original ) (raw )The State Collections of Colonial New Zealand Art:Intertwined Histories of Collecting and Display
Rebecca Rice
2010
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Working in the Space Between: Pacific Artists in Aotearoa/New Zealand
Graeme Whimp
2009
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Transforming the ‘ unimaginative and lite ral’ into an art for the nation: writing and exhibiting New Zealand’s art h istory in the twentieth century
Rebecca Rice
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Māori curatorship at Auckland Art Gallery Toi o Tāmaki 1998-2001 : a thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in Museum Studies at Massey University, Palmerston North, New Zealand
Anna-Marie White
2006
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Review of Peter Brunt and Nicholas Thomas, ed., Art in Oceania: a New History. In Journal of Australian Studies 39:1 (2015):110-111
Bronwen Douglas
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Repositioning Pacific Arts: Artists, Objects, Histories: Proceedings of the VII International Symposium of the Pacific Arts Association, Christchurch, New Zealand (Allen and Waite, eds.)
Billie Lythberg
Museum Anthropology Review, 2016
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A red-letter day: evaluating progress in New Zealand's art at Dunedin's international exhibitions, 1865 and 1889
Rebecca Rice
Marta Filipova (ed), Cultures of International Exhibitions 1840-1940: Great Exhibitions in the Margins, 2015
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Art and Biculturalism: Innovative Maori Meeting Houses and the Settler Nation
Daniel Rosenblatt
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With Fiona Cameron. ‘Two anthropological assemblages: New Zealand museums, Native policy, and Māori “culture areas” and “adaptation,” ’ Museum & Society January 2015 13(1): 88-106.
Conal McCarthy
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ARTventures: An Australian curator in the field with Pacific artists
Susan Cochrane
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Art-at-Work: Moving beyond, with the histories of education and art in Aotearoa New Zealand
Victoria O'Sullivan
Educational Philosophy and Theory, 2016
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‘Two anthropological assemblages: New Zealand museums, Native policy, and Māori “culture areas” and “adaptation,’ January 2015
Fiona Cameron
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Creating culture in a colonial context: fine art at the 1865 New Zealand Exhibition
Rebecca Rice
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RIHA Journal special issue "Gottfried Lindauer - Painting New Zealand" - Editorial
Miriam Oesterreich , Alexandra Karentzos
RIHA Journal 2018 special issue "Gottfried Lindauer – Painting New Zealand", 2018
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Does Maori Art History Matter?
Ngarino Ellis , Deidre Brown
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Art Historiography in Australia and New Zealand
Jaynie Anderson
The Journal of Art Historiography, 2011
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NGATU'ULI: EXHIBITING THE FINE ART OF CONTEMPORARY TONGAN BLACK BARKCLOTH IN NEW ZEALAND
Billie Lythberg
Journal of Museum Ethnography
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Two anthropological assemblages: New Zealand museums, Native policy, and Māori ‘culture areas’ and ‘adaptation’
Conal McCarthy
museum and society, 2015
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Slice of Heaven: 20th Century Aotearoa: Biculturalism and Social History at the Museum of New Zealand Te Papa Tongarewa
Kirstie Ross
aboriginal policy studies
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“Preface”, in Roger Benjamin, Guest Editor, American Art, Australian Focus, 1945-1975, special issue of The Australian and New Zealand Journal of Art, vol. 14, no. 1, July 2014, pp. 1-3.
Roger Benjamin
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Message, K 2005, 'Representing Cultural Diversity in a Global Context: The Museum of New Zealand Te Papa Tongarewa and The National Museum of Australia', International Journal of Cultural Studies, vol. 4, no. 4, pp. 465-485.
Kylie Message
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Two anthropological assemblages: Maori 'culture areas' and 'adaptation' in New Zealand museums and government policy
Fiona Cameron
2015
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Once Were Pacific: Māori Connections to Oceania by Alice Te Punga Somerville (review)
Erin Suzuki
The Contemporary Pacific, 2013
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Policies, practices, public pedagogy : two case studies of art museum educators in Aotearoa New Zealand : a thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Museum Studies, Massey University, Palmerston North, New Zealand
Susan Abasa
Massey University, 2014
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Art & Oceania: Case Studies
Rowyn Campbell
Re:Locations - Journal of the Asia-Pacific World, 2021
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Reframing: Michael Parekōwhai's Indigenous Détournement of the Museum
Amelia Jones
Thresholds, 2019
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Toi Hauiti and Hinematioro: a Māori ancestor in a German castle
Billie Lythberg , Amiria Salmond
Pacific Presences: Oceanic Art and European Museums, 2018
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1. Mallon, S & Hutton, G. (2013) Collecting, exhibiting and engaging with East Polynesia at the Museum of New Zealand Te Papa Tongarewa. Tuhinga: Records of the Museum of New Zealand Te Papa Tongarewa 24: pp105-138
Grace S Hutton , Sean Mallon
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Historical Research: Perspectives on Political History as a Key Factor in Shaping Art Education in New Zealand
Cathy Warden
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"Asian Art Research in Australia & New Zealand," Program
Stephen Whiteman
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Cultural bridging, art-science and Aotearoa New Zealand
Pasha Ian Clothier
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Chapter 6, Universitetmuseet, Bergen, Knut Rio: Encountering Māori and their artefacts, Billie Lythberg & Mānuka Hēnare
Mānuka Hēnare , Billie Lythberg
Collecting in the South Sea: The Voyage of Bruni d’Entrecasteaux 1791-1794, ed. Bronwen Douglas, Fanny Wonu Veys, and Billie Lythberg (Leiden: Sidestone Press), 103–107, 2018
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Encountering Pacific Art
Ivan Gaskell
2009
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In Pursuit of the Pacific: Past and Present Visions of Tahiti
Brittany Myburgh
College Arts Association, 2019
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Shifting Grounds: History, Memory and Materiality in Auckland Landscapes c.1350-2018
Lucy Mackintosh
2018
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