BOOK REVIEW: Dugga, Victor Samson. CREOLISATIONS IN NIGERIAN THEATRE. Bayreuth, Germany: Bayreuth African Studies, 2002 (original) (raw)

Dugga's "Creolizations in Nigerian Theatre" explores the emerging concept of "total Nigerian theatre," a hybrid performance form reflecting Nigeria's modern and postmodern identity. The book examines the interplay of traditional performance rituals and contemporary theatrical practices, highlighting influential figures like Soyinka and Osofisan. Serving as a valuable resource for understanding postcolonial theater, the work offers insights into the role of theater in social change and education.