Public Abstract Wooden Sculpture Park: From tree abundance to important environmental art (original) (raw)
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Attracted by Trees: Art in the Landscape by Patrick Dougherty, Roxy Paine and Konstantin Dimopoulos
Urban Culture Institute, 2016
Life on earth is hard to imagine without trees. Their environmental, biological, economic and cultural functions permeate our existence. Countries that lack trees tend to subsist at the edge of survival. Three leading, contemporary artists from the U.S. and Australia–Patrick Dougherty, Roxy Paine and Konstantin Dimopoulos–have centered their creative inquiry on trees, creating temporary large-scale, site-based installations in the landscape that utilize trees. All three apply the strict modular principles of serial art. How do their works relate to the natural environment in terms of materials, narratives and interpretations? How do these artists’ installations differ from each other?
Scientific Reports, Nature Portfolio, 2024
Nature‐based solutions inherently require a multifaceted perspective that encompasses diverse fields. The aim of this project is to develop more effective nature‐based solutions, climate action and environmental awareness by breaking down boundaries between disciplines and fostering a co‐creative process. Concepts of ecology and urban forestry were combined with the research on political ecology, environmental humanities, land art, regenerative art, performing art, participatory art, and more‐than‐human art. This process resulted in the creation of Aula Verde Aniene. It is located in an urban park in Rome and consists of a stand of trees arranged in circles with a specific design to give the perception of being in an outdoor vegetated room. The project activities involved community participation through art performances and citizen science initiatives. Regulating and cultural ecosystem services of Aula Verde were assessed using i‐Tree Eco software and citizens’ surveys. Beyond numerical descriptions of ecosystem services, the manuscript introduces shinrin‐yoku as a practice to raise awareness of nature. The distinctive approach here described contributed to convey a sense of belonging to the ecosystem to citizens. The project framework and study findings have been developed to formulate policy recommendations and disseminate a format that can be adapted to diverse locations.
In this Environmental Age, More Sculptors are Taking on Wildlife to Make a Green Statement
Sculpture Review, 2015
S uppose for a moment we knew that all life on planet Earth was going to end tomorrow at dusk-and that the terminal collapse of species, including our own, was hastened not by an approaching asteroid but the result of destructive human activities. Would we change our behavior if given a chance or ride off carelessly into the sunset? Now ask yourself this: Were a sculptor commissioned to create a monument that called attention to the urgent need for a course correction, how might the narrative be constructed? What message would be encoded symbolically and communicated in a visual language that would be universally understood? Fortunately, the end of civilization is not immediately upon us, though experts say worrisome harbingers demand transgenerational thinking. Famed Harvard zoologist Edward O. Wilson warns that Earth is entering the sixth major species extinction episode, the only one in the history of our planet caused by the activities of a single animal-Homo sapiens. Recently, the World Wildlife Fund (WWF) said that half of all wildlife populations known to exist forty years ago already have disappeared. On top of this, climate CONFLUENCE
Objects of the Forest - Exploring the Amazon Through Designers' Eyes
Objects of the Forest, a project from 2012, proposed to identify and diffuse existing design solutions that merge culture – human, rational processes – with nature – the wild. This experimental proposal had the following goals: – register and spread design objetcs that are representative of the material culture associated to the reality of the brazilian Amazon Forest, in sustainable ways. Point on these daily sustainable objects their conceptual, cultural and aesthetical values. – enable local designers and artists to observe objects under a conceptual point of view and to approach the Amazon Forest with a new mindset.
International Journal of Innovative Research and Development
The unaesthetic state of environmental landscaping at the car park of the Faculty of Applied Arts & Technology (FAAT), Takoradi Technical University (TTU), and the discontinuous appearance of green art around the Art faculty have become a challenge to the beautification and identification as an art building. The focus of this study was to design and produce ping topiary, the article explores the aesthetic of plant sculpture in the following ways: scale, shape, planes, elements of space, and materials used in the production. The study used studio-based and descriptive research designs with a visual analysis tool focusing on techniques, procedures, and materials for the creation of work. The outcome of the study revealed that topiary creation enhances the beautification of the faculty's landscaping and is a solution to managing climate change. Therefore, it is recommended that greening at the FAAT and TTU campuses should include topiary design and landscaping manufacturing to mana...
Article Review: Creative Thoughts Associated with Environmental Art From the 1960s Onwards
Journal of Architectural/Planning Research and Studies (JARS)
All arts can serve as an inspiration of innovation ideas for landscape architectural design as well as other built environmental design disciplines. In 1960s, environmental art originated with aiming to rebel against the art gallery or museum by creating innovative art using natural elements setting on an outdoor location. The art is taken in various forms such as large sculptural artworks and, also, the installation art for a specific site, etc. Several artist scholars such as Rosalind Krauss (1979) and Spyros Papapetros & Julian Rose (2014) marked that there are no specific principles or general agreement or specific theory in terms of the approaches to exploring landscapes entangled with the art. However, within broad terrain of practice of the environmental art, this research attempted to provide core creative thoughts applied to the art, which can be divided into 6 themes including 1) Modernism 2) Postmodernism, 3) Genius loci or spirit of place, 4) concepts of eighteenth-centu...
2013
Seksjon: Vitenskapelige artikler utenfor tema Architecture of the Forest deals with the relationship between the spatial and formal structure of the forest and architectural space and form. A good introduction to the topic is provided by a study of forest-related biological knowledge, literature, art and environmental aesthetics. Also included within the scope of interest is the architect’s interpretation of this relation-ship. This type of study falls into three strands of inquiry, with the first one focusing on the physical and spatial structure of the forest from an archi-tectonic viewpoint. The second strand is concerned with cultural and indi-vidual interpretations of the forest as it appears in, for example, literature and art. To shed light on these issues, we can examine relationships be-tween the natural world, culture, biology and architecture. In the third strand, the focus of interest lies in exploring how the forest has been used as a source of architectonic space and f...
Regeneration on Tree Mountain: Earth Art by Agnes Denes
American Scientist, 2013
The health of the planet is in a precarious state and cries out for large ecological restorations more than ever. Earth artists often use natural materials and forms just to dazzle us with their imaginative constructions. They may have to stretch themselves to embrace this more complicated phase of their movement, making art that emulates Earth processes, as Agnes Denes surely has. Her Tree Mountain project involves 11,000 people planting 11,000 trees in nature-based mathematical patterns, so that they have a personal investment in maintaining this forest restoration art work. Eco-artist Katherine Miller also uses geometry to construct a water-cleasing bioswale in a local park. (This version of the essay is slightly different and longer than the published one.)
THE ROLE OF SCULPTURE IN SHAPING THE STYLE OF GARDEN OBJECTS
Dudkiewicz M., Pogroszewska E., Durlak W., Szmagara M. 2016. The role of sculpture in shaping the style features of garden objects/ Ranga rzeźby w kształtowaniu cech stylowych obiektów ogrodowych. Czasopismo Techniczne sekcja Architektura zeszyt 2-A (8): 241-252