Inside the White Cube: The Ideology of the Gallery Space (original) (raw)

gE#B ilillilltilltilffi i6033 Inside the WhiteCube The Ideology of the Gallery Space

Yichen Sheng

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The Ideology of the Gallery Space · Expanded Edition Annandale-on-Hudson, NY

Katarina Rawlins

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LIGHT, TIME & SPACE: Mimetic Painting & Drawing as Installation 1 July, 1995–31 October, 2000

John R Neeson

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How has the ‘White Cube’ gallery model influenced the way in which we understand modern art? What is its legacy?

Elise Ashby

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Exhibtion Space, Display of Art, and Dilemma of Postmodernism.docx

Dreama Simeng Lin

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“The subject of an exhibition tends more and more to be not so much the exhibition of works of art, as the exhibition of the exhibition as a work of art” - Daniel Buren The Artist as curator and how the gallery functions as an artistic medium and as gendered space. BA Hons Fine Art thesis

Aisling Keavey

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How has the 'White Cube' model influenced the way in which we understand modern art? What is its legacy?

Bethany Slinn

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"Rooms of Our Time: László Moholy-Nagy and the Stillbirth of Multi-Media Museums." In Screen/Space, edited by Tamara Trodd, 25-52. Manchester: Manchester University Press, 2011.

Noam Elcott

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LIMINAL SPACE IN ART: THE (IN)SECURITY OF OUR OWN VISION

Miljana Zekovic

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Making Audiences Visible: Gallery Education, Research and Recent Political Histories

Andrew Dewdney

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‘Open day Gallery’ or ‘Private Collections’? : An Insight on Neopalatial Wall Paintings in their Spatial Context.

Quentin Letesson

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After Art: Thoughts on Looking at Art, Dublin City Gallery: The Hugh Lane, Catalogue Book Essay

Niamh Ann Kelly

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The Eclipse of the Witness: Natural Anatomy and the Scopic Regime of Modern Exhibition-Machines

Vincent Normand

2016

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A Phenomenology of Display: Monet's L'Orangerie, the Panorama Rotunda, and the History of Proto-Installation Art

Anthony Portulese

Rutgers Art Review: The Graduate Journal of Research in Art History, 2021

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SPACE AND SPECTATORHIP IN HAPPENNINGS. SUPPORT, VALUE, ARCHITECTURE. Across the great divide: Modernism Intermedialities. From Futurism to Fluxus (ISBN: 978-1-443854788) Newcastle: Cambridge Scholars Publishing. 2014, p. 102-121.

Fernando Quesada

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Postmodern Crises of Mediation and the Passing of the Museum

Maria Margaroni

Parallax, 2005

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The exhibition as medium: artist, space, artwork and viewer in dialogue

Teresa Azevedo

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Book review of "Fate, Glory, and Love in Early Modern Gallery Decoration" by Margaretha Rossholm Lagerlöf,

Tatiana Senkevitch

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The Fate of " Irrational Space " in Art Exhibitions

Boliang Shen

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An Exceptional Vantage Point: Remarks on Nestor's Kruger Untitled" Room" at the Contemporary Art Gallery in Vancouver

Yam Lau

Espace Sculpture

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Exhibiion of the exhibition

Antonello Tolve

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Conditions of being: artists and archives

Liz Bruchet

2020

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Texts presented in summary, in Textes dispersés sur l’art contemporain Miscellaneous Texts On Contemporary Art , Jean-François LYOTARD, Leuven University Press 2012

Peter Milne, Vlad Ionescu

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Historical and Spatial Transformations of the Exhibition Spaces: From Modernist Whitewashed Walls to Black Screens

Pinar Kilic Ozkan

IDU SPAD'20 International Spatial Planning and Design Symposium PROCEEDINGS BOOK, 2020

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Thinking outside the (white) box: Reflections around the autonomy of artistic practice

Stefan Nestoroski

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Museum Skepticism: A History of the Display of Art in Public Galleries by David Carrier

Jeffrey Wilson

Curator: The Museum Journal, 2007

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56 | Aerall Contexts: Project Exhibitions | 57

mvo@k3000.ch von Osten

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Time is of the essence: histories, bodies and art

Marsha Meskimmon

Art History, 2002

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Between Industry and Art: Display. - The Painting as Photographic Exposure. - Artist, Frame-maker and Client. - The Avant-garde. - The Antiquary and Dismantlement.

Oleg Tarasov

Chapter 4 of the book: Oleg Tarasov. Framing Russian Art. From Early Icons to Malevich. London: Reaktion Books, 2011, pp. 261 - 375.

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POST-CONTEMPORARY ART AND THE IDEA OF VISUAL IMMORTALITY

Peter Tzanev

POST-CONTEMPORARY ART AND THE IDEA OF VISUAL IMMORTALITY, 2022

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Exhibition review: 'Between Spaces' at Creative Hinckley Gallery

Sian Hindle

Journal of Craft Research, 2015

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“Interpreting Space: Aspects of International Sculpture since 1960”, pp. 498-508

Areti Adamopoulou

in Art and Landscape, Athens, 2001

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Thomas F. Reese and Carol McMichael Reese. “Frames of Representation: the Architecture of Exhibitions,” conference on “Diffused Spaces: On The Future of the Museum,” Museu d’Art Contemporani de Barcelona; July 4, 1996 (without illustrations).

Thomas Reese, Carol M C M I C H A E L Reese

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The Remains of Painting: In, After, and In Spite of Minimalism

shep steiner

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The Giver, The Guest and the Ghost: The Presence of Art in Public Realms

Ronald Van de Sompel, Eva González-Sancho Bodero

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