“A Millennial Palimpsest: Musical Quechua Poetry in Los ríos profundos (1958) and Todaslas sangres (1964) by José María Arguedas (1911- 1969)” (original) (raw)

This paper explores the integration of musical Quechua poetry within the works of Peruvian author José María Arguedas, specifically in Los ríos profundos (1958) and Todas las sangres (1964). It argues that Arguedas' use of pre-Hispanic and contemporary musical traditions reflects an alternative epistemology that connects Incan roots with modern experiences. The examination highlights the thematic diversity of poetic Quechua canciones, addressing vital life cycles, political struggles, and agricultural traditions, while also discussing the cultural perceptions and criticisms surrounding Arguedas’ work and the enduring legacy of indigenous musical forms.