Beyond the Decisive Moment. Temporality and Montage in Paul Graham’s "A Shimmer of Possibility" (original) (raw)
Towards Ephemeral Narrative
Jacqueline Butler
Image & Narrative, 2011
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Empty Photographic Frames: Punctuating the Narrative
Nancy Pedri
Image & Narrative , 2014
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Modern Time: Photography and Temporality
Kris K Belden-Adams
International journal of technology, knowledge and society, 2009
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Photography, Cinema, Memory : The Crystal Image of Time
Alev Adil
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Photography and time: decoding the decisive moment
Rich Cutler
2013
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Filmic Conceptions of Time and Space in the Postmodern Novel
Lucy Panthaky
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Can a Single Still Picture Tell a Story? Definitions of Narrative and the Alleged Problem of Time with Single Still Pictures, Diegesis
Klaus Speidel
Diegesis, 2013
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Sparks of reality: on the temporalities of the photographic image
Nélio Conceição
Aisthesis, 2018
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Fiction, time, and room-space in three pictures by Jeff Wall
Daniel Spaulding
Res: Anthropology and Aesthetics, 2024
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Can a Single Still Picture Tell a Story? Definitions of Narrative and the Alleged Problem of Time
Klaus Speidel
2016
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The Montage, Time and Presence
Kenneth Feinstein
Springer series in design and innovation, 2023
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In Between Frames 2.0.: Time, Image and Remediation in Photography and Video Art (Two Case Studies)
Horea Avram
Ekphrasis. Images, Cinema, Theatre, Media, vol. 10, issue 2 (2013) (peer-reviewed)
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The Decisive Moment as an Event in Photographic Discourse
Leny Pimenta
Sino-US English Teaching, 2015
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From Sequence to Scenario: the Historiography and Theory of Visual Narration, 2011. PhD Thesis, University of East Anglia, School of World Art Studies and Museology, Norwich, UK
Gyöngyvér Horváth
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Can a Single Still Picture Tell a Story? Definitions of Narrative and the Alleged Problem of Time with Single Still Pictures
Klaus Speidel
Diegesis, 2013
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Narrative motion on the two-dimensional plane: the “video-ization” of photography and characterization of reality
Murat Germen
2010
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A Fold in Time: Filmic Readings of Still Photography
Alina Predescu
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Furtive Temporalities in the Contemporary Visual Image: The Case Studies of Stan Douglas, Doug Aitken and Mark Lewis
Toni Simó Mulet
Studies in Media and Communication, 2015
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Narratives, Photographs and the Experience of Memory
Margaret Hills de Zárate
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Visual Storytelling in the Photographic Works of Cooper & Gorfer/ a book review by Edith Lázár
Edith Lázar
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Time Exposure and Snapshot: The Photograph as Paradox
Thierry de Duve
October, 1978
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On Tangle Formations and Fluid Narratives: Scrapbooking and Photography in Extremely Loud and Incredibly Close
Michelle Lezana
English Studies in Latin America, 2017
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"The Cinematic Mode in Fiction", Frontiers of Narrative Studies, Vol. 4, Special Issue, 2018, pp. 24-47
Marco Bellardi
2018
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Time and Narrative
James Elkins
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Narrative, Photographs and the Experience of Memory - ATOL-2012
Margaret Hills de Zárate
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The Principle of Montage and Literature: Fragmented subjectivity as the subject-matter in novel, film and in digital forms of narration
Darko Strajn
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The Defragmenting Image: Stories in Cinematic Time-travel (pre copy-edit draft)
John Ó Maoilearca
Fragmentation of the Photographic Image in the Digital Age, 2019
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Bullet Time and Cyclical Time: the eternal moment in recent photographic practice.
Lisa Creagh
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“The Two Times of the Word: Reading and Watching Dadaist Photomontages”, in Vision in Motion Streams of Sensation and Configurations of Time, Michael F. Zimmermann (a cura di), Diaphanes, Zürich, 2016, ISBN 978-3-03734-522-1
Caterina Toschi
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Emplacing Time: Photography, Location, and the Cinematic Pilgrimage
Alberto Zambenedetti
Space and Culture, 2018
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The Temporal Structure of Pictorial Narrative Representation : A Methodological Essay (Part Two)
Shigebumi Tsuji
1985
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“Photographic Aberrations,” Discourse 32, no. 3 (Fall): 355–358.
Timothy Holland
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1+1=3: The Development of Photographic Narrative in Book Form
Jose Neves
The Abode of Anamnesis, 2021
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Between forever and never : the photograph as a bridge between past and present; memory and it's fiction, 1981-2009
Jenny Altschuler
2009
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"What Used to Lie Outside the Frame": Boundaries of Photography, Subjectivity and Fiction in Three Novels by J.M. Coetzee.
Ayala Amir
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