CURVELO, Alexandra; SENOS, Nuno, "The Arts and the Portuguese Colonial Experience - a Symposium". (original) (raw)

Call for paper to a Scientific international Symposium: ART'S CONCERN

Call for paper to a Scientific international Symposium: ART'S CONCERN, 2023

We believed that aesthetics is a way of cutting any crisscrossing between cultural roles and social discrimination ones. The problem today and post to the state of great confusion quite salient in self-shaking state, has become intense. We consequently must deliver art from aesthetics not as a discourse but as an identification system that aesthetics put it on art. Concern that art undergoes today is the paradigm around which the meeting is built. This concern that's displaced from aesthetics and migrated to practice sphere. The question is how to interpret "art concern» as one of the main crises? Art is losing its strongholds; it has become hard for art to preserve its place within cultural production. And as it loses importance, the “cultural geography” changes its mapping along with its data and changes the actants. Not only that, but also the paradigm included by art has become flabby due to the interference of aesthetics and since then art has never constituted a genuine call only inside its closed field. All that art has achieved is that it made its techniques well known without its ontological feature. There is another type of concern, that is, art today fails to take from courage only its ritual side: but it has conceded its permeation aspect and settled issues with boundaries and that's due to. First, because of deficiency in research for modern art. Second, owing to the legal frameworks that art agreed upon to ensure salvation, we must invent new forms of practice. Forms here do not refer to the external. "Aspect of objects but to the essence as the Greeks put it "idea To preserve its ontological place, art has to create new thinking circles.

Alterité et Art Contemporain : Une Étude De Deux Expositions Internationales

2012

The exhibition Magiciens de la Terre (Paris, 1989) is a landmark of a new look, in Europe, from the traditional art scene to the “art of the other”. In Brazil, in 1998,the exhibition Antropofagia , the 24th Sao Paulo Biennial, proposed a theme that articulatedthe local and the global cultures.We willtry, from the analysis of speeches announced by both exhibitions, understand the strategies carried out by the international art scene in the reproduction of a certain notion of globalization and multiculturalism in contemporary art.

International Forums / Festival of Academic Research in the Arts: cultural mediation initiative of a collaborative network Foros internacionales / Festival de investigación académica en las artes: iniciativa de mediación cultural de una red de colaboración

ECORFAN Journal-Republic of Peru, 2018

The Collaboration Networks Have Demonstrated Their effectiveness in the investigative field of IES, Constituting an essential mechanism to That Guarantees Their training and integrators to greater productivity. The Network "Art, Music and Culture" created in 2012 an ambitious project called "Interdisciplinary Circuit of North-Central Mexico and the Caribbean Art", from Which, as a result of the interactions of the different components of the Network Were organized in the Forums / International Arts Festivals. Initially Proposed on experimental a character, They Have Been consolidated in Their organization and Their contents, at the same time That They Have Become one of the most solid and stable programs of the cultural landscape, not only of the UAZ, but of the State of Zacatecas. From the current perspective, which Allows. Las redes de colaboración han demostrado su efectividad en el campo de investigación de IES, lo que constituye un mecanismo esencial para garantizar su capacitación e integradores para una mayor productividad. La Red "Arte, Música y Cultura" creó en 2012 un ambicioso proyecto denominado "Circuito Interdisciplinario del Norte-Centro de México y el Arte del Caribe", a partir del cual, como resultado de las interacciones de los diferentes componentes de la Red, se organizaron en el Foros / Festivales internacionales de arte. Inicialmente propuestos en un personaje experimental, se han consolidado en su organización y sus contenidos, al mismo tiempo que se han convertido en uno de los programas más sólidos y estables del paisaje cultural, no solo de la UAZ, sino del estado de Zacatecas. Desde la perspectiva actual, lo que permite.