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«Intrecci» International Journal of Architectural Conservation, 2022
The article proposes a reflection on the relationship between Architectural Conservation and Archaeology. It analyses significant issues that emerge from the project of musealization and valorisation of the Domus of Tito Macro, a Roman house located in fondi Cossar area in Aquileia. The intervention was concluded in September 2020 and it represents the outcome of a complex process supported by Fondazione Aquileia. The work started with a research project and archaeological excavation conducted by the University of Padua, joined by the design team that won the Competition of Ideas launched by the Foundation in 2010. The article underlines complexity that has characterized a rich path of ‘contamination’ between different disciplines, first of all, Archaeology and Architectural Conservation. The project combines a careful preservation of the archaeological ruins with the installation of a complex shelter system, designed as a solution that alluded to the original shape of the Roman domus. This path describes a conservation building site that could hardly be managed with the common tools of Architectural Restoration but, on the contrary, strategies specifically designed were asked to deal with the archaeological site needs. Flexibility and multidisciplinary approach have been the key to address the relationship between the two disciplines, interpreted as an opportunity to produce an integrated design and stimulus for a cultured collaboration.
2016
Villa Adriana or Hadrian's Villa near Tivoli (Rome) is the largest and most famous Roman Imperial villa and needs no introduction. But the Accademia does, because is in a private property, in the southern part of the Villa, not open to visitors, and it is very little known and studied. This is why the author decided to study it, using for the first time digital technology and laser scanner to draw a new updated plan and discover its features. After the survey, the starting point was reading previous antiquarian sources and studies, collecting ancient maps and drawings, to see what had been done and studied before. It turned out to be an extraordinary journey among the greatest artists of all times, who visited and studied the Accademia and the rest of the Villa. This is how and why this book was born: to tell the story of the building and of its works of art, and to talk about the outstanding artists, antiquarians and architects who studied there and were inspired by its imposing ruins. Rediscovering this place is also important to understand the nature of the structure that some scholars believed to have been a villa within the Villa, that is to say the residence of Hadrian's wife, Vibia Sabina. There is no evidence about this, hence the importance of knowing more about a site for which it is still possible to answer questions about its real nature and connotation, although it is badly kept. The author's choice to write this work in English is a very effective action in order to expand knowledge and open to the whole world the analysis of a monument like no other, which since several decades has a place of excellence within the Unesco World Heritage Sites. Villa Adriana vicino a Tivoli (Roma) è la più grande e famosa villa romana imperiale e non ha bisogno di alcuna presentazione. Ma il sito dell'Accademia sì, perché si trova in una proprietà privata, nella parte meridionale della Villa, non è aperto al pubblico ed è molto poco conosciuto e studiato. Questo è il motivo per cui l'autrice ha deciso di focalizzare su di esso la sua attenzione, utilizzando per la prima volta una tecnologia digitale e una tecnica a scansione laser per tracciare una nuova pianta aggiornata e scoprire la configurazione dell'area. Dopo questa indagine, il punto di partenza del lavoro è stato rappresentato dalla lettura di precedenti fonti e studi antiquari e dalla raccolta di mappe e disegni antichi, per vedere che cosa era stato fatto e analizzato in precedenza: uno straordinario viaggio tra i più grandi artisti di tutti i tempi, che hanno visitato e studiato l'Accademia e il resto della Villa. Questo è il modo e il motivo per cui il volume è nato: raccontare la storia del palazzo e delle sue opere d'arte, e parlare degli artisti eccezionali, antiquari e architetti, che vi hanno studiato e sono stati ispirati dalle sue imponenti rovine. Riscoprire questo luogo è anche importante per capire la natura di una struttura che alcuni studiosi hanno creduto essere stata una villa all'interno della Villa, e precisamente la residenza della moglie di Adriano, Vibia Sabina. Dato che di questo non ci sono prove, è ancora maggiore l'importanza di sapere di più su un sito che, benché mal conservato, può ancora rispondere a domande circa la sua vera natura e connotazione. La scelta dell'autrice di scrivere in lingua inglese si propone lo scopo di ampliare la conoscenza e aprire al mondo intero l'analisi di un monumento importante come nessun altro, che da diversi decenni ha un posto di eccellenza all'interno del patrimonio mondiale UNESCO.
2011
The purpose of this research is to verify, in a preliminary form, a sector of the South West wing of the first palace of Phaistos, excavated by D. Levi during the 1950s. This part of the building, which has yielded a substantial number of finds, has always been highly problematic for the interpretation of data. This contribution is a proposal to create a connection to research carried out in recent years and concerning structures within and outside the palatial building, which now offers a more comprehensive reading of the context for the Protopalatial period. While waiting for a new, extensive architectural survey we found it necessary to conduct a review of the contexts in a limited number of rooms, with a series of preliminary observations on the nature and function of some architectural features, taking into account the recent shifts in methodological approach. In subsequent contributions, dedicated to the remaining areas, we consider the first results, fitting them into an overview, which requires a further detailed analysis of the data. The theory of the three subsequent reconstructions of the SW wing of the Palace assumed by Levi as the only key to the interpretation of the entire site of Phaistos is no longer tenable. It is necessary to consider this complex a building with two (at least for part of its period of use), or three floors, which, before its final collapse, underwent a number of transformations and partial reconstructions. The analysis of those structures and of the considerable mass of findings recovered inside them, can still offer, through a different vision of the contexts, significant information on the forms of organization of the palatial elites at the time of the Palace foundation and during the first period of development of the palatial system. This investigation, preliminary in nature as it is restricted to a small number of rooms, was conducted on two levels. Firstly, the issue of internal circulation systems is considered, as part of a more comprehensive overview of the multi-storey structure. Subsequently, on the basis of the findings and of their different assemblages, an attempt to define the functions of the different rooms is presented. A prerequisite for this type of analysis is an arrangement of relative chronologies through careful review of the documentation of the excavation, with the same method used in previous revision of other structures. Compared to those of its foundation, the features of the first palace of Phaistos in the period before its final destruction at the end of MM IIB had significantly changed, and not just in the SouthWest wing. All the trials carried out so far indicate an initial establishment of the brought to you by CORE View metadata, citation and similar papers at core.ac.uk