From sacred to scientific (original) (raw)
The Evolution ofPlanet of the Apes:Science, Religion, and 1960s Cinema
Amy Chambers
The Journal of Religion and Popular Culture, 2016
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Pierre Boulle's Planet of the Apes (1963): From Novel to Screenplay
Bernard Montoneri
Chapter 2. Pierre Boulle’s Planet of the Apes (1963): From Novel to Screenplay, 2023
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Playing God: religious influences on the depictions of science in mainstream movies
Amy Chambers
2018
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Bruce Willis as the Messiah: Human Effort, Salvation and Apocalypticism in Twelve Monkeys
Frances Flannery
Journal of Religion and Film, 2016
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Steven Spielberg; the representation of the other, and its place in the science fiction canon.
Ben Whitecross
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The Alien as Other: Spiritual, Political, and Cultural Representations of the Alien in Late 20th Century Cinema
Benjamin Franz
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Postcolonialism and Planet of the Apes
Scott Kistner
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Darwin on the Cutting-Room Floor: Evolution, Religion, and Film Censorship
David Kirby
Osiris, 2019
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The Gospel according to Spielberg in E.T.: THE EXTRA-TERRESTRIAL (1982)
Frank P Tomasulo, Ph.D.
Quarterly Review of Film and Video, 2001
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Planet of the apes
David R Begun
Scientific American, 2003
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“‘Charlton Heston is an Axiom”: Spectacle and Performance in the Development of the Blockbuster’
Mark Jancovich
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From holy aliens to cyborg saviours: Biblical subtexts in four science fiction films
Anton Kozlovic
The Journal of Religion and Film, 2001
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Robert Wise’s The Day the Earth Stood Still Part I: A Religious Film?
Anton Kozlovic
Kinema, 2013
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Between Humanity and “Apeity”: Examination of Anthropocentrism, Anthropomorphism, and Freedom in “Rise of the Planet of the Apes” and Ape Saga
Donovan McFarlane
2018
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‘Genre, Special Effects and Authorship in the Critical Reception of Science Fiction Film and Television during the 1950s’ (with Derek Johnston)
Derek Johnston, Mark Jancovich
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The Science Fiction Film in Contemporary Hollywood: A Social Semiotics of Bodies and Worlds
Evdokia Stefanopoulou
The Science Fiction Film in Contemporary Hollywood: A Social Semiotics of Bodies and Worlds, 2023
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‘Millions of years of evolution, right?’: Stanley Kubrick and the heart of science
Jose Maanmieli
Behind Eyes Wide Shut, a symposium, 2020
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"Something Different in Science Films": The Moody Institute of Science and the Canned Missionary Movement
Skip Elsheimer
The Moving Image, 2007
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Technical filmmaking and scientific narratives: Has science overtaken fiction in recent science fiction? An analysis of Gravity, Interstellar, and The Martian
Justin Sands
South African Journal of Philosophy, 2018
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Anthropological Horizons: How Futuristic Sci Fi Films Function as an Existential Multiverse
David Mau
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Beyond Cognitive Estrangement; The Future of Science-Fiction Cinema.
stephen zepke
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"Something Different in Science Films": The Moody Institute of Science and the Canned Missionary Movement
Skip Elsheimer
The Moving Image, 2007
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The gospel according to Spielberg inE.T.: The extra‐terrestrial
Frank P Tomasulo, Ph.D.
Quarterly Review of Film and Video, 2001
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A Critical Exploration of Human-Primate Dynamics and Ecological Reflections in 'Rise of the Planet of the Apes' Movie: An Ecocriticism Literary Analysis
Charrine S . F Pane
Boanerges, 2023
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Of Power Maniacs and Unethical Geniuses: Science and Scientists in Fiction Film
Petra Pansegrau
Public Understanding of Science, 2003
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SCIENCE FICTION MOVIE SWELLED INTO AN ATTITUDE AGANIST MODERNISM - 5.International Symposium Communication in the Millennium, Indiana University , Indiana, 16-18 May 2007.
Murat Aytas
cim.anadolu.edu.tr
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Film Of Power Maniacs and Unethical Geniuses: Science and Scientists in Fiction
Petra Pansegrau
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Changing Dominant Ideologies in Recent American Science-Fiction Cinema: An Ideological Analysis of Interstellar
Günseli Naz Ferel
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Something Different in Science Films": The Moody Institute of Science and the Canned Missionary Movement
Skip Elsheimer
The Moving Image, 2007
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Alien and Storytelling in the Anthropocene: Evolutionism, Creationism and Pseudoarchaeology in Science Fiction
Sonja Zakula
Issues in Ethnology and Anthropology, 2021
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Depicting Otherness: Ridley Scott's Alien and Christopher Nolan's Interstellar as Responsive and Allegorical Films of Their Time
Christina Kutscher
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Religion and Film: Cinema and the Re-Creation of the World (Intro-TOC)
S B Rodriguez-Plate
2017
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The Stories Told in Science Fiction and Social Science: Reading The Thing and Other Remakes From Two Eras
michael A a katovich
The Sociological Quarterly, 1993
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Disalienation and the Irrepressible Revolutionary Wish: Apes, Heston, Ludics, Home
Sandy Rankin
The Journal of Popular Culture, 2007
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Kubrick and Nietzsche: Technology, Western Cosmology and the Eternal Return - thoughts on film and ritual and a critical anthropology
Bruce Kapferer
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