Review: The Routledge Companion to Philosophy and Music (original) (raw)
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The Oxford Handbook of Western Music and Philosophy
2020
This Handbook offers an overview of the thriving interdisciplinary field of Western music and philosophy. It seeks to represent this area in all its fullness, including a diverse array of perspectives from music studies (notably historical musicology, music theory, and ethnomusicology), philosophy (incorporating both analytic and continental approaches), and a range of cognate disciplines (such as critical theory and intellectual history). The Handbook includes, but does not confine itself to, consideration of key questions in aesthetics and the philosophy of music. Each essay provides an introduction to its topic, an assessment of past scholarship, and a research-driven argument for the future of the research area in question. Taken together, these essays provide a current snapshot of this field and outline an abundance of ways in which it might develop in the future.
Journal of Comparative Literature and Aesthetics, 2023
The difficulty of capturing or deciphering music in words is largely why the same questions continue to be asked and the same tensions continue to be explored. Contributors to this special issue add fresh perspectives and new insights to these enduring themes and inquiries, looking at music in both the general sense and examining specific musical pieces, movements, and moments. Each article has its own focus, makes its own arguments, and occupies its own branch(es) of philosophy: ethics, epistemology, metaphysics, politics, and, of course, aesthetics. Beyond the centralizing subject of music, what ties them together and into the best of philosophical traditions is that they not only ask big questions but also, in seeking to answer them, add more questions to the ongoing discourse.
The Expression ‘Philosophy of Music’. A Brief History and Some Philosophical Considerations
International Review of the Aesthetics and Sociology of Music, Vol. 52/2 (2021), pp. 203-219, 2021
Four decades ago, a new discipline began to develop in American universities, the so-called 'Philosophy of Music'. But why was that label chosen? When was it used for the first time? In what context did it happen? Philosophers have paid no attention to the history of the expression, which is also the history of a philosophical idea, and most of the early sources are virtually unknown. They are essential to understanding what philosophy of music is. I study the history of the expression from a philosophical perspective, trying to understand its birth and its survival to this day.
Topoi-an International Review of Philosophy, 2009
This essay explores some aspects of the relation between philosophy and music. First, how music can inspire philosophy; second, how philosophy can inspire music. Mathematics as a middle term between music and philosophy, the idea of wholeness in a musical composition or a philosophical text, music as a mode of thought displaying traits such as logic, coherence, and sense—these are some ways in which music and philosophy may be seen to be connected. Also, composers sometimes have explicit recourse to philosophical ideas in advancing their music, there being prominent examples of this in the twentieth century. Lastly, given there is such a thing as the philosophy of music, might there also be the music of philosophy?
Philosophical Considerations on Contemporary Music
The musical universe of the 20th and 21st centuries is a force-field in which styles, instruments, personalities and stories can be found that are ascribable to conceptual frameworks that may differ greatly one from another. Such complexity cannot be traced back to single theories or all-encompassing interpretations, but may be tackled, philosophically, starting from certain characteristics. This book identifies nine such characteristics: namely, Extremes, Noise, Silence, Technology, Audience, Listening, Freedom, Disintegration, and New Media. Each of these permits us to open up unforeseen philosophical-cultural paths and interpret, in its multifarious variety, the developments of contemporary music, profoundly interwoven with the history of thought, culture and society.
Numanities -Arts and Humanities in Progress 7 Of Essence and Context Between Music and Philosophy
Of Essence and Context: Between Music and Philosophy, 2019
The chapters in this volume, by music scholars and philosophers, examine the ideas of the essence and context as they apply to music. In philosophy, the notion of essence has seen a renaissance in the last twenty years, while in many disciplines of the humanities, the notion is still viewed with suspicion. A common worry with thinking of music in terms of essence is about the plurality of music. The disciplines of musicology and philosophy have recently been reaching out to each other in an attempt to overcome the specific interests and intellectual styles of the respective disciplines. The Vilnius conference in 2016, from which the chapters in this volume derive, proceeded in the same spirit. The conference, Essence and Context: A Conference Between Music and Philosophy took place in the Lithuanian Academy of Music and Theatre (Vilnius), from the 31st August to 3rd September 2016. The revised and extended keynote lectures and papers selected for the inclusion in this volume are structured into four sections, each containing chapters ranging from theory to practice in various music cultures. The book reflects a diversity of issues and approaches addressing music concepts and practices negotiating between essentialist and contextualist traditions.
HOOPER, Giles. (2006) Published by Ashgate Publishing Limited Gower House Croft Road Aldershot Hants GU11 3HR England Ashgate Publishing Company Suite 420 101 Cherry Street Burlington, VT 05401-4405 USA 1- Musica - 20th century - Philosophy and aesthetics 2. Musica - 20th century - History and criticism 3. Musicology ISBN-10: 0-7546-5211-4 Typeset by Express Typesetters Ltd, Farnham Printed and bound in Great Britain by MPG Books, Bodmin, Cornwall