Literary Characteristics of Onomatopoeic Items in the Uzbek and English Languages (original) (raw)
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Onomatopoeia has always been a functional poetic device which enjoys a high sound significance in the poetry of many languages. In modern English and Arabic poetry alike, it proves to be vital and useful at different levels: musical, thematic and at the level of meaning. Still, the cultural difference looms large over the ways it is employed by the poets of each. The present paper investigates the employment of onomatopoeia in the poetry of D. H. Lawrence (1885-1930) and Badr Shakir al-Sayyab (1926-1964) who are chosen due to the importance they enjoy in modern English and Arabic poetry and the richness of their poems in onomatopoeias. The conclusions reached at are in a sense related to cultural differences which govern the use of onomatopoeia for specific aims rather than for others.
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The aims of this article are to analysis onomatopoeia with use some poems of Lee Emmett. There are five poems that have been analyzed: running water, Bake a Cake, wind and rain, the gentle sound of rain, and See the Skater. These articles, Authors apply observation method and note taking technique. The process of this article covers several steps such as read the poems, identify, and make a table to collect Onomatopoeia word. From five poems that have been analyzed, there are two types of onomatopoeia word; primary onomatopoeia (PR) and secondary onomatopoeia (SC). Onomatopoeia found as many as 21 words. From 21words, the dominant types and meaning that used in five poems are secondary onomatopoeia; 15 words. This article is to help readers easier to understand the meaning of sound trough poems by Lee Emmet.
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Scientific Reports of Bukhara State University
Аbstract. This article discusses phraseological units with onomastic components in the English, Russian and Uzbek languages from the point of semantic pecularities. It is known that initially, onomastic components were used in their direct meaning but later, it had figurative meaning being as a component of phraseological units. From this point, onomastic components according to their dominant meaning, they expressed neagtive and positive connotations. Phraseological units with onomastic components in both languages were studied in 38 groups according to their meaning and content in terms of lifestyle, literature and folklore, and common religious beliefs of the English and Russian people
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Onomatopoeic Words in Slovak: Everyday Use and Stylistic Function
Slavistica Vilnensis, 2022
Onomatopoeias-words that echo sounds from the extra-linguistic reality-are usually understood as units representing a direct relationship between form and meaning. Lexical onomatopoeias are part of a language system, and their meaning can be found in dictionaries. It is assumed that onomatopoeias are crucial in communication by and to infants and are also considered important stylistic devices in poetry. However, they seem to be only marginal in adults' speech. This paper presents the results of an analysis of the understanding of Slovak onomatopoeias in everyday communication as well as of the stylistic dimension of these expressions in poetry. First, attention was paid to the comprehension of sound-imitating words in context by the sample of 30 native Slovak language speakers. Then, a sample of ten Slovak poems, well-known due to their usage of various sound-symbolic elements (onomatopoeias included) as stylistic devices, was examined to verify the supposed stylistic dimension of onomatopoeias in poetry. The results indicate that the understanding of the real meaning of lexical onomatopoeias depends on the specifics of the context and that onomatopoeias play a less important role in poetry than expected.
Onomatopoeias of Contemporary Ukrainian Poetry in the Aspect of Artistic Synthesis
International Humanitarian University Herald. Philology, 2020
The associative conceits, evoked by a concrete image in an author, a reader, or a speaker of a free-verse lyrical work, often get divergent, bearing a resemblance to the complicated system of concentric circles. However, they would converge on the certain level of perception, owing to the fact that the coincidences of associative fields are able to reveal the archetypal content of initial images. Establishment and development of the problematic circle in Ukrainian free verses of the 20 th-the beginning of the 21 st century can be described by combinations of urban and rural elements, setting up and solving the existential binary oppositions, reflections over the national renaissance of the homeland, and personification of nature. This was what has conditioned the openness of free verse form to artistic synthesis. There is impossible not to notice the echo of impressionistic arts in the up-to-date interpretations of landscape lyrics in freeverse works of the period analyzed (written by M. Semenko, V. Polischuk, R. Kudlyk, and I. Andrusiak). Particularly, it is expedient to talk about the combination of painting (showing an object under various angles and lighting), poetry (operating with a large array of tropes and figures to fix the impression and to suggest it to a reader), and music. Therefore, the artistic imagery of a poetic work synthesizes the visual and audible component in its intonation dimension. This will significantly enlarge the volume of esthetic information, together with the speaker's emotional attitude which is able to suggest an image expressed in a poem to a reader. To reach the proper acoustic effect, poets use the ideophones (or onomatopoeias) and puns connected with them to create either overt or latent metaphors, constructing the image of a sounding thing or entity. Sometimes onomatopoeias get substantiated in poetry, taking even the role of subjects or predicates. This can not only create the audible artistic conceit, but also give it a sense-making function. This way the poet can concentrate any audible element to 'a point within an idiom,' activating the imagination and artistic thinking of a poem's addressee.
Scope : Journal of English Language Teaching, 2017
Novel as the most famous genre of literature always succeeds to please its readers with its own way. It offers many stylistic language features such as onomatopoeia that can alure the readers to enter its world. Onomatopoeia is one of the most appealing feature in the novel Harry Potter and The Prisoner of Azkaban. This research discusses the onomatopoeic words. For the purpose of the research, two problems are formulated. The first problem is what word classes of onomatopoeia and the second problem of the research is on the procedures applied in translating the onomatopoeia found in the novel. This research is a qualitative and library research. Based on the analysis, there are 58 onomatopoeic words found. The onomatopoeic words are of different word classes; namely verb, noun, adjective and interjection. Most of the onomatopoeic words are verbs. There are five translation procedures used by the translator in translating the onomatopoeic words of the source text into the target text. They are borrowing (2 data), literal translation (14 data), transposition (8 data), modulation (1 data) and equivalence (33 data). Equivalence appears to be the most frequently used.