Spanish Literature The Picaresque (original) (raw)
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As is often the case with major celebrations, the 400 th anniversary of Don Quixote, Part I got the better of the celebrants. Many of the assorted enterprises held during 2005 merely served to commercialize the novel and its protagonist, from the fabrication of a "Ruta del Quijote" that takes the knight's incautious fan to places never mentioned in the book, to the marketing of overpriced sandals etched with Don Quixote's doleful countenance, which, I confess, I couldn't resist buying. Yet the occasion was also marked by academic activities of a far more productive sort, among them, various excellent conferences attended by distinguished cervantistas and a number of publications that have brought renewed attention to the centrality of Cervantes' novel within the Western European literary tradition. One such publication is the book under review, which rescues Don Quixote from a superficially iconic status by tracing its theoretical interconnections with the realist novel and its antecedents.
London/ New York, Routledge, 2022
and editorial mauer. R odrigo Cacho Casal and Caroline Egan; mdividual chapters, the contributors T he right of R odrigo Cacho Casal and Caroline Egan ro be idemilied as the aurhors of the editorial material, and of the authors for their individual chapters, has been asserred in accordance with secrions 77 and 78 of the Copyright, DcsigllS and Patents Act 1988. Al! rights reserved. No part of th1s book may be reprínted or re produced or milised in any form or by any electroníc, mechanical, or orhcr meons, now known or hereafter invented, including phorocopying and recording, or in any informar ion storage or retrieval system, without penuission in w riting from the publishers. 1rademark 11t11ice: Product or corporate names may be trademarks or registered traden1arks, and are used only tor 1demification ami explanation without iment ro infringe.
Unpublished typescript, 2010
El estudio emplea y adapta el concepto de “campo de producción literaria” de Pierre Bourdieu como noción organizadora para abordar una serie de preguntas sobre el éxito editorial del Guzmán de Alfarache y su importante papel en la formación temprana del ‘genero’ picaresco. Entre los interrogantes que se pretenden responder figuran cuestiones como, ¿a qué puede atribuirse el gran éxito del Guzmán de Alfarache? ¿Fue su éxito el resultado de cambios importantes en el campo de producción literaria? ¿Cuál es la relación de ese éxito y la formación temprana del ‘género’ picaresco? ¿Cuáles son los conflictos entre la intención autorial y la recepción lectora del Guzmán y cómo influyeron esas tensiones en las definiciones coetáneas de la ‘especie’ picaresca?
"'Hablillas o Lazarillo de Tormes ': On the Early Modern Limits of Literature and History"
Hispanic Review, 2019
The essay focuses on a reference made to Lazarillo de Tormes in a historiographic dispute at the royal court, involving Jerónimo Zurita’s Anales de la Corona de Aragón. It is argued that in the polemic on history-writing there are important clues as to how early moderns conceived and elaborated distinctions between historical and literary writing. The articulation of that difference developed in close association and engagement with discourses of ‘fact,’ rooted as they were in the Spanish legalistic tradition. The analysis of the interrelation of history and fiction offers evidence of how contemporary readers interpreted the Lazarillo de Tormes in the early 1560s.
“The dramatic world of Pedro Calderón de la Barca. A reappraisal of his tragic works”
The Routledge Hispanic Studies Companion to Early Modern Spanish Literature and Culture, eds. Rodrigo Cacho Casal and Caroline Egan, 2022
The Routledge Hispanic Studies Companion to Early Modern Spanish Literature and Culture introduces the intellectual and artistic breadth of early modern Spain from a range of disciplinary and critical perspectives. Spanning the sixteenth and seventeenth centuries (a period traditionally known as the Golden Age), the volume examines topics including political and scientific culture, literary and artistic innovations, and religious and social identities and institutions in transformation. The 36 chapters of the volume include both expert overviews of key topics and figures from the period as well as new approaches to understudied questions and materials. This invaluable resource will be of interest to advanced students and scholars in Hispanic studies, as well as Renaissance and early modern studies more generally.
“Fashioning the Ancien Régime”: Alarcón's "El sombrero de tres picos"
Hispanic Review, Vol 62, No. 2 (Spring, 1994), pp. 235-247.
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