Making history, making placecontextualising the built heritage of world expos 2010 and 2015 (original) (raw)
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Development of areas of World Exhibitions: search of urbanity: case study of Milan
2016
Great events, which the World Exhibitions, held periodically since the end of the 18th century, certainly are, occupy a position somewhere between science and entertainment, culture and consumption. Facilities erected especially for this occasion and development of the allocated areas are by definition temporal structures, which are to be disassembled or transformed after they have fulfilled their function. These areas, even after dozens of years, or even more, still remain areas that stand out in the structure of the city. Milan, the capital of the Italian region of Lombardy, so far has been the host of the World Exhibitions twice, with the time interval of over 100 years. The areas and facilities that remained after the first of them were subjected to a secondary development. In one of the locations of the exhibition from 1906 a large-scale mixed-use development is being implemented, which is intended to create a great part of the future urban fabric of the city. In this paper, th...
The memory of world expo (mega-events, Olympics games) as an instrument of city planning ?
TEOROS, 2014
TRANSLATION OF THE ARTICLE IN FRENCH: Ballester, P. (2014). La mémoire des méga-événements comme instrument de la planification urbaine ? Téoros, 33, (1), 8–19. Starting from a geography of memory, I approach urban planning strategies in relation to the organization, the holding and the balance sheet of the mega-events. Their memory, recollection and manipulation by local elites are part of a long-term urban policy to justify sometimes hazardous or judicious choices. I end up with three corollary results of the form, background and function of mega-events from archival research, a field survey of Olympic venues in Barcelona and a renewed literature review on the subject: a complementarity between the Olympic Games and the World Expositions (world expo) is observed with the importance of the urban palimpsest functioning as an integrating system, a collective memory of the mega-events remains pregnant thanks to the mass tourism and specific tourism, the qualities of the ephemeral of the manifestation are felt in the material and immaterial production forging a collective memory. Keywords : Olympic Games , World expo, Memory , Planning , Tourism , Barcelona. https://id.erudit.org/iderudit/1036715ar
Transformation of Exposition Space at an Urban Scale
IPHS, 2016
International expositions began to gain popularity in late 19 th century, particularly in europe, and in time came to influence both architecture and urban planning, affecting their historical development. expositions serve as a means of displaying architecture, particularly since industrialization, and have an influence that can transform their surrounding metropolitan areas in different ways. These influenced areas extend way beyond their own scales, and even if they no longer exist today, and have the potential to transform the urban space in which they are located. This study analyses the case of the Great exhibition of 1851, in london, united Kingdom, which can be considered as the world's first international event, and which played a significant role in the transformation of the Kensington site. Although the exhibition space itself was temporary, it transformed the Kensington site on which it was located at an urban scale. This part of the london has changed following the reorganization and redesign after the exhibition was over, and the exposition space has developed into an integrated part of the city by taking on a set of additional functions, with the additional influence also of such neighbouring institutions as museums and later exhibition spaces.
This paper analyzes the international exhibition world's fair planning strategies despite their ephemeral characters are symbolic projects and structuring developments within the various stages of the Industrial Revolution. By landscapes and urban symbols, these shows leave a significant landmark on the urban grid of the host cities, but also in the mentality, urban representations and the techniques of construction. The symbolic aspect and the gigantic facilities will serve as guidelines for planners-architects in charge of their organization. The main political actors and the development of cities have recognized early the power and possibilities of these events to structure social life and urban landscape of cities. From the moment we decided to organize an exhibition, developers start with a dual objective, namely to build and manage the ephemeral and sustainable. Unlike the development of a large development project as the regeneration of a neighborhood, the Exhibition must be designed and constructed in three phases. There is one more step, one before (the strategy) a while (the course of the festival, usually six months) and after (the end of the exhibition, its balance sheet and reuse infrastructure or not). We are facing a much more complex Planner Action to be taken into account by decision makers or not the time and very often elected officials inheriting these fairs infrastructure. The touristic and urban history of Paris and Barcelona justified by example and comparing the uniqueness of these events. The example of Paris is exemplary through its heritage of world exhibitions of the nineteenth century and its international exhibitions of 1925, 1931 and 1937. As for Barcelona and his first experience of World Expo 1888 it turn implies a long political and urban processes leading to the Montjuic international Exhibition in 1929. The choice of these two cities is not neutral. In the early twentieth century, Paris is a model for the Catalan intelligentsia. Barcelona wants to be the "Paris of the South of Europe." How not to see the realization of the Park of the Citadel in 1888 in Barcelona a replica of Park Monceau in Paris, the same view for the development of the Montjuic hill in 1929 and designed by architect Cadafalch policy on man the model of the Parisian perspective Champ de Mars / Chaillot Hill: the rule and model are at work. As such, the hill and the redemptive religious center of Montmartre and the hill of Tibidabo with its redemptive church also are parallel to consider. Organizing an exhibition is accompanied by mobilization and justification of financial and human resources, this through political actors and private public works companies. The symbolic, the political message, cultural or economic become legitimacy of public action elements. In addition, the urban grid of the restructuring deal with the issue of transience must be addressed. This is the question of choosing between the provisional (destruction) and sustainable (urban heritage) against the vision of the planners in charge of exhibition parks projects. We will close our reflection on the contribution and usefulness of these ephemeral events from the perspective of technology and innovations in the construction and the landscaping.
Fleeting Cities: Imperial Expositions in Fin-de-Siècle Europe
2013
Imperial expositions held in fin-de-siècle London, Paris and Berlin were knots in a world-wide web. Conceptualizing exhibitions as meta-media, Fleeting Cities undertakes a transdisciplinary investigation into how modernity was created and displayed, consumed and disputed within the European metropolis. Focusing on five such expositions – the Berliner Gewerbeausstellung (1896), the fifth Parisian Exposition Universelle (1900), the Franco-British Exhibition in London (1908), the British Empire Exhibition at Wembley (1924/25), and the Exposition Coloniale Internationale in Paris (1931) – this award-winning book examines their specific aims and aspirations, evolving forms and execution, and the public debates they engendered. Who shaped these mega-events, how were exposition venues inscribed into the urban fabric, what legacies did they bequeath? Taken as dense textures stretched over time, these expositions undergo both a close hermeneutic reading and broad spatial analysis. Fleeting Cities weaves extensive empirical research with underlying theoretical concerns, investigating their individual meanings in a new form of transnational network analysis.