A Tortuous Path: Cultural Heritage’s Policy and Governance in Fiji (original) (raw)

Local Voices, Transnational Echoes: Protecting Intangible Cultural Heritage in Oceania

The issue of ownership of cultural property is becoming a prime moral issue in legal anthropological parlance, the sine qua non of understanding the sociocultural evolution of indigenous traditional knowledge and expressions of culture (TKEC). In Oceania, the combination of the two notions, cultural heritage and cultural property, is particularly relevant to the reification of identity in the case of intangible TKEC ownership. Why is intangible cultural property and heritage suddenly so valuable and also so problematic? The way in which we have sustained intellectual property claims for so long is under severe scrutiny, Pacific Island countries continue to face the unauthorized use of their traditional knowledge and practices. While conventional intellectual property laws exist in all Pacific Island countries, they fail to protect TKEC from exploitation. To remedy this, international agencies in collaboration with Pacific Island countries are developing conventions, treaties sui generis laws, and national inventories of culture.

I Yau Vakaviti: Fijian treasures in international museums – a study of repatriation, ownership and cultural rights

2015

Pacific islands artifacts and imageries have had a strong appeal to the popular imagination of the West over the years. However, in recent years the question of ownership of intellectual property rights has emerged as many indigenous groups around the world call for the repatriation of their cultural objects taken away, with or without their ancestors’ consent, as a way of reasserting their cultural rights and in rediscovery of their roots and identity. The question of repatriation of cultural objects is now a contentious issue, as indigenous peoples demand the return of their cultural goods from metropolitan museums while museum owners claim ownership of the objects. The creation of indigenous museums adds to this contention as these museums are still deeply entrenched in colonial legacies. It has however shifted indigenous peoples’ views o museum collections and artifacts. The development of cultural centers and the increasing number of indigenous people trained in museology and a...

'ENGAGEMENT AND IMPACT': THE CHALLENGES OF TRANSLATING FIJI'S CULTURAL HERITAGE

HRC Connected Communities Heritage Network Symposium Proceedings 2021., 2021

Following the Arts and Humanities Research Councilfunded Fijian Art research project and its culmination in the exhibition Fiji: Art & Life in the Pacific (Sainsbury Centre for Visual Arts, Norwich, 2016-17 1), the project team received further funding to translate the results of that project into substantial impacts in Fiji. Under the banner of 'International Development' the project engaged with non-academic communities in the hope to bring lasting benefit to Fiji in the cultural heritage sector. The aim of this paper is to reflect on some of the activities that were organised during the project Fiji's Artistic Heritage: Impact and Engagement in Fiji (AHRC Follow-on-Funding Scheme) and to focus on challenges of translating research into impact and engagement. The most tangible outcome of this project was the exhibition Kamunaga: the story of tabua at the Fiji Museum (2017), curated by staff of the Fiji Museum and iTaukei Trust Fund Board, which is the main case study of this paper.

Indigenous and Transnational Values in Oceania: Heritage Reappropriation, From Museums to the World Wide Web

eTropic: electronic journal of studies in the tropics

What is the value of heritage? A source of explosive emotions which oppose the “value” of so-called Western expertise – history of social and human sciences and constant reevaluation of the heritage market – versus the values in “becoming” of the people who recognise themselves in this heritage and who claim it as a foundation for an alternative and better life? In this paper, we examine some of the ways in which different groups in the Pacific reinterpret their heritage in order to redefine their singular values as cultural subjectivities: individual, collective and national, diasporic or transnational in the case of some Indigenous networks (Festival of the Pacific Arts, Declaration on the Rights of Indigenous Peoples, etc).

World Heritage and outstanding universal value in the Pacific Islands

International Journal of Heritage Studies, 2014

Over the past two decades, the World Heritage Committee has sought to address the current and future credibility of the World Heritage List through capacity building programmes in regions currently under-represented on the List, includ ing the Pacific Islands, to support States Parties to nominate places of potential outstanding universal value. Since 2004, the Pacific 2009 World Heritage Pro gramme has been successful in contributing to a dramatic increase in the number of World Heritage site in the independent Pacific Island nations but as this paper discusses, this does not necessarily equated to an increase in the representation of the heritage values of Pacific Islanders on the World Heritage List, highlight ing tensions between the concept of outstanding universal value, the processes of nomination and the rights of customary landowners in the inscription and management of World Heritage properties in the region.