British and American press: a critical analysis (original) (raw)
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This impressive book brings together two strands of media history to create a new narrative, attempting to explain how and why newspaper journalism in Britain and the United States was transformed between the 1830s and the first decades of the 20th century, establishing the popular style of journalism we know today. It is the culmination of many years' scholarship by the author, a Professor Emeritus of History at the City University of New York, whose sizeable contribution to 19th-century newspaper history includes two pertinent essays on the 'new journalism' or 'yellow journalism', as this phenomenon is known in Britain and the United States respectively. The two essays are a 1988 chapter, 'How new was the new journalism?' and his 1994 development of one strand of that chapter, 'The Americanization of the British press, 1830-1914'. (1) Here he has fleshed out the latter article into book form, although the broader framework of the earlier piece would have made a better monograph.
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Elite British news media such as the BBC,The Economist and the Guardian have experienced large increases in US audiences in the post-September 11 media environment. This article explores the nature and extent of this new ‘‘British invasion,’’ outlining key institutional, cultural and journalistic factors distinguishing mainstream US media from their UK counterparts. In particular,the British are seen as stepping into a void created by shrinking US international news coverage aswell as providing a broader range of liberal political views that may contribute to expanding the US news agenda. The possible perils of the increased flow of their journalism into the United States for UK-based media are also considered
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The Handbook of European Communication History, 2019
This chapter provides a historical perspective on the influence of US cultural forms, norms, practices and textual conventions on European journalism since the rise of the mass press in the 1880s. It critically discusses and challenges the notion of "Americanization." Point of departure is not the question if and how the United States has "Americanized" Europe, but how European news media have "Americanized" themselves. How were US examples perceived, incorporated and adapted in various national contexts? This chapter discusses "Americanization" as a discursive label that was used to deal with the up-and downsides of modernity and mass society, and it critically engages with the grand narrative of journalism history that frames the development of journalism in terms of professionalization and modernization. It shows how influential this normative framework has been over time and how it impacted journalism while simultaneously making a plea for understanding European traditions of journalism in their own right.
On Press, Communication, and Culture
The current study goes back to the beginnings of media communication in order to re-examine and valorize this field’s specific aspects. Special attention is given to the invention of the printing press in Europe, by Johann Gutenberg, or by another person hidden under this name, and to his influence in spreading information and entertainment. The printing press would become an industry, seen as a business. This liberal approach of printing texts necessary to an ever growing and increasingly educated public would contribute to the emergence of the first publications (journals or gazettes). Their diffusion would be enabled by the readers’ need for news and entertainment, as well as by the interest in profit, as proven by the owners of such businesses. Keywords: Gutenberg, print, communication, typographic technique, information, news, occasionals.