Medievalism: some historiographical insights into the mirror and its reflection, «Journal of Interdisciplinary History of Ideas», vol. 13 n. 25 (2024) (original) (raw)
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“Tra un manifesto e lo specchio”. Piccola storia del medievalismo tra diaframmi, maniere e pretesti. Umberto Longo What are the relationships between medievalism and medieval history. It is possible to reconstruct the history of medievalism as a field of studies and as a discipline starting from the study of the history of the term to reach to the current definition of medievalism in relation to Cultural Studies. These are the assumptions from which the essay, placed at the introduction of a section explicitly dedicated to medievalism, intends to consider the evolution of studies on medievalism in recent decades and the way this has led to a progressive expansion of the themes, approaches and an inexorable trespassing of the traces of the history of historiography. These multifaceted characteristics of medievalism, which cannot be completely traced back to the parameters of the history of historiography, can also be assessed as an opportunity to examine the possibility of updates and possible extensions of the methodological agenda of medieval historiography and may represent an opportunity to explore the disciplinary boundaries related to the study of medievalism. Medievalism, intended as “continuing process of creating the Middle Ages”, can constitute a laboratory aimed at verifying the functions and relationships of the discipline of medieval history in Italy with contemporary society. Starting from the awareness that Italian historiography has long caught and highlighted the link between medievalism and history of historiography. In this particular perspective, the Istituto Storico Italiano per il Medioevo has constituted an important forum for the comparison and reflection on the relationships between the history of historiography and medievalism.
2000
As an area of enquiry, the academic study of medievalism has seemed constitutionally, and indeed institutionally, marginal. Neither fish nor fowl, its interdisciplinarity has long consigned it in the eyes of many medievalists to the shadowy realm of para-disciplinarity, seemingly doomed to the task of merely commenting on the work of others. In recent years, however, Anglophone medieval studies has witnessed the growing momentum of what might be called a "medievalist turn". The emergence of numerous studies of the historical and political forces buttressing the emergence of the discipline, along with the biographical studies of Helen Damico and Norman Cantor, have encouraged us not only to situate reflexivity at the heart of our critical and methodological practices but also to locate ourselves within an ever-changing tradition of historical interpretation. Nevertheless, as the editors of Medievalism in the Modern World remind us, the study of the "post-medieval reinvention of medieval culture" (4) is no 1990s debutante, but has been making steady if embattled headway since the mid-1970s, growing up in the cracks between disciplines, largely due to the energy and commitment of Leslie Workman, founder and former editor of Studies in Medievalism. It is fitting, then, that this, the inaugural volume of Brepols' Making the Middle Ages series, should honour Workman's indisputable role in the establishment of medievalist studies. The range and the quality of the essays collected here bear eloquent testimony to the impact of this scholar's work across the humanities in the English-speaking world and beyond. The volume features work by medieval scholars venturing beyond their customary analysis of medieval literature, early modern scholars, Victorianists, Germanic scholars, Icelandicists, codicologists, and even a dramatist and composer. It also contains essays by a number of regular contributors to Studies in Medievalism and other medievalist forums, including Kathleeen Verduin,
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We present an overview of the studies on the Middle Ages that exceeds the traditional chronological milestones of the period. Initially, we present the historiography on the Long Middle Ages, a construct that postulates the idea of a medieval world found in the present and thus, beyond the 15th century and the European continent. In contrast, we seek to present the theory of Medievalism which emphasizes the relationship between the contemporary world and the discursive appropriations of the medieval period. This theory is not quite familiar in the Brazilian academic context, but it offers great possibilities to approach the Middle Ages from a more autonomous perspective, rather than the European historiography, on which, historically, medieval studies have been grounded.