Digital music and media theory (original) (raw)

The Algorithmic Potential of Musical Thought Concepts / Potențialul algoritmic al conceptelor gândirii muzicale

Oleg Garaz

Tehnologii informatice și de comunicație în domeniul muzical / Information and communication Technologies in Musical Field

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Getting Out of the Black Box: analogising the use of computers in electronic music and sound art

Francois Mouillot

Organised Sound, 2015

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Computer Composition and Works of Music: Variation on A Theme of Ingarden

Peter Simons

Journal of the British Society for Phenomenology, 1988

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Nets of Information and Computation

Gordana Dodig-Crnkovic

idt.mdh.se

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Computers Composition and the Challenge of

Bernard Bel

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1-Expanding the Concept of Computation

Bruce J MacLennan

2005

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Elements, Forms, Behaviours: Music as Definitions of Processes

Darien Brito

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Von niederer Herkunft: Die praktischen Wurzeln des interaktiven Computing

Kjeld Schmidt

2015

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Computer, Formalisms, Intuition and Metaphors. A Xenakian and Post-Xenakian Approach

José L . Besada

2014

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The Internet, A Musical Instrument in Perpetual Flux

Bernd Schurer

Computer Music Journal, 2000

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The Self-Organising Work of Music

Phivos-Angelos Kollias

Organised Sound 16(2): 192–199 & Cambridge University Press, 2011

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Computation—The final metaphor? An interview with Philip Johnson-Laird

John Groeger

New Ideas in Psychology, 1987

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A duality in recursion to analyse digital society

Domenico Ninno

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Sounds, Agents, Works and Listeners: a model of computer music performance

Adam Stanovic (Stansbie)

Journal of Music, Technology and Education, Intellect Press, 2010

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Music, mind and machine: Studies in computer music, music cognition and artificial intelligence Peter Desain and Henkjan Honing, (Thesis Publishers, Amsterdam, 1992); 330 pages

Roger Dannenberg

Artificial Intelligence, 1995

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Computing

Marjie Villoria

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Some Questions Related to Musicology and its Methods

Miguel A. García

2016

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Composition of Data and Process Models: a Paralogical Approach to Human/Computer Interaction

Michael Hamman

Proceedings of the International Computer Music Conference, 1997

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The World Is Either Digital or Analogue - Synthese

Francesco Berto

Synthèse

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Semiotics in Computation and Information Systems

Martin Irvine

Bloomsbury Semiotics, 2022

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Charrieras, D., Mouillot, F. (2015) “Analogizing the computer in music making practices”, Organised Sound / Volume 20 / Special Issue 02 / August 2015, pp 191-199. Cambridge University Press

Damien Charrieras

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Editorial: Computation in the Sonic Arts

David Worrall

Organised Sound

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A View from the Bus: When Machines Make Music

Paul Lansky

Perspectives of New Music, 1990

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The Nature of Physical Computation

Oron Shagrir

2022

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Philosophy of Computing and Information-5 Questions

Johan van Benthem

Cybernetics and Human Knowing, 2009

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Semiotics, Computing, and Information

Martin Irvine

The Bloomsbury Companion to Semiotics, ed. Jamin Pelkey (London: Bloomsbury, 2022), 2022

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The Grain of Xenakis'Technological Thought in the Computer Music Research of Our Days

anastasia Georgaki

2008

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Comment on "The Computer as the Artist's Alter Ego

Bernard Bel

Leonardo, 1990

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Data: technological progress and perception methods

Zydrunas Cesnauskis

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Computation & Literature: 6 EZ Pieces

Bill Benzon

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Between Mind and Mathematics. Different Kinds of Computational Representations of Music

Edoardo Acotto

2013

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Experience and abstraction: the arts and the logic of machines

Simon G Penny

DOAJ (DOAJ: Directory of Open Access Journals), 2008

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Interrelationships Between Mind and Computer: Processes, Images, Symbols

David Tall

Advanced Educational Technologies for Mathematics and Science, 1993

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I'm the Operator with the Pocket Calculator Some Reflections on Pure Data.

Harald Wiltsche

puredata.info

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THE COMPUTER AS A DYNAMIC MEDIUM

Nick Lambert

bcs.org

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