Low Art, Popular Imagery, and Civic Commitment in the French Revolution, in: Art History 30, 2007, no. 2, pp. 247-277 (original) (raw)
Art, Labour and Mass Democracy: Debates on the Status of the Artist in France Around 1848
Neil McWilliam
Art History, 1988
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Accademics, Pompiers, Official Artists and the Arrière-Garde, Natalie Adamson and Tobby Norris eds
Romy Golan
CAA reviews on line, 2013
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Decorative Painting and Politics in France, 1890-1914
Katherine Brion
2014
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Jean-Galbert Salvage and His Anatomie du gladiateur combattant: Art and Patronage in Post-Revolutionary France
Raymond LIFCHEZ
Metropolitan Museum Journal, 2009
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The Citoyenne Tallien: Women, Politics, and Portraiture during the French Revolution
Amy Freund
The Art Bulletin, 2011
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Time, Media, & Visuality in Post-Revolutionary France edited by Iris Moon and Richard Taws
Daniella Berman
Nineteenth-Century Art Worldwide
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"Offended Eyes and Guilty Marbles: Vandalisme Revolutionnaire and Art Policy During the French Revolution" Transactions of the American Philosophical Society, 109, no. 5 The Art of Revolutions (2021), 129-152. (preprint)
Nausikaä El-Mecky
Transactions of the American Philosophical Society, 109, no. 5 The Art of Revolutions 129-152, 2021
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The Debate on the French Revolution (review)
Simon Burrows
French Studies: A Quarterly Review, 2009
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"Censorship of Visual Culture in France, 1815-1852," Yale French Studies 122 (December 2012): 37-52.
David O'Brien
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" 'Must the Arts Suffer from the Progress of Reason?' Four Slave Statues, the 1790 Place des Victoires Debate, and the Urban Monument in Early Revolutionary France" Zeitschrift für Kunstgeschichte, 80 (1), 2017, pp. 108-126. (double blind peer-review)
Desmond Kraege
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A Graceful Retreat: The Similar Functions of Rococo and Art Nouveau in France In the Periods Bracketing the Age of Revolution
Zeraph Dylan Moore
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The French Salon of the Old Regime as a Spectacle
Jolanta T Pekacz
Lumen: Selected Proceedings from the Canadian Society for Eighteenth-Century Studies, 2003
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Writing French art histories of dissension in the shadow of Vichy
Fay Brauer
Art History, 2002
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CONCLUSION: Pour l'art sans police
Emilie Anne-Yvonne Luse
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“Comparative Study of four figures of the French Art scene in the Late Nineteenth and Early Twentieth Centuries in France: Jean Dolent, Gabriel Séailles, Roger Marx and Félix Vallotton”, Chiang Mai University, Faculty of Fine Arts, Visual Arts Department, Painting Division, August 2015. (English)
Sebastien Tayac
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REGENERATION THROUGH THE EVERYDAY? CLOTHING, ARCHITECTURE AND FURNITURE IN REVOLUTIONARY PARIS
Leora Auslander
Art History, 2005
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Position de thèse, La Révolution française
Katie Jarvis
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The bric-a-brac of the old regime: collecting and cultural history in post-revolutionary france
Tom Stammers
French History, 2008
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Translation of REFLECTIONS on some causes of the present state of Painting in France (1747) Étienne La Font de Saint Yenne
Gregory Bringman
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Artisans and the Construction of the French State: The Political Role of the Louvre's Workshops
Chandra Mukerji
2017
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Aesthetics and Cultural Politics in the Age of Dreyfus: Maurice Denis's Homage to Cézanne
Katherine Kuenzli
Art History, 2007
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Dossin, Catherine. “Vive l’Art Révolution: Gérard Fromanger and the Revolutionary Discourse in Painting,” In Beyond Guernica and the Guggenheim: Relations between Art and Politics, edited by Zoe Bray. 155-172. Reno: CBS-University of Nevada, 2015.
Catherine Dossin
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Around 1948: The “Gentle Revolution” and Art History, “Artium Questiones” 2019, nr XXX, p. 137-160,
Anna Markowska
"Artium Questiones" No XXX, 2019
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REVOLUTION NOW! The Centenary of the Revolution. The Tradition of the Avant-garde and the Perspective of Modernity
Artur Kamczycki
Sztuka i Dokumentacja, 2018
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Richard Taws, The Politics of the Provisional: Art and Ephemera in Revolutionary France (University Park, PA: Pennsylvania State University Press, 2013), Journal of the Society of Architectural Historians, 73/4 (Dec. 2014) 596-8.
Iris Moon
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“Chronos Triumphant. Sculpture in Ancien Régime and Revolutionary France”
Tomas Macsotay
Oxford Art Journal vol. 33 (2010) no. 2, 2010
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On the Fringe of the Exhibition: A Consideration of Some Aspects of the Catalogues of the Paris ‘Salons’
Ed Lilley
Journal for Eighteenth-Century Studies, 2008
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Making and Ending the French Revolution: Nobility, Bourgeoisie and `the People
Noelle Plack
European History Quarterly, 2009
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How does recent scholarship revise our understanding of the relationship between print and the cultural origins of the French Revolution?
Michael Cheong
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“Ruins and Reputations.” Review of Nina L. Dubin, "Futures and Ruins: Eighteenth-Century Paris and the Art of Hubert Robert" and Elizabeth C. Mansfield, "The Perfect Foil: François-André Vincent and the Revolution in French Painting," Oxford Art Journal, 36:3, December 2013, 467-470.
Richard Taws
Oxford Art Journal, 2013
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Painting Parisian Identity: Place and Subjectivity in Fin-de-siecle art
CHELSEA WATTS
2011
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‘A monumental step for Riegl and Schlosser in France’: Alois Riegl, Christopher S. Wood, Emmanuel Alloa, L’industrie d’art romaine tardive, trans. Marielène Weber, Sophie Yersin Legrand, Paris: Éditions Macula 2014 and Patricia Falguières, Les Cabinets d’art et de merveilles de la Renaissance tar...
Karl Johns
The Journal of Art Historiography, 2014
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On shifting ground: The revolutionary career of Francois Gerard
Jennifer Langworthy
2012
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Motionless Idols and Virtuous Mothers: Women, Art, and Politics in France 1789-1848
Linda M G Zerilli
Berkeley Journal of Sociology, 1982
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'Propaganda and the Role of Artists from Revolution to Empire'. S.Matthiesson
Sophie Matthiesson
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