“Creating a ‘Home Feeling’: The Canadian Reading Camp Association and the Uses of Fiction, 1900-1905.” Labour / Le Travail 76 (fall 2015): 109-32. (original) (raw)

Creating a “Home Feeling”: The Canadian Reading Camp Association and the Uses of Fiction, 1900–1905

2015

Although the history of Canada ’s oldest adult literacy organization, Frontier College, is of great relevance to labour studies, it has been more or less ignored by this field, largely because of its links to the early 20th-century social gospel movement and because of the difficulty of studying workers’ responses to the association. This article examines the first half-decade of Frontier College (known until 1919 as the Canadian Reading Camp Association) using a variety of methodologies – labour history, cultural and literary history, the history of education, and the history of reading – to understand how culture was used in the service of liberal government in the context of northern Ontario’s lumber camps at the turn of the century. The association’s promotion of literacy via fiction for frontier labourers signalled a new acceptance in Canada of the notion that workers might actually be improved through fiction. Alfred Fitzpatrick, the association’s founder, feared a state that ...

Reading Camps and Travelling Libraries in New Ontario, 1900-1905

Historical Studies in Education/Revue d'histoire de l'éducation, 2014

In 1900, the Ontario Department of Education and Alfred Fitzpatrick, who was inspired by Social Gospel ideas, engaged in an experiment to supply books to reading camps for lumber, mining, and railway workers in Northern Ontario. The center-periphery interplay between education officials and Fitzpatrick gave birth to two important adult education agencies: Frontier College and Ontario's travelling library system. Although the Department partially accepted Fitzpatrick's original plan for library extension, he garnered enough public support and employer endorsements to leverage government action on key issues related to a systematic book supply, the reduction of illiteracy, and non-formal adult learning techniques. This paper uses primary sources to examine the differing objectives held by Fitzpatrick and the Department during their initial joint venture prior to the Ontario election of 1905. The study highlights why travelling libraries eventually became a provincial responsibility; as well, it shows Fitzpatrick reshaped his original plans by practical interactions with resource workers that led to new approaches for adult learning at the outset of the 20th century.

“‘Rebel Woman,’ ‘Little Woman,’ and the Eclectic Print Culture of Protest in The Woman Worker, 1926-1929.” Canadian Literature 220 (Spring 2014): 17-35.

This essay argues that periodicals of protest can be crucial in helping us to understand the tangled history of the welfare state in Canada, and it contends that the Communist periodical The Woman Worker (1926-1929) is one important site for undertaking this work. The forms of citizen participation that are evident in early- and mid-twentieth century periodicals of protest have not played much part in shaping narratives of the development of the welfare state in Canada. More invisible still is the role of women, and particularly working-class women, in this ephemeral history of political activism. Furthermore, if labour historians have mined periodicals of protest for their political content, little work has been done to analyze the cultural material in these publications, such as short fiction and poetry. This frequently devalued material plays a crucial role in the summoning of state reform that one finds in the pages of The Woman Worker.

“Improvident and Profligate”: The Alexandra Readers Controversy in Saskatchewan, 1908–1909

Journal of Canadian Studies

This article examines the politics and economics surrounding textbook provision in the Canadian province of Saskatchewan in the first decade of the twentieth century, a period in which debates around the publication and provision of textbooks raged in Canada. It focuses on the 1908 contract between the Saskatchewan Department of Education and the Morang Educational Company of Toronto involving the Alexandra Readers. Frederick Haultain, leader of the opposition Provincial Rights Party, used the contract as a club to beat James Calder, commissioner of education for the ruling Liberal government. Haultain claimed that the contract had been offered to Morang because he and John Cameron Saul, editor in chief of the company, had been “college chum[s].” He also claimed that the majority of the textbook selection committee actually had favoured the readers submitted by rival Toronto publisher the Canada Publishing Company. As a result of Haultain’s accusations in the Saskatchewan legislatur...

For an Ethic of Discomfort: Studying Canadian Literature(s) from Afar

HAL (Le Centre pour la Communication Scientifique Directe), 2022

This essay discusses recent changes in Canadian literary studies after the controversies that surrounded "Canada 150," the sesquicentennial anniversary of the Confederation's independence celebrated in 2017. Taking Michel Foucault's "ethic of discomfort" as its cornerstone, it reflects on the disciplinary affiliations of Canadian studies in French universities in comparison to the place they occupy in Canada. The resurgence of Indigenous cultures has led to a re-examination of the field, its shifting borders, and the position of Indigenous Literatures with respect to "CanLit," an institution shaped by various forces of legitimation among which school syllabi, university curricula, literary journals, publishing rationales, literary awards and radio programs. The essay will finally move on to interrogate some of the options available in France for scholars researching CanLit and the Indigenous Literatures in Canada, two imbricated categories that require researchers to situate themselves as regards the object of their investigation. Résumé Les festivités organisées au Canada pour célébrer le cent-cinquantième anniversaire de l'indépendance en 2017 se sont déroulées dans un climat d'intense agitation politique et intellectuelle. Parmi les débats, de nombreuses discussions ont porté sur la place qu'occupe la littérature dans les études canadianistes, leurs enjeux, leurs missions et leurs limites. Célébrer l'anniversaire de l'obtention du statut de « Dominion de la Couronne » fut, comme pour le Centenaire, l'occasion de réévaluer les contours de « CanLit », ce canon littéraire dont la construction a visé, tout au long du XXe siècle, à fédérer les imaginaires disparates d'anciennes colonies devenu pays d'immigration en mal d'unité nationale. La résurgence des littératures autochtones est aujourd'hui l'un des facteurs devant être pris en compte quand on veut préciser les contours mouvants des études canadiennes. Ce qui est vrai au Canada l'est aussi dans une certaine mesure en France, dans les départements où s'enseigne la littérature canadienne anglophone. L'article prendra appui sur « l'éthique de l'inconfort » qu'invoque Michel Foucault pour sonder l'enjeu des positionnements auxquels les spécialistes de littérature anglo-canadienne sont aujourd'hui invités s'ils veulent entendre, depuis l'Europe, ce que les littératures autochtones du Canada ont à leur dire. Bio Claire Omhovère teaches English and Postcolonial Literature at University Paul Valéry-Montpellier (France) where she is affiliated to the research group EMMA (Études Montpellieraines du Monde Anglophone). Between 2011 and 2017, she presided the French Association for the Study of the Commonwealth (SEPC), and was the general editor of Commonwealth Essays & Studies. Her research is broadly concerned with perceptions and representations of space in postcolonial literatures with a specific interest in the aesthetic and ethical dimensions of landscape writing in settler-invader colonies such as Canada, Australia and New Zealand. What happened? Not so long ago we were radicals. We thought of ourselves as critical intellectuals, advocates for the value of indigenous cultures, defenders of our people. Now, all of a sudden, we're handmaidens of empire.