Architectural Experimentations: New Meanings for Ancient Ruins (original) (raw)
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«Intrecci» International Journal of Architectural Conservation, 2022
The article proposes a reflection on the relationship between Architectural Conservation and Archaeology. It analyses significant issues that emerge from the project of musealization and valorisation of the Domus of Tito Macro, a Roman house located in fondi Cossar area in Aquileia. The intervention was concluded in September 2020 and it represents the outcome of a complex process supported by Fondazione Aquileia. The work started with a research project and archaeological excavation conducted by the University of Padua, joined by the design team that won the Competition of Ideas launched by the Foundation in 2010. The article underlines complexity that has characterized a rich path of ‘contamination’ between different disciplines, first of all, Archaeology and Architectural Conservation. The project combines a careful preservation of the archaeological ruins with the installation of a complex shelter system, designed as a solution that alluded to the original shape of the Roman domus. This path describes a conservation building site that could hardly be managed with the common tools of Architectural Restoration but, on the contrary, strategies specifically designed were asked to deal with the archaeological site needs. Flexibility and multidisciplinary approach have been the key to address the relationship between the two disciplines, interpreted as an opportunity to produce an integrated design and stimulus for a cultured collaboration.
A reflection is proposed about designing urban remains: places that have ceased to perform their original function and that now find themselves without citizenship, in a sort of grey area. Too little attractive to be taken into account by real estate operators, unlike the big industrial zones. Too recent, and still recognizable, to assume the noble and romantic rank of "ruin". Not so special to deserve restoration and the Superintendence interest. Even not so damaged to be considered waste. However, they can represent a strategic resource for the territory, not just being available to perform new functions, but also holding memories and human stories that would otherwise be lost.
The archaeology of architecture for the knowledge and preservation of the 'modern’
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The aim of this research is to find new tools to know, understand and consequently preserve the most recent architec- tural heritage (20th–21th century). This particularly interesting heritage needs attention, often its state of degradation undermines its conservation. This need is evident not only in the Italian context but also in the western world. The 1972 Unesco Convention defined an initial concept and definition of Heritage, and this concept now became increasingly broader; today, more recent artefacts are now looked upon as elements to be protected, in the same way as older ones. The writer started this research, years ago, currently a close collaboration between DAD Genova and Universidad del Pais Vasco brought more enlightening. The objectives are: verification of the applicability of the tools already adopted in the archaeology of the architecture of traditional constructions and development of the specificities in the interpretation of contemporary constructions.
Urban Archaeology Enhancement / Valorizzare l’archeologia urbana
2013
Gli autori hanno lavorato all’interno di un progetto di ridendo esiti di studi che hanno trovato riscontro in monoIn their various and distinct ways, there are many European cities that have archaeological remnants buried in ground where the passing of time has left its sedimentary traces, and this renders urban archaeology a topic of a relevant interest, at the same time raising issues of great ness of history and the wish to conserve these vestiges and communicate them, whilst assimilating the dynamic aspects typical of contemporary transformations. The articles collected together in this publication tackle the subject in its technological, structural, conservational, museological and museographical aspects. The examples provided include instances of re-interred or scarcely visible archaeological constructions as well as items conserved in the open air or protected by appropriate enclosures. Further examples have the archaeological construction today housed in an actual museum, ti...
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During the last 50 years, and due to the dilapidation of public funds, hundreds of unfinished public works have been erected Italy. In 2007, the group of artists Alterazioni Video declared these ruins a formal architectural style – 'Incompiuto Siciliano' – and, in doing so, their aim is to change the buildings' dark side and turn it into something positive. One of the tangible outcomes within the artists' proposal is the eventual creation of the 'Incompiuto Siciliano Archaeological Park' in Giarre, a Sicilian medium-sized village that has the highest density of unfinished public works in Italy. This article analyses how such a provocative project contains serious implications in terms of heritage. It is stated that, in order to forge a positivized 'unfinished heritage' , Incompiuto Siciliano Archaeological Park builds bridges between aspects that, in principle, seem to be the opposite of each other. This opens the possibility of putting traditional heritage assumptions in question through the production of a critical heritage whose novelty lies in the constructive use of irony, sarcasm and double meaning.