as overrun by hideous vices such as envy, flattery, and ruthless competition for success.
Introducing 'Studies in Medieval and Renaissance Sources': a Statement of Purpose
Studies in Medieval and Renaissance Sources: Supplementum, 2024
Studies in Medieval and Renaissance Sources, the transformative successor to Studies in Medieval and Renaissance History (first published in 1964), provides a unique venue for scholars to offer fresh readings of evidence from the period 400–1600. This annual is dedicated to the fundamental scholarship of analysis and interpretation led by direct engagement with the sources—written, visual, material—in any form, from editions, translations, and commentaries to reports, notes, and reflections. By foregrounding the most basic approach of working outwards from the evidence, it aims to foster conversations across disciplines, regions, and periods, as well as to become a reference point for original approaches and new discoveries.