Forms that change due to new Processes Processes that change due to new Forms (original) (raw)
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Digitally conscious architectural design is founded on the assumption that computer tools should modify architecture’s own language, not just the way architects must work. The idea of open form is the result of producing encoded designs, that is: geometry is defined parametrically and codified in a non material language instead of being imposed over materiality –drawings or physical models- as is characteristic to architectural design tradition. A parametric design is open in as much as it defines a topological model where the connectivity between the parts and their relation to the whole generates a typology of possible designs limited by the range of parameters involved. Some parallels can be drawn with Eco’s idea of open form referring to some artistic production of the second half of the XX century. The increased complexity that can be achieved with new design tools has often led to a banal formalism inconsistent with architecture’s own tradition. The baroqueness of recent digital designs is confronted with the aesthetics of simplicity established by Modernism derived from its constructive principles. As Tafuri or Moneo pointed out, and recently Eisenman has proved with his own architectural production, there is a certain degree of arbitrariness in architectural form. However, architectural sense must rely on the principles of utility and construction. Thus, arbitrariness of architectural form should not be confused with arbitrariness of architectural design; it just refers to the fact that the complexity inherent to architecture may not optimize the relation between form and function. Thus, a variety of different architectural forms may well suffice the use requirements for each project. Digital tools have improved the potential of architectural design thus broadening architecture’s role and providing the apparatus to explore geometries and constructive systems that would have been unimaginable decades ago. C.A.D./C.A.M. tools are beginning to produce extraordinary synergies in the context of complexity. Digital fabrication is the logical extension to digital design as it relies on the computers’ precision and their potential to manage complexity in varied ways, shifting from construction to manufacturing. The aim of this paper is to analyse the relation of open form and digital fabrication. Conceptually, it will address what has been referred to as new materiality understood as the constructive logic intrinsic to materials and new fabrication techniques. New materiality may articulate an architectural constructive logic as stated by Milizia in the XVIII century and new digital fabrication techniques.
Contextual customization of design process DESIGN THROUGH THE DIGITAL AND THE MATERIAL
2013
In contemporary world, digital technologies have initiated new architectural languages and have eased the way to communicate them directly from initial design phase to production facilities, allowing for the construction of complex geometries with the use of ever evolving techniques and tools. When the emergence of a substance depends on the material behavior, the design interest shifts towards the ‘formation’ instead of the ‘final form’. Regarding these the design procedures will be discussed from the premise where architecture will be perceived through an evolution process that deals with the coherent variables of elements and shifting parameters within a context. However, there are crucial questions about its application in the contexts which have lower access to contemporary technologies although digital technology has already influenced almost every aspects of the culture of the respective context. Besides, the huge production cost has limited its adaptability in many under dev...
The Future is Analog: A Post-Protocological Approach to the Production of Form in Architecture
2018
This chapter traces the parallel development of the concept of standardization in architecture and of the idea of the architect as an artist / individual. The juxtaposition between the two goes back to Leon Batista Alberti, underlines modern architecture and reaches the current day where it still defines two different approaches for the production of architectural form through with the aid of digital media. The chapter proposes a third direction that breaks free from the dialectical opposition of the two and follows Deleuze’s idea of the analog as a way to operate through modulation. That new direction is illustrated through an example in digital fabrication.
Exploring the Shift of Architectural Form 'Form Making to Form Finding'
International Journal of Engineering Research & Technology (IJERT) ISSN: 2278-0181, 2022
Information technology has changed many dimensions of life. Its impact on architectural form is no exception. This paper discusses initially about, Post-modern era that was more about 'architectural expression and its meaning' where its expression and meaning was given more importance. Digital technology changed face of architecture and as a fascination for new form, it started producing new genre of forms which were impossible to imagine previously. This form making approach seems superficial when it started facing lot of architectural issues like construction, material and maintenance of such buildings. But now one can see there is shift from 'form making' to 'form finding'. The emphasis of the paper is on form-finding over form-making, on bottom-up over top-down processes, & on formation rather than form. 'Formation' must be recognized as being linked to the terms 'information' & 'performance'. This paper investigates, in contemporary architectural practices where form making is given more importance, has many architectural issues. Research aims to explore the shift of architectural form 'Form making to form finding'. Objectives are identification of parameters to study and analyze the buildings based on same. Case study method is used for analysis. Buildings were chosen based on the way form is conceived and manifested. While analyzing the buildings few parameters were considered e.g., logic of form, structure, material etc. While searching for matured approach natural evolutionary processes is taken as inspiration. Paper conclude on the new way of design & tries to demonstrate methodology which has holistic approach, one step towards sustainability.
Post Industrial Manufacturing Systems: the undisciplined nature of generative design
Post Industrial Manufacturing Systems (PIMS) is a research program with the overarching aim to explore the impact of emerging technologies in Rapid Prototyping, Direct Digital Manufacture, Parametric Modelling and Generative Design software on the design process. The initial research project within PIMS involved an industrial designer working with a CAD programming expert in developing a software system that allowed the user to view various products or designed forms, which were continually randomly mutating in real time. The user could not affect the form itself or the mutation in any way, but could decide at which moment they wanted to ‘freeze’ the constantly changing form to create a unique, one-off item. The user could then purchase the product, at which point the relevant stl files were created by the computer and exported to a rapid prototyping machine to be manufactured. As this work progressed, various approaches were tried, including the random placement of a selection of predetermined elements within specified space envelopes. At this point, a second project was started involving a craft practitioner with the express notion of exploring the differences in approach between practitioners of different disciplines. This work has produced a system in which individual building block units are randomly assembled together within three-dimensional mesh forms that can be manipulated in various ways. When the process is complete the resulting object can be digitally manufactured. This paper will describe these different approaches to random generative design and discuss the implications for the disciplines of design and craft, their interpretation and meaning raised by this research. The experience of using these systems potentially opens the floodgates for amateur design and craft in ways previously unimagined. Developments such as these are clearly harbingers of a new era for design and craft and an example of the reshaping of disciplines