Inside the White Cube: The Ideology of the Gallery Space (original) (raw)
gE#B ilillilltilltilffi i6033 Inside the WhiteCube The Ideology of the Gallery Space
Yichen Sheng
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The Ideology of the Gallery Space · Expanded Edition Annandale-on-Hudson, NY
Katarina Rawlins
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LIGHT, TIME & SPACE: Mimetic Painting & Drawing as Installation 1 July, 1995–31 October, 2000
John R Neeson
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How has the ‘White Cube’ gallery model influenced the way in which we understand modern art? What is its legacy?
Elise Ashby
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Exhibtion Space, Display of Art, and Dilemma of Postmodernism.docx
Dreama Simeng Lin
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“The subject of an exhibition tends more and more to be not so much the exhibition of works of art, as the exhibition of the exhibition as a work of art” - Daniel Buren The Artist as curator and how the gallery functions as an artistic medium and as gendered space. BA Hons Fine Art thesis
Aisling Keavey
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How has the 'White Cube' model influenced the way in which we understand modern art? What is its legacy?
Bethany Slinn
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"Rooms of Our Time: László Moholy-Nagy and the Stillbirth of Multi-Media Museums." In Screen/Space, edited by Tamara Trodd, 25-52. Manchester: Manchester University Press, 2011.
Noam Elcott
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LIMINAL SPACE IN ART: THE (IN)SECURITY OF OUR OWN VISION
Miljana Zekovic
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Making Audiences Visible: Gallery Education, Research and Recent Political Histories
Andrew Dewdney
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‘Open day Gallery’ or ‘Private Collections’? : An Insight on Neopalatial Wall Paintings in their Spatial Context.
Quentin Letesson
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After Art: Thoughts on Looking at Art, Dublin City Gallery: The Hugh Lane, Catalogue Book Essay
Niamh Ann Kelly
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The Eclipse of the Witness: Natural Anatomy and the Scopic Regime of Modern Exhibition-Machines
Vincent Normand
2016
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A Phenomenology of Display: Monet's L'Orangerie, the Panorama Rotunda, and the History of Proto-Installation Art
Anthony Portulese
Rutgers Art Review: The Graduate Journal of Research in Art History, 2021
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SPACE AND SPECTATORHIP IN HAPPENNINGS. SUPPORT, VALUE, ARCHITECTURE. Across the great divide: Modernism Intermedialities. From Futurism to Fluxus (ISBN: 978-1-443854788) Newcastle: Cambridge Scholars Publishing. 2014, p. 102-121.
Fernando Quesada
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Postmodern Crises of Mediation and the Passing of the Museum
Maria Margaroni
Parallax, 2005
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The exhibition as medium: artist, space, artwork and viewer in dialogue
Teresa Azevedo
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Book review of "Fate, Glory, and Love in Early Modern Gallery Decoration" by Margaretha Rossholm Lagerlöf,
Tatiana Senkevitch
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The Fate of " Irrational Space " in Art Exhibitions
Boliang Shen
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An Exceptional Vantage Point: Remarks on Nestor's Kruger Untitled" Room" at the Contemporary Art Gallery in Vancouver
Yam Lau
Espace Sculpture
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Exhibiion of the exhibition
Antonello Tolve
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Conditions of being: artists and archives
Liz Bruchet
2020
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Texts presented in summary, in Textes dispersés sur l’art contemporain Miscellaneous Texts On Contemporary Art , Jean-François LYOTARD, Leuven University Press 2012
Peter Milne, Vlad Ionescu
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Historical and Spatial Transformations of the Exhibition Spaces: From Modernist Whitewashed Walls to Black Screens
Pinar Kilic Ozkan
IDU SPAD'20 International Spatial Planning and Design Symposium PROCEEDINGS BOOK, 2020
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Thinking outside the (white) box: Reflections around the autonomy of artistic practice
Stefan Nestoroski
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Museum Skepticism: A History of the Display of Art in Public Galleries by David Carrier
Jeffrey Wilson
Curator: The Museum Journal, 2007
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56 | Aerall Contexts: Project Exhibitions | 57
mvo@k3000.ch von Osten
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Time is of the essence: histories, bodies and art
Marsha Meskimmon
Art History, 2002
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Between Industry and Art: Display. - The Painting as Photographic Exposure. - Artist, Frame-maker and Client. - The Avant-garde. - The Antiquary and Dismantlement.
Oleg Tarasov
Chapter 4 of the book: Oleg Tarasov. Framing Russian Art. From Early Icons to Malevich. London: Reaktion Books, 2011, pp. 261 - 375.
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POST-CONTEMPORARY ART AND THE IDEA OF VISUAL IMMORTALITY
Peter Tzanev
POST-CONTEMPORARY ART AND THE IDEA OF VISUAL IMMORTALITY, 2022
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Exhibition review: 'Between Spaces' at Creative Hinckley Gallery
Sian Hindle
Journal of Craft Research, 2015
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“Interpreting Space: Aspects of International Sculpture since 1960”, pp. 498-508
Areti Adamopoulou
in Art and Landscape, Athens, 2001
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Thomas F. Reese and Carol McMichael Reese. “Frames of Representation: the Architecture of Exhibitions,” conference on “Diffused Spaces: On The Future of the Museum,” Museu d’Art Contemporani de Barcelona; July 4, 1996 (without illustrations).
Thomas Reese, Carol M C M I C H A E L Reese
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The Remains of Painting: In, After, and In Spite of Minimalism
shep steiner
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The Giver, The Guest and the Ghost: The Presence of Art in Public Realms
Ronald Van de Sompel, Eva González-Sancho Bodero
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