original ) (raw )Dolls, Puppets, Sculptures and Living Images. From the Middle Ages to the End of the 18th Century
Kamil Kopania
2017
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Review-Animateur d'art: 19th c.pdf
rashmi viswanathan
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Anatomies of Live Art
sally jane norman
Amsterdam University Press eBooks, 2008
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“The tortoise and the hare: ex tempore performance and sculptural practice in eighteenth-century France,” The Journal of Modern Craft vol. 3 (2010) no. 3, pp. 293-308
Tomas Macsotay
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On the Contribution of Movement to Immobility in the Tableau Vivant of Contemporary Art or The Actuality of Becoming Object
Mélanie Boucher
The Tableau Vivant: Across Media, History and Culture, 2017
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Animation, Materials, Transcultural Ecologies: Performing Worlds at the Baroque Savoy Court of Christine of France
Elisa Antonietta Daniele
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Celebrating Machines: Automata and The (Re)Production Of Festival Culture in Sixteenth-Century Lyon
Jennifer Oliver
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"Of Wood and Bone: Crafting Living Things," Preternature: Critical and Historical Studies on the Preternatural, Volume 4, Number 1, 2015, pp. 110-124
Asa S Mittman
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Art, Agency and Living Presence: from the animated image to the excessive object. Berlin: Akademie Verlag/Leiden: Leiden University Press, 2015: Introduction
caroline van eck
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Beyond Trompe l'Oeil Realism: Redefining the 'Readymade' in the Post- Digital Age," Piano B: Art & Visual Culture (University of Bologna [Italy]). 2017.
Kris K Belden-Adams
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Le tableau vivant de l’art contemporain et son immobilité
Mélanie Boucher
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Animating Objects: Ekphrastic and Inscribed Late Antique Movable Material Culture
Hallie G Meredith
Facta. A Journal of Roman Material Culture Studies, 2009
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"Animated Stones: Giorgio de Chirico's Le Bal and the Neo-Classical Body," Experiment 17 (2011): 311-320
Juliet Bellow
Experiment: A Journal of Russian Culture, 2011
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Human Machines Petrified: Play's Mineral Mechanics and Les statues meurent aussi
Olga Beloborodova
Journal of Beckett Studies, 2019
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"Materiality, Naturalism, and Animation in the 14th-century Santos Cristos of Ourense and Fisterra (Galicia)", at International Conference What does animation mean in the Middle Ages? Theoretical and historical approaches (Bialystok, September 2021)
Sara Carreño
2021
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Renaissance Futurities: Science, Art, Invention
Maite Alvarez, Ph. D.
University of California Press eBooks, 2019
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The Work of Art in the Age of Mechanical Reproduction
assd asasds
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30 Years after Les Immatériaux - Art, Science and Theory
Andreas Broeckmann , Yuk Hui
2015
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Prospective and retrospective reflections on avatars and virtual actors in artistic experimental exploration
Etienne Armand Amato
Hybrid, 2022
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Operable Abstraction: How Toys Changed the Logic of Modern Sculpture
Tim Stott
Sculpture Journal, 2019
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Call for Papers: The Human Body in the Arts
DANIELA ZAHARIA
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The rotten, the disembowelled woman, the skinned man. Body images from Eighteenth century Florentine wax modelling
Francesco Paolo de Ceglia
Journal of Science Communication, 2005
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"Between Tradition and Innovation: Reconsidering Florentine Stage Machinery of the Seventeenth Century in the Light of the Furttenbach Codex Iconographicus 401",
Giuseppe Adami - Associazione Archivio Compagnoni Floriani di Villamagna, Macerata
Technologies of Theatre. Joseph Furttenbach and the Transfer of Mechanical Knowledge in Early Modern Theatre Cultures Ed. by J. Lazardzig and H. Rößler, «Zeitsprünge. Forschungen zur Frühen Neuzeit», 2016
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Milette Gaifman, Verity Platt and Michael Squire (eds.), 'The Embodied Object in Classical Antiquity' (= Art History 41.3, pp. 398-591), June 2018
Milette Gaifman , Verity Platt
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The Art as Research: The Case of Historical Fantasy “Mechanical Veidenbaums”
Andrejs Balodis
Culture Crossroads
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Staging Live Art, A-Life, A-Life Art
Sally Jane Norman
2012
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Standing on the Balcony: A Study of Immaterial Art and Material Bodies
Andrew Woods
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“Singing the Body Mechanical: The mechanization of life in the seventeenth century”
Andres Vaccari
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Matter and Materiality: from Removal to Re-enactment, session co-chair with Francesca Borgo, 35th CIHA (Comité International d’Histoire de l’Art) International Congress: Motion: Transformation, Florence, 1-6 September 2019
Nicolas Cordon , Francesca Borgo , riccardo venturi
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Review: Angela Vanhaelen, The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths (University Park: PSU Press, 2022), in HNAR, https://hnanews.org/hnar/reviews/the-moving-statues-of-seventeenth-century-amsterdam-automata-waxworks-fountains-labyrinths/
Arthur J . DiFuria
Historians of Netherlandish Art Reviews, 2023
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Programme: International Conference, What Does Animation Mean in the Middle Ages? Theoretical and Historical Approaches, 16th–19th September 2021.
Ruth Sargent Noyes
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The Body Re-Imagined: The Bizzarie di Varie Figure and Performative Cycles of Prints in Seventeenth-Century Florence
Laura Scalabrella Spada
Object, 2017
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Furniture and Masks: Mimesis in the Work of Bruno Gironcoli
Charlotte Matter
In: Manuela Ammer (ed.), Bruno Gironcoli: Shy at Work, exh. cat. mumok Museum moderner Kunst Stiftung Ludwig Wien, 2018
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Enshrinement And Animation: Clothing Statues In Early Modern Portugal And Spain
Diana Rafaela Pereira
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Ephemeral Bodies: Wax Sculpture and the Human Figure edited by Roberta Panzanelli. Getty Publications, Los Angeles, CA, U.S.A., 2008. 352 pp., illus. Trade. ISBN: 978-0-89236-877-8
Sharon Hecker
Leonardo, 2009
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