Collaborations and Design Development of Local Craft Products: Service Design for Creative Craft Community (original) (raw)
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This paper presents initial findings from an ongoing research project that explores opportunities for design to contribute to a sustainable future for the craft industry. The research asks "Are there potential areas for design to make a positive contribution to the craft industry in upper northern Thailand to help ensure its viable future, and if so, in what areas can design best contribute?" The research consists of three main components: (i) background research into crafts; (ii) identification of a specific study site; (iii) investigation of craft practices, products and issues of concern in the context of the study site. Background research includes: persistence of crafts in a period of Mass Production; principles of craft today; genres of crafts; relationship of crafts with tradition and design. The upper northern region of Thailand is identified as a major craft production area, with historical, cultural and socio-economic significance. Craft in this region are classified and the challenges for design and design management are identified. It is found that there is a need to integrate: (i) 'designers' and 'craft-makers' in practice; and (ii) traditions in commercial craft-product design.
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This paper presents initial findings from an ongoing research project that explores opportunities for design to contribute to a sustainable future for the craft industry. The research asks “Are there potential areas for design to make a positive contribution to the craft industry in upper northern Thailand to help ensure its viable future, and if so, in what areas can design best contribute?” The research consists of three main components: (i) background research into crafts; (ii) identification of a specific study site; (iii) investigation of craft practices, products and issues of concern in the context of the study site. Background research includes: persistence of crafts in a period of Mass Production; principles of craft today; genres of crafts; relationship of crafts with tradition and design. The upper northern region of Thailand is identified as a major craft production area, with historical, cultural and socio-economic significance. Craft in this region are classified and t...
It is possible to create a synergy between industrial designers and artisan groups to stimulate the development and preservation of a local craft in a sustainable and commercially viable way. This study aims to explore how designers may collaborate with artisans to unearth new opportunities for a local craft and how designers can make contributions to the artisan community. Rush-weaving is a traditional local handcraft practiced by generations of Taiwanese artisans using indigenous materials to make functional and decorative items. To research the possibilities of a craft-design collaboration, a monitored project was conducted, where local rush weavers and design students worked together to create new product concepts. As a result of the collaboration, seven design concepts were proposed to expand this traditional craft into contemporary markets. Drawing from the collaborative experience, this study proposes a craft-design collaboration process to form the basis of an approach for local craft development and sustainability. Knowledge gained through this activity suggests that the concept of craft product design is embodied by combining what is desirable in craft with what is possible through design. This study reveals that designers can play a catalytic role in facilitating the propagation of local craft knowledge into other industries. This can cultivate the local craft industry and empower artisans to further their own innovations. This paper highlights the value of the alliance between craft and design as a mutual learning mechanism, where both sides can exchange knowledge and enhance their professional capabilities.
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It is possible to create a synergy between industrial designers and artisan groups to stimulate the development and preservation of a local craft in a sustainable and commercially viable way. This study aims to explore how designers may collaborate with artisans to unearth new opportunities for a local craft and how designers can make contributions to the artisan community. Rush-weaving is a traditional local handcraft practiced by generations of Taiwanese artisans using indigenous materials to make functional and decorative items. To research the possibilities of a craft-design collaboration, a monitored project was conducted, where local rush weavers and design students worked together to create new product concepts. As a result of the collaboration, seven design concepts were proposed to expand this traditional craft into contemporary markets. Drawing from the collaborative experience, this study proposes a craft-design collaboration process to form the basis of an approach for l...
This research explores opportunities for design and sustainable development in the handicrafts sector through a case study in upper northern Thailand. The goal of the research is to systematically develop craft-design approaches that are congruent with the principles of sustainability. The paper presents key findings from a literature review and from semi-structured interviews with local producers, supporters, and buyers. The first part of the paper describes the problems facing the handicrafts sector today and explains the concept of design for sustainability in relation to craft-design approaches. It also identifies ten potential handicrafts that could be developed for contemporary markets. The latter part of the paper presents key findings from semistructured interviews. These include the three handicrafts, which appear to have the highest potential for development. A justification of the handicrafts selected for in-depth studies is provided, along with potential markets and market components, handicraft suppliers, the supply chain of handicrafts and the role of designers. Ultimately, three directions are recommended as craft-design approaches for the sustainable development of the handicrafts sector -replication, adaptation and innovation.
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