Exploring Creative Tourism (original) (raw)

Exploring Creative Tourism, Journal of Tourism Consumption and Practice

Exploring Creative Tourism, Journal of Tourism Consumption and Practice , 2012

This special issue of the Journal of Tourism Consumption and Practice considers many different facets of the creative tourism phenomenon, and examines the ways in which it has been developed in a range of places, ranging from the frozen north of Canada to the searing heat of Mali. The papers that compose this special issue identify trends and challenges in creative tourism development and, despite the emergent critical thoughts on the subject, they tend to emphasise the positive aspects. Journal of Tourism Consumption and Practice, Volume 4, 2012

Journal of Tourism Consumption and Practice Volume 4 Special Issue on Exploring Creative Tourism

Journal of Tourism Consumption and Practice, 2012

This special issue of the Journal of Tourism Consumption and Practice considers many different facets of the creative tourism phenomenon, and examines the ways in which it has been developed in a range of places, ranging from the frozen north of Canada to the searing heat of Mali. The papers that compose this special issue identify trends and challenges in creative tourism development and, despite the emergent critical thoughts on the subject, they tend to emphasise the positive aspects.

Exploring Creative Tourism: Editors Introduction

This paper provides an overview of the contributions to special issue of the Journal of Tourism Consumption and Practice entitled „Exploring Creative Tourism‟. Creative tourism has grown rapidly in the past decade, reflecting the growing desire of consumers to develop their own creative potential and to attach themselves to creative networks, as well as the need for creative producers, cities and regions to profile themselves in an increasingly crowded global market. The case studies in the special issue examine creative tourism in a range of different contexts and present a range of models of creative tourism development in fields such as music, art, heritage and crafts. Creative tourism can therefore be viewed as a form of networked tourism, which depends on the ability of producers and consumers to relate to each other and to generate value from their encounters. Keywords: creativity, creative tourism, cultural tourism, creative experiences, network society

Trends and Challenges in Creative Tourism

Paper presented at the International Conference on Creative Tourism, Barcelona December, 9th - 10th 2010. Creative tourism is a concept that only formally defined a decade ago, but in the intervening years it has seen a significant growth worldwide. The range of presentations at this conference on different creative tourism programmes from all corners of the globe is a clear indication of how widespread it now is. In this presentation I will try and set out some of the reasons for this growth, the different forms of creative tourism that have developed and the challenges that remain for those involved in this new sector of tourism. My basic argument is that the growth of creative tourism has been driven by both production and consumption related forces, and that the maximum benefit can be derived by creatively combining the efforts of both producers and consumers to develop new experiences that both engage and transform participants and host communities alike.

Trajectories and trends in creative tourism: Where are we headed

Creative Tourism: Activating Cultural Resources and Engaging Creative Travellers, 2021

Creative tourism is part of a number of general trends towards more creative, relational, and locally focused styles of travel. For example, the 'live like a local' trend encourages travellers to reject the 'role' of tourist and to integrate into everyday life and culture at the destination, reciprocated by local recognition of 'temporary residents' (Richards and Marques, 2018). This chapter reviews the development of the creative tourism concept, and considers potential future trajectories.

Challenges of creative tourism

2014

This chapter reviews the development of creative tourism over the past decade and identifies major trends and practices both from a production and consumption perspective. In particular, this review highlights the shift from tangible to intangible cultural and creative resources as the basis of cultural and creative tourism experiences. A number of different models of creative tourism development are reviewed to illustrate these principles.

Creative Tourism: New Opportunities for Destinations Worldwide?

Presentation at the World Travel Market Conference on ‘Creative Tourism: All that you need to know about this growing sector’, November 3rd 2015. Creative tourism is a relatively new niche that is being taken up by destinations around the world. The basic reason for this is the growing dissatisfaction with traditional models of tourism development, and the realisation that the creativity of both hosts and tourists is an important potential resource for the sustainable development of tourism. This brief presentation reviews the important features of creative tourism and how it is changing people’s lives.

The challenge of creative tourism

In the past forty years the relationship between culture, economy and society has changed beyond recognition. Culture has grown beyond its original socialisation role to become the oil of the new economy and a vital reservoir of symbolic resources that feeds tourism production and consumption. Heritage has emerged as a force for urban and rural renewal and preservation, become a global industry in its own right. More recently the growth of the creative economy has been marked by the increasing intangibilisation of culture and heritage, as they have become vital markers of symbolic value. In the field of tourism, this change has been marked by the continued growth of cultural tourism, and the recent fragmentation of cultural tourism into a number of sub-fields, including film tourism, gastronomic tourism, festival tourism, etc. (Richards, 2001; Hjalager and Richards, 2002). The growing importance of creativity and intangible heritage in tourism has also been marked by the development of a specific sub-field of ‘creative tourism’ (Richards and Raymond, 2000). Creative tourism arguably represents a departure from traditional models of cultural and heritage tourism, moving away from tangible heritage as the key asset towards creative and symbolic capital. This paper examines the development of creative tourism in recent years, tracing its trajectory from a sub-field of cultural tourism towards an emerging field and philosophy of tourism.