Fashioning a City of Culture: ‘life and place changing’ or ‘12 month party’? (original) (raw)
Related papers
European Cultural Capital Report Volume 4 (October 2012)
""The ECOC remains one of the most desirable prizes for cities across Europe. As more and more cities are involved in competing for the ECOC title, there is also a growing need for information about and evaluation of the event and the host cities. Now in its fourth edition, The European Cultural Capital Report aims to update the wealth of information contained in the original Palmer Report (2004) produced for the European Commission. The report, provides an independent analysis of the ECOC, covering the many different cultural, economic, organisational, political and social aspects of the event; identifying trends, best practice and essential information for those organising, implementing and evaluating the ECOC Besides news, trends and development, by cross-referencing a number of ECOCs, the report highlights , critical success factors such as volunteer schemes, entrepreneurship and education strategies, branding of national airlines and new funding models (such as crowdfunding initiatives). The report also looks at the growing need for more transparency (noting problems encountered in Poland and Spain following the selection process) and the future of the ECOCs – 2020 and beyond. It reviews the current European Commission proposals on the future of the ECOC programme and assesses what implications these might have for future ECOC cities. Media attention for ECOC cities as tourist destinations is highlighted within a wider review of tourism impacts in different cities. The report discusses ECOC legacies, evaluation reports and the longer-term view of ECOC effects, as discussed at the conference Bruges: The Decade After held in May 2012. The ECOC focuses on Tallinn 2011 as it provides an excellent case study of the challenges for low-budget ECOCs. With the unabating economic crisis, Tallinn’s emphasis on developing strong grass-roots support will be interesting for other cities working with low budgets and is a useful example of the kinds of initiatives that can be developed with the involvement of local citizens. The report lists cultural capitals from around the world from now until 2033 and it also reports on the new World Capital of Culture initiative. The bibliography lists more than 100 publications since the previous report. ""
World Cities Culture Report 2022
SUPPORT FOR COMMUNITIES AND AUDIENCES SUPPORT FOR ARTISTS SUPPORT FOR CULTURAL SECTOR * This is a small selection of the actions taken in response to Covid-19 crisis. Between March 2020 and November 2021 WCCF collated over 450 examples of city, national and philanthropic funding, policies and programmes to support the creative sector. These included measures focused on finanical relief, advocacy and lobbying, communications and information services, recovery provisions, reopening support and cross-sector collaboration.
The opinions expressed in this document are the sole responsibility of the author and do not necessarily represent the official position of the European Parliament.
Ex-post evaluation of the 2019 European Capitals of Culture
Le Centre pour la Communication Scientifique Directe - HAL - Aix-Marseille Université, 2020
This document has been prepared for the European Commission. However it only reflects the views of the authors and the Commission cannot be held responsible for any use that may be made of the information contained therein.
CIDADES, Comunidades e Territórios, 2021
The European Capital of Culture (ECoC) is a well-known and long-standing European policy that annually awards the title of Capital to two or more cities that deliver cultural initiatives throughout one year of celebrations. The programme has been hosted by over 60 cities throughout Europe during the last 35 years. Some host cities have used the ECoC to develop large projects that contribute to urban rebranding and regeneration (e.g. the facilities on the new waterfront of Marseille, made for the 2013 ECoC) and, more frequently, projects that adapt existing facilities and places, or smaller scale and less spectacular interventions in the city fabric. As a wide variety of differing cities have hosted the event, the ECoC has contributed to urban transformations at different scales, often with particular reference to historic and heritage-rich settings, but also brings about long-term effects in terms of cultural facilities and venues, tourism appeal and even the intangible heritage narratives attached to places. Drawing on the HOMEE Research Project and on recent publications by the authors, this paper discusses the range of large-to-small-scale planning, the (re)generation of cultural facilities and places in historic cities and heritagerich areas to accommodate cultural mega-events and the effects they have on host cities over time. In the conclusions, the paper expands beyond the ECoC (in the direction of sport mega-events) to consider and highlight forthcoming challenges for urban policy-making and the planning of mega-events in Europe. 3