Glastonbury Abbey Excavations 1904-1979. The Post-Roman Pottery. Appendix 6: A Medieval Jug with Lettering. (Online Report) (original) (raw)
Related papers
Glastonbury Abbey Excavations 1904-1979. 8.6 Post-Roman Pottery (Printed Report)
Gilchrist, R. and Green, C. (eds). 2015. Glastonbury Abbey: Archaeological Excavations 1904 – 1979. pp. 250-278
The post-Roman pottery excavated at the abbey between 1908 and 1979 amounts to about 10,247 sherds. The collection is of great interest, since it demonstrates occupation on the site in the fifth or sixth century, includes the largest assemblage of Anglo- Saxon ceramics from the county and allows some conclusions to be drawn about the pattern of pottery consumption at the West country’s greatest monastic house. The post-Reformation ceramics provide an additional field of interest. A significant group of imported vessels includes Italian tin-glazed wares, South Netherlands maiolica, Spanish lustrewares and Seville arista tiles. Petrological study has improved our understanding of the sources for the Saxo-Norman coarse pottery. However, the greater part of the material is an unstratified and selected sample, limiting its value considerably. The assemblage has been shaped by the selective practices of curation and discard that were employed in the antiquarian excavations at Glastonbury Abbey.
Glastonbury Abbey: archaeological investigations 1904-79
Contents page and summary of 500 page, full-colour monograph, co-authored by Roberta Gilchrist and Cheryl Green, on the archaeological investigations carried out at Glastonbury Abbey. Published by the Society of Antiquaries of London, with contributions by 31 leading specialists.
2012
Trial-trench and open area excavations recovered a total of 2356 sherds (31, 437g) of Roman pottery. The bulk of the Roman pottery, in a fragmented but unabraded condition, was contained in a series of layers ) that appear to represent an episode of rapid rubbish disposal between c.AD130-150. These layers, although differentiated by context, form a homogenous ceramic group that includes significant quantities of south and central Gaulish samian ware, sparse imported continental and regional fine wares, high quantities of coarse wares produced in the Verulamium environs, and sparse southern Spanish amphorae. The ceramic group from the sequence of layers forms an important addition to the corpus of dated pottery groups recorded in Roman Verulamium. Further sherds of comparable date and character were contained in ditches and pits that truncated the series of layers, while a single late Roman pit was also recorded close to the south-western edge of the excavated area.
Two Medieval Jugs from the Huddersfield District, West Yorkshire
Yorkshire Archaeological Journal, 67 , 1995
This report on two medieval jugs from the Huddersfield district in West Yorkshire was first published in the Brigantian, the Journal of the Huddersfield District Archaeological Society, No. 1. 1972. Unfortunately, the writer’s drawings were not published to save space on the page. Instead, the editor attempted to redraw the medieval jugs to a much smaller size, but the result was catastrophic. These drawings are totally unacceptable for an archaeological journal. After further research work and in the light of recent advances in the study of the medieval pottery industry it was revised and published with the writer's original drawings in the Yorkshire Archaeological Journal 67, 1995.
Glastonbury: Italian wares [printed]
Glastonbury Abbey: archaeological excavations 1904 – 1979 (ed. Roberta Gilchrist & Cheryl Green), pp. 270-272
The post-Roman pottery excavated at the abbey between 1908 and 1979 amounts to about 10,247 sherds. The collection is of great interest, since it demonstrates occupation on the site in the fifth or sixth century, includes the largest assemblage of Anglo- Saxon ceramics from the county and allows some conclusions to be drawn about the pattern of pottery consumption at the West country’s greatest monastic house. The post-Reformation ceramics provide an additional field of interest. A significant group of imported vessels includes Italian tin-glazed wares, South Netherlands maiolica, Spanish lustrewares and Seville arista tiles. Petrological study has improved our understanding of the sources for the Saxo-Norman coarse pottery. However, the greater part of the material is an unstratified and selected sample, limiting its value considerably. The assemblage has been shaped by the selective practices of curation and discard that were employed in the antiquarian excavations at Glastonbury Abbey.