Bell, J.A. 2012. "Museums as Relational Entities: The Politics and Poetics of Heritage." Reviews in Anthropology 41(1) 70-92 (original) (raw)

Over the last 40 years museums have become important sites to understand the politics and poetics of heritage management, display, and knowledge production. The books under consider- ation here all help demonstrate how museums as relational entities—containing dynamic relations between persons and things, as well as generating them—are emergent processes. Each work helps demonstrate why museums in their many guises remain critical terrains for the negotiation of identity, history, and culture in the push for more collaborative accounts of our world and the circulation and display of things. Discussion and Review of: Bodinger de Uriarte, John. 2007. Casino and Museum: Representing Mashantucket Pequot Identity. Tucson: The University of Arizona Press. Carpenter, Edmund. 2005. Two Essays: Chief & Greed. North Andover: Persimmon Press. Colwell-Chanthaphonh, Chip, Stephen E. Nash, and Steven R. Holen. 2010. Crossroads of Culture: Anthropology Collections at the Denver Museum of Nature & Science. Boulder: University of Colorado. Price, Sally. 2007. Paris Primitive: Jacques Chirac’s Museum on the Quai Branly. Chicago: University of Chicago Press. Silverman, Helaine, ed. 2006. Archaeological Site Museums in Latin America. Gainsville: University Press of Florida.

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Christina F. Kreps, Liberating Culture—Cross-Cultural Perspectives on Museums, Curation and Heritage Preservation (2003, Routledge, London/New York) ISBN: 0-415-25025-9, 185 pp, $32.00

Museum Management and Curatorship, 2005

To cite this article: Carol E. Mayer (2012): Museums, colonialism and identity: a history of Naga collections in Britain (contributions in critical museology and material culture), Museum Management and Curatorship, 27:4,[431][432][433] To link to this article: http://dx.

Heritage as Framework in Ethnographic Museum Practice.docx

2014

Museums as keepers, museums as organizers, and museums as story tellers. How have museums taken responsibility for collecting, documenting translating the material and intangible representations of heritage? In this complex process, influenced by outside prevailing forces what transitions have taken place leading to new relationships, new stories, and new institutions? This presentation will address changes in practices which reflect the transformation of the practice of ethnography in the museum context. The nature of the repositories of heritage will be considered as well as the stages usually associated with the practices of keeping and interpreting chosen examples of those cultures. The players in these processes will also be part of this discussion. The notion of whose heritage is found in what are known as ethnographic museums will also be addressed. Do ethnographic museums solely concern themselves with the physical and intangible representations of cultural heritage of peoples living overseas, how about those within their own borders? This presentation is based upon active practice of working with ethnographic material in the context of several types of museums, on observations of museums in differently parts of the world and upon literature addressing the scope and work of ethnographic museums.

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