Taken to the Extreme: Heavy Metal Cover SongsThe Impact of Genre (original) (raw)
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“Psychological Well-Being” is not just the feeling of joy and happiness but also the overall feeling of contentment in one’s life, work satisfaction and absence of stress and tension. Music has been accepted universally as a therapeutic tool in many cases, but at the same time there are certain genres of music that are said to have a negative impact on the mind. One such genre based on previous studies is the genre of Metal. The present study explored the possibility that there exists a relationship between a person’s preference to the genre of Metal music and the psychological well-being of the subject. The sample size of heterogeneous 70 (58 males and 12 females) were considered through purposive sampling techniques ranging from 16-40 age groups, who frequently listening to metal preferably over other genres for at least 2 years of time. Psychological Well Being Scale (Mehrotra, Tripathi, Banu, 2013) and self – prepared questionnaires were administered to the subjects after obtaining their consent. Results were analyzed using Statistical Package for the Social Sciences and Karl Pearson’s correlation method was used to assess the relationship between preference to metal music and Psychological Well-Being. Result indicated that there is no relationship between a person’s preference to the genre of Metal Music and Psychological Well-Being. Keywords – Metal Music, Psychological Well-Being and relationship.
Psychology of …, 2011
A typology of music listeners was constructed on the basis of importance attributed to music and four types of music use: mood enhancement; coping with problems; defining personal identity; and marking social identity. Three Listener Groups were identified through Latent Class Analysis of internet survey data of 997 Dutch respondents, aged 12-29. High-Involved listeners (19.7%) experienced music as a very important medium and used music most often for mood enhancement, coping with distress, identity construction and social identity formation. Medium-(74.2%) and Low-Involved (6.1%) listeners formed two distinct groups with less intense importance/use patterns Furthermore, High-Involved listeners reported that they liked a broad range of genres (Pop, Rock, High Brow, Urban and Dance) and experienced the most intense positive affect when listening. However, both High-and Medium-Involved listeners also reported more negative affects (anger and sadness) when listening, compared to the Low-Involved group. Even the Low-Involved group listened frequently to music and used music as a mood enhancer. Generally, people who are 'moved by music', either positively or negatively, use it for mood enhancement and coping more often. Therefore, the High-Involved group seems to benefit most from music's capacity to enliven and enlighten life.
Psychology of …, 2010
From death metal to R&B? Consistency of music preferences among Dutch adolescents and young adults J U U L M U L D E R u n i v e r s i t y o f u t r e c h t , t h e n e t h e r l a n d s T O M F . M . T E R B O G T u n i v e r s i t y o f u t r e c h t , t h e n e t h e r l a n d s Q U I N T E N A . W . R A A I J M A K E R S u n i v e r s i t y o f u t r e c h t , t h e n e t h e r l a n d s S A O I R S E N I C G A B H A I N N n a t i o n a l u n i v e r s i t y o f i r e l a n d P A U L S I K K E M A r e s e a r c h b u r e a u q r i u s , t h e n e t h e r l a n d s a b s t r a c t
Media Column Rebellious Rhapsody Metal , Rap , Community , and Individuation
2018
Music can be a powerful force and tool in the life of an adolescent. It forms a social context and informs the adolescent about the adult world through the lens of artists' lives, language, and presence as models. Allegiance to a form of music is allegiance to those who make it, a way to friendship and kinship, and a road to personal identity through belonging. In their relationships formed through music, teens can create a sense of community that may be lacking in the life of family. The rebellious music of earlier generations has given rise to complex musical genres, mp and heavy metal, that are strong in defiance and controversial in their violent and sexual content. What do these musical affiliations tell us about certain segments of adolescent development and culture? The authors consider this question by exploring the form and content of the music while using it to illuminate psychodynamic and psychosocial aspects of adolescent development. (Acad Psychiatry 2002; 26:51-59)
Current Psychology, 2022
Concerns have been raised that prolonged exposure to heavy metal music with aggressive themes can increase the risk of aggression, anger, antisocial behaviour, substance use, suicidal ideation, anxiety and depression in community and psychiatric populations. Although research often relies on correlational evidence for which causal inferences are not possible, it is often claimed that music with aggressive themes can cause psychological and behavioural problems. This narrative review of theory and evidence suggests the issues are more complicated, and that fans typically derive a range of emotional and social benefits from listening to heavy metal music, including improved mood, identity formation, and peer affiliation. In contrast, non-fans of heavy metal music-who are often used as participants in experimental research on this topic-invariably report negative psychological experiences. Our review considers a comprehensive set of empirical findings that inform clinical strategies designed to identify fans for whom heavy metal music may confer psychological and behavioural risks, and those for whom this music may confer psychosocial benefits.
Moved by music: A typology of music listeners
A typology of music listeners was constructed on the basis of importance attributed to music and four types of music use: mood enhancement; coping with problems; defining personal identity; and marking social identity. Three Listener Groups were identified through Latent Class Analysis of internet survey data of 997 Dutch respondents, aged 12-29. High-Involved listeners (19.7%) experienced music as a very important medium and used music most often for mood enhancement, coping with distress, identity construction and social identity formation. Medium-(74.2%) and Low-Involved (6.1%) listeners formed two distinct groups with less intense importance/use patterns Furthermore, High-Involved listeners reported that they liked a broad range of genres (Pop, Rock, High Brow, Urban and Dance) and experienced the most intense positive affect when listening. However, both High-and Medium-Involved listeners also reported more negative affects (anger and sadness) when listening, compared to the Low-Involved group. Even the Low-Involved group listened frequently to music and used music as a mood enhancer. Generally, people who are 'moved by music', either positively or negatively, use it for mood enhancement and coping more often. Therefore, the High-Involved group seems to benefit most from music's capacity to enliven and enlighten life.
Who Enjoys Listening to Violent Music and Why? Psychology of Popular Media Culture
Negative emotions are usually avoided in daily life yet often appreciated in artistic endeavors. The present study investigated emotional experiences induced by death metal music with extremely violent themes and examined whether enjoyment of this genre of music is associated with personality traits. Fans (N = 48) and nonfans (N = 97) listened to 60-s excerpts of death metal music and rated their emotional experiences. Compared with nonfans, fans experienced a wide range of positive emotions including power, joy, peace, and wonder. In contrast, nonfans reported uniformrly negative experiences, including tension, anger, and fear. Fans and nonfans were also distinguished by personality traits, with fans lower in conscientiousness and agreeable-ness, and in their motivations for listening to music. Results suggest that individuals with certain personality traits and music-listening motivations are drawn toward aggressive music with violent themes, and their enthusiasm for this genre promotes a range of positive emotional responses to this music. Public Policy Relevance Statement Music listening is a ubiquitous pastime for teenagers, but when that music contains themes of extreme violence, questions arise as to who listens to this music and why. Here, we show that fans of violent music differ from nonfans in personality, with lower conscientiousness and agreeableness. They also have different motivations for listening to music and contrasting emotional responses to violent music, with fans reporting feelings of power and joy, and nonfans reporting feelings of tension, fear, and anger.
The Sociology of Music: Songs, Sounds, and Society
American Behavioral Scientist, 2005
This is the intro for a special issue that I edited for American Behavioral Scientist (Volume 48 / Issue 11). It featured contributed articles by Scott Appelrouth, Willian F. Danaher, Joseph A. Kotarba, Paul Lopes, Jan Marontate, Vaughn Schmutz, Erin Trapp, and Jean Van Delinder.
Background music is often used in ads as a means of persuasion. Previous research has studied the effect of music in advertising using neutral or uncontroversial products. The aim of the studies reported here was to examine the effect of music on the perception of products promoting unethical behavior. Each of the series of three studies described examined the effect of background music on recall and evaluation of a fictive radio ad promoting different types of cheating. The studies consider the effect of involvement, attitudes, priming and presentation context, and music's valence. In all the studies, background music led to reduced recall of information. Positive-valence music reduced awareness of the unethical message, and increased acceptance of the product. The results demonstrate the power of music to manipulate and bias moral judgment.
Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics
Empirical Musicology Review, 2019
This research investigated whether negative emotional responses to heavy-metal and hip-hop music could be stereotypes of the music genres. It was hypothesized that heavy-metal and hip-hop music with positive lyrics would be perceived as expressing more negative (negative valence/high arousal) emotions, compared with pop music excerpts with identical lyrics. Participants listened to either two heavy-metal or two hip-hop test stimuli and two pop control stimuli. They then responded by stating what emotion they perceived that the music expressed. Results indicated that heavy-metal and hip-hop stimuli were perceived as expressing more negative emotions than pop stimuli. Lyrics were recognized above chance in both heavy metal and hip hop, suggesting that the negative emotion bias was not a result of misunderstanding the lyrics. The Stereotype Theory of Emotion in Music (STEM) explains the findings in terms of an emotion filter which is activated to simplify emotion perception processing....