Mathematics Education Art and Architecture: Representations of the Elliptic Paraboloid (original) (raw)

A multidisciplinary approach to teaching mathematics and architectural representation: Historical drawing machines. Relations between mathematics and drawing

2016

The aim of this paper is to highlight some of the results of the interdisciplinary work carried on by the authors in the School of Architecture of Roma Tre University to unify research and didactics showing a contemporary approach to the disciplines of drawing and mathematics. They conduct a course to develop a methodology of study that foresees three aspects: the construction of a mathematical drawing machine, the understanding of the analytic representations of the curve that the machine tracks, the consultation of historical sources. From Treaties on history of architecture, mainly of nineteenth century, can be extracted study cases, such as geometric issues that over time have been resolved and interpreted in different ways. The goal is to reinforce in students the awareness of the relationship between physical objects, their representation, and the mathematical theory underlying, through the study of historical cases.

Art and Literature as a Teaching / Learning Interface of Mathematics for Students of Architecture

2009

This paper discusses an educational approach emphasizing the changing role of mathematics and potentials of mathematical thinking in architectural education on the course of changing design paradigm: from designing the product to designing the process. In this context, randomly selected samples of student works, realized within the context of an elective undergraduate course, Arch 333 “Mathematics in Architecture” at Middle East Technical University, Ankara, Turkiye are presented. It is shown that mathematical thinking provide not only to science people a solid ground for further explorations, but also new inspirations to people involving art and design and help them to overcome prejudices and fears related with mathematics in their minds. It is believed that this approach encourages them to discuss complex problems with meta language of mathematics and develop ability to consider the design process as a whole.

The Creative Capacity of Geometric Objects-point and line-in Architecture Teaching

Congreso Internacional de Expresión Gráfica Arquitectónica, 2022

The point and the line are simple geometric elements with immense creative capacity. They are the foundations on which the most complex geometries rest and therefore require detailed understanding and attention to achieve full mastery of them. The point and the line are totally connected with the space and the spatial coordinates; the adaptation of the geometric space to the shape facilitates the calculation and the geometric development. They are the basis of geometry, which floods the art world in all its expressions. Painting, sculpture, fashion or music use geometry as a source of inspiration, as an expression of their own being. This article seeks to unify the various existing approaches to reach these basic elements of geometry. Different languages: mathematics, drawing and art and other artistic expressions can define the same geometric object. Our approach is from the point of view of mathematics and contemporary art. Only by knowing these parallel approaches will we be able to master it, understand it and be able to use it freely, at will. This is the path that we seek our first-year Architecture students to follow. They need to master the bases of the form, sometimes very propaedeutic, but without which it would be impossible to establish the later complexity. For this reason, we close this article with three examples of projects carried out by the students, which illustrate the skills acquired and the validity of the method used for integrating knowledge.

Analyzing today geometry on architectural heritage between mathematics and representation to define architect's background

2023

We present and analyze an example of activity aiming at introducing graphic language and standards to students of the first year bachelor's in architecture. Our example concerns the 2D representation of an architectural object, an essential competency in the architect's profession, and specifically deals with roofing systems made up of vaults generated by cylinders and their intersections. It is a first attempt to create activities that involve all students regardless of their different levels of geometric understanding and of familiarity with graphic language; in particular, this example exploits the introduction of physical or virtual models to support the mathematical thinking of students in completing the task and takes place during regular lesson times, without modifying or adding mathematical subject contents. Research literature on mathematical modeling, in particular on the so-called prescriptive one, provides us tools to frame and implement our study case; it also allows presenting mathematical modeling as a goal in an extra-mathematical educational context.

Visual modeling as a motivation for studying mathematics and art

Educational Media International, 2005

The paper deals with the possibility of enriching the curriculum in mathematics, informatics and art by means of visual modelling of abstract paintings. The authors share their belief that in building a computer model of a construct the students gain deeper insight into the construct and are especially motivated to elaborate their knowledge in mathematics and informatics. This idea is demonstrated in the context of educating pre-and in-service teachers in mathematics and informatics at Sofia University "St. Kliment Ohridski".

Intuitive Geometry by Emma Castelnuovo: still contemporary in the digital devices' era

2015

Emma Castelnuovo has been one of the most influent innovators of the Italian mathematics Education. She published for the first time her book “Intuitive Geometry” in 1949, by which she presented a completely new perspective of geometry teaching/learning. Castelnuovo’s work had a strong impact on mathematics education. Nowadays, educational innovation is often confused with the use of digital devices; so it would seem that intuitive geometry by Castelnuovo, based on material models manipulation, is destined to have no more room in our classes. In this paper, we support the opposite conclusion: dynamic geometry softwares allow performing those explorations, which have always been promoted by Castelnuovo but with some differences. A classroom activity in grade 6 is used as example to support our conclusion.

Graphic And Sculptural Images in the Educational Environment of An Architectural Student: Peculiarities of Visualization of Artistic Language

Journal of Ecohumanism, 2024

This article dwells on a synthesis of spatial plastic art - communications, performing an informative educational role. The features are revealed and the significance of graphic, plastic and pictorial communications in the educational process of the student-architect and their impact on an architecture were emphasized. The pictorial and expressive capabilities of each species are noted. The drawings are also revealed as a basis of creativity which has various means of expression such as sketches, etudes. A sculpture was considered from the point of view of its plastic qualities and commonality with architectural spatial composition. The points of contact of painting and architecture lie in the plane of color solutions. The role of the academic education, traditional and checked by the time professional school that hasn't lost its significance in the field of the newest visual communications is also highlighted in this article. The visualization tools of our time in various computer and digital analogues further emphasize the importance of traditional visual and plastic arts, which are a figurative concentration of ideas and meanings.

Conhecimentos de visualização espacial: tarefas de representações visuais com uso de recursos físicos e virtuais

2016

This study aims to examine how students of regular high school deal with visual tasks of “reading” and “writing” of different representations of polyhedron: Isometric grid representation, 3D models and dynamic representations of polyhedral geometry software. As a theoretical framework, we used the concepts, characterization, procedures/ visual operations/ visual technique tasks (GODINO et al, 2011); The types of activities with flat representations of polyhedron and the skills involved in these activities (GUTIERREZ, 1998); The elements and the characterization of 3D geometric thinking, the fundamental cognitive processes implied in the types of 3D geometric reasoning and the activities involved in the thinking and 3D geometric reasoning (PITTALIS E CHRISTOU, 2010) for the preparation of visual representation tasks. We listed cognitive, learning and curriculum aspects about space geometric visualization. We also highlighted aspects about Dynamic Geometry and the potential of dynamic...

A Journey through the geometrical alchemies of art: an example of constructivist teaching

2016

This paper illustrates a teaching setting which adopts a constructivist approach, and is centered on the combination of Mathematics and Art. The aim is to appeal to those minds that have a curiosity for a discipline which has long interacted with artistic expression, and to introduce new perspectives in the teaching of Mathematics in the light of the latest technological challenges. The trigger element - a decorative spiral frieze - has led to a process of Euclidean geometrical construction first with traditional tools, and then through the use of simple algorithms implemented in the MatCos programming environment. The drawing of the spiral curve represents a learning opportunity, a practice which combines analysis and synthesis, a journey between past and present which offers the student the opportunity to acquire some basic conceptual and instrumental implications in the age-old relationship between Mathematics and Art.