Visual Complaints and Eye Problems in Orchestral Musicians (original) (raw)
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Evaluation and Treatment of Musicians from a Holistic Perspective
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Throughout the past 3 decades, treatment of injured musicians in a health care setting has been reported; however, the quality of care from a musician's standpoint is poor. As musicians are speaking up more about their pain, the profession of occupational therapy has the capacity to make an impact on the way musicians are treated from a rehabilitative perspective. Musicians often do not trust medical practitioners who follow the traditional medical model because their symptoms and concerns are not addressed. Occupational therapists, especially those working in the realm of hand rehabilitation, are well equipped to treat injured musicians using our unique activity analysis skills and holistic frame of reference; the goal is to return them back to their prior levels of playing. To support the Occupational Therapy Practice Framework: Domain and Process's vision, this article discusses evaluation and treatment of the unique musician emphasizing the musician's point of view through an occupation-based, client-centered, and evidence-based practice. Comments The authors report that they have no conflicts of interest to disclose.
International Journal of Arts Management, 2021
Artist management or mentoring is generally recognized as a fundamental challenge and contributing element to an artist's success. This article takes the position that artist management should go well beyond the narrow confines of standard business practice focused on traditional business management, marketing, accounting and finance extending into seven dimensions of the artist identity. The scope of artist management is broadened and deepened. Artist management is considered more challenging as there must be open sharing and evaluation of attributes and liabilities associated with professional and personal considerations. Further, it is unlikely that a manager has all of the expertise to directly manage on all identity dimensions, so outside expertise might be imperative. Prevalent examples of such cases are sub-optimal artist achievement owing to musical performance anxiety, its causes and consequences, and methods of alleviating severe problems and shortened life expectancy of popular musicians.
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Acta dermatovenerologica Croatica: ADC / Hrvatsko dermatolosko drustvo
Among artists, musicians suffer from special health problems related to their occupation and lifestyle. These mainly include musculoskeletal disorders, skin disorders, respiratory disorders, and noise induced hearing impairment. In this review we point out the most prevalent health problems that musicians face in their professional lives as well as the means to prevent them. The characteristics of individual performer and the type of instrument that he/she plays will determine the occupational disorder or disease that a musician may suffer from. The main worry about health problems in musicians is that they can become potentially career-ending disabilities. Therefore well-planned preventive strategies should be employed to help musicians in obtaining long and healthy career.
Medical problems of performing artists
Within the last 30 years performing arts medicine has grown internationally as a scientific and clinical specialty for investigation, examination, treatment, and prevention of disorders among performing arts professionals and amateurs, i.e., dancers, singers, musicians, actors, and others engaged in performing arts. 1,2 In the Nordic countries, clinical specialization and research regarding the health situation of musicians and other performing artists has been relatively sparse. However, this has gained speed in the last decade and is today a growing field.
A New Look at Musician's Health
Looking for solutions to the health problems of musicians can lead one through many corridors of information. A new wing of interdisciplinary research has been opened which offers more possibilities to solving medical problems without traditional medicines or therapies. The following is a report on the Art in Motion Symposium held at the Universität für Musik und darstellende Kunst Graz in May 2008. This paper seeks to assimilate the physiological and medical research of Horst Hildebrandt, Victor Candia and Jane Ginsborg with the research in motor learning of Richard Schmidt and Gabrielle Wulf to advocate for healthier and more productive practice for musicians. Where the medical research was done by and musicians, the research in psychology and motor learning was done by sports scientists. This collaboration of information made this symposium unique in its output. The assimilation of this information is new and ongoing, providing musicians new food for thought as to how they incorporate healthier practice.
Frontiers in Psychology, 2014
The Sound Practice Project is a 5-year study involving baseline evaluation, development, and implementation of musician-specific work health and safety initiatives. A cross-sectional population physical and psychological survey and physical assessment were conducted at the same time, with an auditory health assessment conducted later. The results were used to guide the development of a series of targeted interventions, encompassing physical, psychological, and auditory health components. This paper provides an overview of the project but focuses on the health findings arising from the cross-sectional survey. Three hundred and seventy-seven musicians from the eight professional symphony orchestras in Australia took part in the cross-sectional study (about 70% of eligible musicians). Eighty-four percent (84%) of musicians reported past performance-related musculoskeletal disorder (PRMD) episodes; 50% were suffering a current PRMD. Of the 63% who returned hearing surveys, 43% believed they had hearing loss, and 64% used earplugs at least intermittently. Noise exposure was found to be high in private practice, although awareness of risk and earplug use in this environment was lower than in orchestral settings. Improved strategic approaches, acoustic screens and recently developed active earplugs were found to provide effective new options for hearing protection. With respect to psychosocial screening, female musicians reported significantly more trait anxiety, music performance anxiety, social anxiety, and other forms of anxiety and depression than male musicians. The youngest musicians were significantly more anxious compared with the oldest musicians. Thirty-three percent (33%) of musicians may meet criteria for a diagnosis of social phobia; 32% returned a positive depression screen and 22% for post-traumatic stress disorder (PTSD). PRMDs and trigger point discomfort levels were strongly associated with increasing severity of psychological issues such as depression and music performance anxiety.
Role of occupational therapy in musicians’ health: a scoping review protocol
2020
Review question/objective The purpose of this proposed review is twofold: first, to understand the role of occupational therapy presented in the musicians’ health literature; and second, to explore the potential for this role. Introduction The intense movement, awkward postures, concentration and emotional communication required of musicians can place them at increased risk of music-related health conditions, such as musculoskeletal disorders and performance anxiety. The development of music-related health conditions can be emotionally and financially devastating. The role of occupational therapy in musicians’ health has been previously discussed; however, no rigorous reviews of the scholarly literature have been published. We will, therefore, undertake a scoping review with the following research questions: (1) what is known about the role of occupational therapy in instrumental musicians’ health? and (2) what is the potential role of occupational therapy in musicians’ health? Meth...