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Abstract

This talk attempts to think the photographic image away from the familiar representational paradigms with their insistence on image/object dualism and linear conception of time. Against these traditional conceptions of the photograph as technical image, this talk suggests that networked photography has to be understood acoustically, as a kind of rhythmic sequence that operates through pattern creation, self-replication and sensual logic that contributes to the slippage of meaning. Drawing on several examples from vernacular photography this talk proposes to consider the network as radically different photographic environment.

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